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Kenji Misumi, who directed the first installment of the Zatoichi series, returns with this tale in which the blind swordsman once again finds himself the protector of a child: a little girl pursued by both devious family members and bloodthirsty ruffians. Further complicating his journey is a new acquaintance—a tremendously skilled chess player (the charismatic Mikio Narita) who has mysterious motivations and a dark past.
BAD BOY BUBBY (1990) Director: Rolf de Heer. Cast: Nicholas Hope, Claire Benito, Ralph Cotterill, Syd Brisbane, Natalie Carr, Carmel Johnson, Nikki Price, Audine Leith, Lucia Mastrantone, Ullie Birve, Jip De Heer, James Ammitzboll, Grant Piro, Celine O’Leary, Dave Flannagan, Paul Philpot, Todd Telford, Paul Simpson, Stephen Smooker, Peter Monaghan, Mark Brouggy, James Bonifazio, Emma West, Bruce Gilbert, Michael Habib, Alan Holy, Betty Sumner-Lovett, Nellie Egan, Michael Constantinou, Alec Talbot, Norman Kaye, Michelle O’Regan, Gordon Poole, Jamie Nicolai, Pandy Tsimboulis, Rachael Huddy, Maryla Galus, Janet Kanda, Heather Slattery, Fille Dusselee, Stephanie Cooper, Bridget Walters, Graham Duckett, Andy McPhee, Tim Maloney, Geoff Revell, Lindsay Grose, Susan Ferguson, Josie Scattergood, Alan Huddleston, Laurel Aird, Paul Ammitzboll, Fran O’Donoghue, Vincenzo Andreacchio, Clemente de Salamanca, Olly Alick, Ryder Grindle, Kris Stewart, Joe Rossiter. Rating: (R) Restricted viewing.Addeddate 2021-03-30 00:27:53Color colorIdentifier bad-boy-bubby-1993Run time 1h 54mScanner Internet Archive HTML5 Uploader 1.6.4Sound soundYear 1993
The story of an imbecile who experiences many diffrent acpects of life, with a dirrfent set of eyes. This feels very similar to Forrest Gump, except that our archetype in the story, has an ability to collect our negitive energies, in un-equil ammounts. An antichrist nimrod A Gorrest Fump
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It is told that Hiram Moore (John Elliott), a miserly rancher, has a treasure hidden on his property and that a map to its location is hidden in his portrait. He dies in debt and prospective buyers are scared away by rumors that the ranch is haunted by his ghost. A spectral rider is seen on the ranch at night. A year after his death, his granddaughter, Jeanne Moore (Beth Marion), arrives from Santa Fe to assert her claim to the property. She meets Jerry Lane (Tom Tyler), who has just sold his ranch and stock, and wants to buy a ranch in the area. At the public auction, Jerry outbids both Jeanne and some crooks who are trying to get the ranch. Jrry invites Jeanne to stay at the ranch, and hires a Cockney, Eddie Parsons (Sammy Cohen), as his valet. Perdita (Soledad Jimenez), the ranch housekeeper is a spy for Brandon (Forrest Taylor), a rival rancher. Pedita helps Brandon steal the portrait, but Eddie, a kleptomaniac, has already swiped the map which was hidden in the portrait frame. Accordinng to the map, the treasure is buried at Tower Rock and can only be found under the light of a full moon. The moon turns full a week later. Tex, a gang member who has been impersonating the ghostly rider for Brandon, threatens to tell Jerry the truth. He is shot by Brandon’s foreman, Mark Graydon (Charles King) and Brandon frames Jerry for the murder.
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Archer Coe has been found dead in his locked bedroom. The cops consider it suicide, but Philo believes otherwise. When the Coroner shows up, he finds that Archer had been hit with a blunt object, stabbed and shot – making suicide unlikely. When the evidence points to his brother, Brisbane is found stabbed to death in the closet. Archer had a number of enemies, any one of which would have been glad to knock him off, but which one did and how did the murder occur in a room looked from the inside. Only one man, the keen, fascinating, debonair detective Philo Vance, would be able to figure out who is the killer.http://www.imdb.com/title/tt0024210/Addeddate 2007-06-11 11:09:10Color black and whiteIdentifier PhiloVanceTheKennelMurderCase1933Rights public domainRun time 1:13:03Sound soundYear 1933
Reviewer:ChiefMacon – favoritefavoritefavoritefavoritefavorite – March 23, 2019 Subject: The Director
Pay attention to the name of the director,Michael Curtiz,without a doubt the finest ever to come out of Hollywood.If I were to list all the great movies he directed there would not be enough room to list them all.Learn more about him,you will be enlightened!
