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On the run after being framed by a psycho cop for murdering his bosomy overbearing girlfriend, a chick-magnet gas station attendant finds himself caught up in one large breasted misadventure after another. Posted for archival purposes.
Cosmo Debris’ “Let’s Just Forget About the Sex” is the video to his first funny musical hit that, strangely enough, debuted nationally on radio some time back. Lampooning the media’s fixation on sex and its audience’s frustration with it, Cosmo’s work is a smirking, catchy, dead-on breath of fresh air.
A collection of girly clips, set to a nicely bombastic piece of music.
This movie is made entirely from the vintage burlesque shorts available here at the PRELINGER ARCHIVES. Every shot involves nudity or near-nudity. Do not download this movie if you are a repressed, blue-nosed freak.
ADULT CONTENT ADVISORY: this grindhouse double feature simulation contains nudity and other content some viewers might find objectionable.
Your night in the sleazy side of town begins with three trailers and a Betty Page short, followed by the first feature, “Diary of a Nudist.” An intermission featurette is next, “Naked Fury,” followed by the second feature, “Revenge of the Virgins.”
NOTE: All of the items in this simulation are available separately in the Movie Trailers Collection (Trailers). the Short Format Films Collection (Shorts) and the Feature Films Collection.
‘Erotikon (1929)’ was released just as the arrival of “talkies” was stifling (at least temporarily) the artistry out of cinema, and it’s one of the most lusciously-photographed films of its era. Czech director Gustav Machaty blends melodrama with unexpectedly graceful visual flourishes that communicate emotions as well as actions. In moments of stress, and particularly when photographing the vigorous movement of trains (symbolising a fast-paced society that values fleeting sexual encounters over long-term commitments), he uses a frenetic hand-held camera to marvellous effect. Just watch how Machaty contrasts the slow, sensual bliss of the heroine’s first sexual encounter with the grotesque prolonged agony of child-birth. In both sequences, the camera is moving, capturing the numbing euphoria of the moment, but the overall emotional mood of each scene is quite disparate.
Following this beautifully-emotive opening act, ‘Erotikon’ begins to more closely resemble a romantic melodrama in the vein of, say, Milestone’s ‘The Garden of Eden (1928).’ There’s not only a romantic triangle, but a veritable polygon of competing affections: Andrea (Ita Rina) shuns a noble gentleman in favour of the man who (presumably) took her virginity, who himself is juggling a married mistress. Machaty, like F.W. Murnau, places particular emphasis on the human face, beautifully capturing the subtle inflections of suspicion, anger and desire that so unmistakably speak louder than words. Andrea finds herself in the upper- class social scene, which carries the faint stench of sleaze; it’s an environment that encourages disloyalty by its own shallowness and superficiality. The corruptive sexual indiscretion of Machaty’s upper- class reminded me of Jean Renoir, particularly ‘The Rules of the Game (1939)’ and ‘Elena and Her Men
‘The footage will haunt me for the rest of my life.’ Jeffrey Epstein survivor claims she watched tapes the pedophile made of his wealthy friends having sex with a female victim for ‘blackmail’ – and says she still has copies stashed
Epstein victim Sarah Ransome claims in a newly released deposition that she personally watched sex tapes the late financier made of his friends
She says that the footage showed two of his wealthy associates having sex with a female victim
Ransome said the footage will ‘haunt me for the rest of my life’
Epstein does not appear in the video, something that Ransome says showed how ‘clever’ he was
Ransome claims to have copies of the footage which she has stored at several secure locations around Europe
The bombshell claim gives new insight into the long-held theory that Epstein blackmailed his wealthy male friends with secretly recorded videos
French-Japanese film Director: Nagisa Ōshima Screenplay: Nagisa Ōshima
Genre: erotic drama Film forbidden to under 16 years old at the time of its release in France. The film is not classified as pornographic although it contains unsimulated sexual acts and the actors’ sex appears on screen. Release dates: Japan: October 16, 1976 France : September 15, 1976
1936, in the middle-class districts of Tokyo. Sada Abe, a former prostitute who has become a maid, likes to spy on the lovemaking of her masters and to relieve vicious old men from time to time. Her boss Kichizo, although married, will soon show his attraction for her and will involve her in an erotic escalation which will know no more limits. Kichizo now has two houses: the one he shares with his wife and the one he shares with Sada. The love and sexual relations between Sada and Kichizo are from now on spiced up by other relations, which are for them as many initiatory celebrations. Progressively, they will have more and more difficulty to do without each other, and Sada will tolerate less and less the idea that there could be another woman in the life of his companion. Kichizo finally asks Sada, during one of their sexual encounters, to strangle him without stopping, even if it means killing him. Sada accepts, strangles him until he dies, before emasculating him, in an ultimate gesture of mortification; then she writes on Kichizo’s chest, with the blood of the latter: “Sada and Kichi, now united”.
Casting: Eiko Matsuda: Sada Abe Tatsuya Fuji: Kichizo Aoi Nakajima: Toku Yasuko Matsui: the owner of the Tagawa Inn Meika Seri: Matsuko Kanae Kobayashi: Kikuryu Taiji Tonoyama: the old beggar Kyôji Kokonoe : Omiya Naomi Shiraishi : the geisha Yaeji
In the Realm of the Senses (Ai no corrida), by the always provocative Japanese director Nagisa Oshima, remains one of the most controversial films of all time. Based on a true incident, it graphically depicts the all-consuming, transcendent—but ultimately destructive—love of a man and a woman (Tatsuya Fuji and Eiko Matsuda) living in an era of ever escalating imperialism and governmental control. Less a work of pornography than of politics, In the Realm of the Senses is a brave, taboo-breaking milestone, still censored in its own country.
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“Dressage au Fouet” (Raising with the Whip), a remarkable, rare, purely fetishistic film (not porn) of a mistress disciplining her slave. Made by Jacques Biederer (Ostra Studio), a Paris photographer of high-class erotica. In the ’20s & 30s he made elegant (and humorous) “French postcard” type nudes – and incredible fetish pictures (spanking, whipping, S&M, pony play, etc.). Was astonished to discover he also dabbled in stag films. He influenced later artists John Willie, Irving Klaw, et al. (Blooper: You can glimpse a still cameraman on the right side for a second, possibly Biederer himself).
Leaked emails reveal how Hunter Biden was desperate to avoid jail for unpaid taxes – after blowing hundreds of thousands of dollars on luxury cars, prostitutes, drugs and designer clothing.
The bombshell cache of 103,000 text messages, 154,000 emails, more than 2,000 photos and dozens of videos from Hunter’s laptop and authenticated by experts retained by DailyMail.com are packed with revelations conveniently missing from his newly published memoir, Beautiful Things.
The pictures, documents, emails and texts reveal that despite reporting more than $6 million of income from 2013 to 2016, Hunter’s bacchanalian expenses left him with huge debts to credit card companies and the tax man.
When his ambitious business deals fell through and federal investigations began to close in on the President’s son, he wrote in an email he was concerned he ‘could go to jail’ and even threatened to take money out of his daughter’s education savings account.
The documents show that as well as keeping luxury cars including a 2014 Porsche, an Audi, a 2018 Ford Raptor Truck, an $80,000 boat, a Range Rover, Land Rover, BMW and Chevrolet Truck, Hunter also spent thousands of dollars on strippers and suspected prostitutes.