Reviewer:30s girl – favoritefavoritefavoritefavoritefavorite – July 31, 2015 Subject: best Philo Vance made
William Powell is entertaining as always. Eugene Palette is wonderful as the detective. This movie is well acted by all. Probably the best Philo Vance, and there were many of them. Powell is by far the best, although Warren william was good, too. The plot is great and it’s not easy figuring out whodunit! The whole movie is so clever, I highly recommend this for all William Powell fans, in my top 10 favorite murder mysteries!
Reviewer:Aitchondo – favoritefavoritefavoritefavorite – August 26, 2012 Subject: Kennel Murder Case
“Oh, I always wear red flannel underwear.” “Me, too.” Gonna give it four stars although I shouldn’t because Philo should have known the difference between a revolver and an automatic. Still, I enjoyed the silliness.
Reviewer:popcornlove – favoritefavoritefavoritefavoritefavorite – August 24, 2012 Subject: enjoy! enjoy!
I love all of William Powell movie that I have seen and this is one more that I love seening.
Reviewer:porterville – favoritefavoritefavoritefavoritefavorite – September 20, 2010 Subject: Excellent Movie with William Powell
William Powell is excellent as Philo Vance in “The Kennel Murder Case.” An excellent plot, well paced, with the mystery holding until the end. Eugene Pallette does his usual good job in the main supporting role. Overall, an enjoyable film, which holds up after 77 years.
Reviewer:panzermort – favoritefavoritefavoritefavoritefavorite – September 10, 2010 Subject: Brilliant
Im so happy Ive found this fantastic site, after watching this great movie, William Powell is a very good actor of outstanding ability.
An ealier review has said he wishes Mr Powell had made more of the Philo Dectective movies well guess what he actually did. and here they are (also some other actors who likewise played philo)
The Canary Murder Case (1929) with William Powell as Philo Vance. The Greene Murder Case (1929) with William Powell as Philo Vance. The Benson Murder Case (1930) with William Powell as Philo Vance. The Bishop Murder Case (1930) with Basil Rathbone as Philo Vance. The Kennel Murder Case (1933) with William Powell as Philo Vance. The Dragon Murder Case (1934) with Warren William as Philo Vance. The Casino Murder Case (1935) with Paul Lukas as Philo Vance. The Garden Murder Case (1936) with Edmund Lowe as Philo Vance. The Scarab Murder Case (1936) with Wilfrid Hyde-White as Philo Vance. Reportedly, no prints exist of this British production. Night of Mystery (1937) (based on The Greene Murder Case) with Grant Richards as Philo Vance. Reportedly, no prints exist outside of university/museum collections. The Gracie Allen Murder Case (1939) with Warren William as Philo Vance, billed below Gracie Allen. Calling Philo Vance (1940) (very loosely based on The Kennel Murder Case) with James Stephenson as Philo Vance. Philo Vance Returns (1947) with William Wright as Philo Vance. Philo Vance’s Gamble (1947) with Alan Curtis as Philo Vance. Philo Vance’s Secret Mission (1947) with Alan Curtis as Philo Vance.
Reviewer:Budro – favoritefavoritefavoritefavoritefavorite – July 5, 2009 Subject: How I love it.
They just don’t make them like this any more. Today is just sex and violence. The Brits still make the old kind but the Americans have lost the touch. Such a shame.
Reviewer:surfvh – favoritefavoritefavoritefavoritefavorite – October 3, 2007 Subject: Best of the 4 Philo Vance movies
This was William Powell working up his Thin Man characterization. In the Philo Vance movies he starts out obviously trying to find a way to play a playboy detective. As he moves through the 4 movies you can see him begin to really hit his stride in the 3rd movie. In ‘The Kennel Murder Case’, you can see he has the role figured out, and is playing it with gusto. When he lands the Thin Man role, it is obviously because of his Philo Vance characterization in this movie. It’s too bad he didn’t keep doing more Philo Vance movies as well; then we would have twice as many great William Powell detective movies to watch. Enjoy this one, it’s a peach!
Reviewer:billbarstad – favoritefavoritefavorite – July 1, 2007 Subject: Good.
This baffling murder mystery has Van Dine’s detective Philo Vance solve a case with a surfeit of suspects and evidence with few clues. William Powell, as always, is great as the detective. The story moves quickly at the beginning, then slows but stays engaging. The ending seemed weak.
I downloaded the DivX file, which showed lots of dirt and scratches, is somewhat washed out, but is still easy to watch. The audio is fine.
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A film in two parts – at least half, probably more – is devoted to music – either by songster Tex Ritter or by the great Bob Wills and His Texas Playboys or Ritter with the Playboys. There’s even song and squeezebox accompaniment by Ritter’s sidekick Slim Whitaker, who also provides a bit of humor.. Fortunately, the music is good. Wheezy old Bob McKenzie (Deacon Ames) also provides the humor. The rest of the film has to do with the deceitful nice guy, perennial villain Karl Hackett (Storm) trying to wrest control of the stagecoach contract from pretty Terry Walker (Jane Winters). As things progress from Tex as hero at the beginning, he loses the trust of his friend Carlton Young (Ace) who sees Ritter as a rival for Walker, gets framed for robbery by Hackett, who also sends for hired gun Olin Frances (Mule Bates) to kill Ritter and is wanted by the sheriff. Whew! Finally, the last 7 or 8 minutes is all action with a stagecoach race and murder attempts, before Ritter and friends triumph. Worth sitting through, if just for the music.
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In Hamburg, Germany, convicted burglar and safe cracker Steve Wallace is released from prison.He served two years for a burglary that went wrong.Police inspector Hoffman drives Wallace home and tels him to stay out of trouble. During his heydays Wallace lived in style because the takes were good and he never got caught.This was back when he worked alone, for himself.Since he started working for local crime boss Miller things went wrong.Hence, the two year prison term he just finished.Wallace’s girlfriend, Anna, welcomes him home but home nowadays is a modest rented house on the outskirts of the city. Anna wants Steve Wallace to keep his nose clean from now on but Steve hates their modest living conditions.He asks Anna for permission to pull one more job and retire.She doesn’t agree but Steve will do it anyway.The ideal opportunity arises when crime boss Miller asks Steve to break into a high security high tech corporate building and steal one million dollars from the safe of an insurance company.The alarm is triggered by the slightest noise in the vault.Steve politely refuses to do the job for Miller but he plans to go solo, for himself.For this, Steve recruits a young circus acrobat,Marco, whom Steve recently met during a street brawl with crime boss Miller’s men
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It is told that Hiram Moore (John Elliott), a miserly rancher, has a treasure hidden on his property and that a map to its location is hidden in his portrait. He dies in debt and prospective buyers are scared away by rumors that the ranch is haunted by his ghost. A spectral rider is seen on the ranch at night. A year after his death, his granddaughter, Jeanne Moore (Beth Marion), arrives from Santa Fe to assert her claim to the property. She meets Jerry Lane (Tom Tyler), who has just sold his ranch and stock, and wants to buy a ranch in the area. At the public auction, Jerry outbids both Jeanne and some crooks who are trying to get the ranch. Jrry invites Jeanne to stay at the ranch, and hires a Cockney, Eddie Parsons (Sammy Cohen), as his valet. Perdita (Soledad Jimenez), the ranch housekeeper is a spy for Brandon (Forrest Taylor), a rival rancher. Pedita helps Brandon steal the portrait, but Eddie, a kleptomaniac, has already swiped the map which was hidden in the portrait frame. Accordinng to the map, the treasure is buried at Tower Rock and can only be found under the light of a full moon. The moon turns full a week later. Tex, a gang member who has been impersonating the ghostly rider for Brandon, threatens to tell Jerry the truth. He is shot by Brandon’s foreman, Mark Graydon (Charles King) and Brandon frames Jerry for the murder.
A torture club within a prestigious female high school. Right after Yuzuki Muto entered school, she becomes a member of the Torture Club. The club trains students secretly to enter military and police fields as interrogation experts. Senior student Aoi Funaki, who is a member of the club, tortures members including Yuzuki Muto.
IMPORTANT DISCLAIMER: THIS VIDEO DOES NOT REFLECT MY PERSONAL VIEWS AT ALL! I DO NOT CONDONE THE ROMANTICISM OF NAZISM OR THE FETISHIZATION OF NAZISM! TAKE THIS AS A LESSON AS TO WHY THIS KIND OF MEDIA WAS WRONG THEN AND WRONG NOW!
WARNING: THIS FILM CONTAINS GRAPHIC SEXUAL CONTENT, NUDITY AND DEPICTIONS OF SEXUAL VIOLENCE AND SEXUAL ABUSE! VIEWER DISCRETION IS ADVISED!
FOR ADULTS ONLY! 18+
Two female Army agents go undercover at a Nazi prison camp to get information from a scientist being held there.
From IMDb: A pair of detectives investigate the murder of an elderly millionaire who was the target of blackmail and death threats and find that there is no shortage of suspects, many of them in the victim’s own family.
Stars: Ray Walker, Berton Churchill, Irene Ware, Hobart Bosworth, Hedda Hopper, and E. E. Clive
MAD MAX: BEYOND THUNDERDOME (1985) Director: George Miller, George Ogilvie. Cast: Mel Gibson, Tina Turner, Angry Anderson, Frank Thring, Bruce Spence, Helen Buday, Emil Minty, Robert Grubb, Mark Spain, Angelo Rossitto, George Spartels, Paul Larsson, Edwin Hodgeman, Bob Hornery, Andrew Oh, Ollie Hall, Lee Rice, Max Worrall, Susan Leonard, Robert Simper, Virginia Wark, Geeling Ching, Ray Turnbull, Brian Ellison, Gerard Armstrong, Mark Kounnas, Rod Zuanic, Justine Clarke, Shane Tickner, Toni Allaylis, James Wingrove, Adam Scougall, Tom Jennings, Gerry D’Angelo. Travis Latter, Miguel Lopez, Paul Daniel, Tushka Bergen, Emily Stocker, Sandie Lillingston, Adam Willits, Ben Chesterman, Liam Nikkinen, Dan Chesterman, Christopher Norton, Katherine Cullen, Heilan Robertson, Gabriel Dilworth, Hugh Sands, Rebekah Elmaloglou, Marion Sands, Shari Flood, Kate Tatar, Rachael Graham, Pega Williams, Emma Howard, Tarah Williams, Joanna McCarroll, Daniel Willits, Toby Messiter, Tonya Wright, Charlie Kenny, Amanda Nikkinen, Flynn Kenney, Luke Panic, William Manning, James Robertson, Adam McCreadie, Sally Morton. Rating: (M) Mature viewing.
On the run after being framed by a psycho cop for murdering his bosomy overbearing girlfriend, a chick-magnet gas station attendant finds himself caught up in one large breasted misadventure after another. Posted for archival purposes.
Cosmo Debris’ “Let’s Just Forget About the Sex” is the video to his first funny musical hit that, strangely enough, debuted nationally on radio some time back. Lampooning the media’s fixation on sex and its audience’s frustration with it, Cosmo’s work is a smirking, catchy, dead-on breath of fresh air.
A collection of girly clips, set to a nicely bombastic piece of music.
This movie is made entirely from the vintage burlesque shorts available here at the PRELINGER ARCHIVES. Every shot involves nudity or near-nudity. Do not download this movie if you are a repressed, blue-nosed freak.
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“Sherlock Jr.” is an extraordinary comedy starring Buster Keaton.
Sherlock Jr. is ranked number 17 in the list of The Top 100 Silent Era Films of the influential website Silent Era.
In 1991 the film was selected for preservation in the National Film Registry as being deemed “culturally, historically, or aesthetically significant.”
The film has an outstanding 8.2 rating in IMDB.
Directed by Buster Keaton Produced by Buster Keaton Productions, Incorporated Scenario by Jean Havez, Joseph Mitchell and Clyde Bruckman Starring Buster Keaton, Ward Crane , Kathryn McGuire, Joe Keaton, Erwin Connelly Cinematography Byron Houck, Elgin Lessley Distributed by Metro Pictures Corporation Release date May 11, 1924 Running time 44 min. Country United States Language Silent film, English intertitles
She makes the bed and strips off at the same time!!! Hot work obviously. Early 1960s black and white film. Nice body, lovely ass. Good quality. Well worth the download.
Same lady as in “Vintage Striptease” but this time she strips for a bath. Superb 3 mins plus worth of vintage bathing. What a georgeous body!!! Circa 1950s
“The Floorwalker” is one of Charlie Chaplin’s Mutual short comedies, featuring Edna Purviance, a star of Silent Hall of Fame.
Directed by Charlie Chaplin Produced by Lone Star Corporation Scenario by Charlie Chaplin, Vincent Bryan Starring Charlie Chaplin, Eric Campbell, Edna Purviance Cinematography Roland H. Totheroh and W.C. Foster Distributed by Mutual Film Corporation Release date May 15, 1916 Running time 24 min. Country United States Language Silent film, English intertitles
“The Phantom Carriage” is a critically acclaimed drama, featuring director Victor Seastrom, a star of Silent Hall of Fame.
Victor Seastrom is both the leading star of the film and its director. He was successful in his native Sweden before making a career in the USA in 1924-1930.
A mean-spirited alcoholic drives his wife and little children away. Then one New Year’s eve dramatic events occur, which give him a chance to remember his whole adult life and the harm he has caused to his loved ones. Before leaving this world he has a chance to repent, but will he find the strength to do it?
Directed by Victor Sjöström (Seastrom) Produced by Charles Magnusson Scenario Victor Seastrom Based on the novel by Selma Lagerlof Starring Victor Seastrom, Tore Svennberg, Astrid Holm, Hilda Borgstrom Cinematography J. Julius Distributed by Metro Pictures Corporation (US) Release date June 4, 1922 Running time 106 minutes Country Sweden Language Silent film
Girl poses in her garden and finally dances. Lovely short film with an amatuer girl of the 1960s. If you like my stuff please comment, nothing like a bit of feedback.
“The Count” is one of Charlie Chaplin’s Mutual short comedies, featuring Edna Purviance, a star of Silent Hall of Fame.
Directed by Charlie Chaplin Produced by Lone Star Corporation Scenario by Charlie Chaplin Starring Charlie Chaplin, Eric Campbell, Edna Purviance Cinematography Roland H. Totheroh and W.C. Foster Distributed by Mutual Film Corporation Release date September 4, 1916 Running time 24 min. Country United States Language Silent film, English intertitles
Three clips of three girls from the 1960s. The last clip shows Candy Morrison on the beach with her tranny. A tranny back then was a tansister radio and a gay person was simply happy and outgoing. Coke was cola and a joint was a sleazy nightclub. Oh, how the language has changed since those times.
“Easy Street” is one of Charlie Chaplin’s Mutual short comedies, featuring Edna Purviance, a star of Silent Hall of Fame.
Directed by Charlie Chaplin Produced by Lone Star Corporation Scenario by Charlie Chaplin Starring Charlie Chaplin, Eric Campbell, Edna Purviance Cinematography Roland H. Totheroh and W.C. Foster Distributed by Mutual Film Corporation Release date January 22, 1917 Running time 23 min. Country United States Language Silent film, English intertitles
Copyright Disclaimer Under Section 107 of the Copyright Act 1976:
John Barrymore stars in the renowned silent adaptation of the Robert Louis Stevenson classic about a Victorian scientist who turns himself into a murderous abomination.
WOW!!! topless girls dancing (in colour). One girl gets a bit carried away thinking its a tits bouncing contest while the others dance in a more traditional 60s manner. Nice little film that you should enjoy from the late 1960s. Music by Lord Rockinghams 11, featuring Red Price (sax) and Cherry Wainer (electric organ) a big UK hit from 1958. AC3 audio codecs may be required.
“One Week” is a short comedy, starring Buster Keaton and featuring Joe Roberts, a star of Silent Hall of Fame.
This is the first film released by Buster Keaton after he started his own career following his apprenticeship with Roscoe Arbuckle. And what a beginning it was!
“One Week” was added to the National Film Registry in 2008 as being deemed “culturally, historically, or aesthetically significant”.
Directed by Eddie Cline, Buster Keaton Produced by Joseph Schenck Scenario by Eddie Cline, Buster Keaton Starring Buster Keaton, Sybil Seely, Joe Roberts Cinematography Elgin Lessley Distributed by Metro Pictures Release date September 1, 1920 Running time 22 min. Country United States Language Silent film, English intertitles
Popeye and Bluto are both running for president. They are tied with exactly the same number of votes, but Miss Olive Oyl has yet to cast her ballot. Which candidate will be able to impress her the most and earn her precious vote?
Credits
A Paramount Picture
Paramount Presents Popeye the Sailor Color by Technicolor By Arrangement with King Features Syndicate Inc.
A Famous Studios Production
Direction: Seymour Kneitel Animation: Tom Johnson, Frank Endres Story: Jack Mercer Scenics: Robert Connavale Music: Winston Sharples Approved MPAA Certificate No. 05849 RCA Sound System
Popeye for President Copyright (c) MCMLVI by Paramount Pictures Corporation All Rights Reserved
A Paramount Picture Color by Technicolor
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“Sherlock Jr.” is an extraordinary comedy starring Buster Keaton.
Sherlock Jr. is ranked number 17 in the list of The Top 100 Silent Era Films of the influential website Silent Era.
In 1991 the film was selected for preservation in the National Film Registry as being deemed “culturally, historically, or aesthetically significant.”
The film has an outstanding 8.2 rating in IMDB.
Directed by Buster Keaton Produced by Buster Keaton Productions, Incorporated Scenario by Jean Havez, Joseph Mitchell and Clyde Bruckman Starring Buster Keaton, Ward Crane , Kathryn McGuire, Joe Keaton, Erwin Connelly Cinematography Byron Houck, Elgin Lessley Distributed by Metro Pictures Corporation Release date May 11, 1924 Running time 44 min. Country United States Language Silent film, English intertitles
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“1776, or The Hessian Renegades” is a short war drama. The film is included in our program to illustrate the work of our stars Billy Bitzer, Arthur V. Johnson and Robert Harron.
The Hessians were German soldiers in service with the British during the American War of Independence. In the film a group of Hessians chases a revolutionary courier carrying an important message to George Washington.
Directed by D.W. Griffith Cinematography by Billy Bitzer, Arthur Marvin Starring Owen Moore, James Kirkwood, Mary Pickford, Robert Harron, Arthur V. Johnson Distributed by Biograph Company Release date September 6, 1909 Country United States Running time 10 m.
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February in the United States celebrates “Black History Month” and thus this offering by Oscar Micheaux…”Within Our Gates” [1920]. It is a powerful narrative of an era long gone and exemplifies the ugliness of racial prejudice, injustice, and philosophically the collective conscience of mob mentality and loss of identity.
Wikipedia…
Within Our Gates (1920) is a silent race film that dramatically expresses the racial situation in America during the violent years of Jim Crow, the Ku Klux Klan, the Great Migration, and the emergence of the “New Negro”. The story focuses on an African-American woman who goes North in an effort to help a minister in the Deep South raise money to keep a school open for poor Black children. Her romance with a black doctor eventually leads to revelations about her family’s past that expose the racial skeletons in America’s closet, most famously through the film’s depiction of a lynching. Produced, written and directed by novelist Oscar Micheaux, it is the oldest known surviving film made by an African-American director.
Le Voyage Dans la Lune (A Trip to the Moon) by Georges Méliès (1902)
George Melies’s `A Trip to the Moon’ welcomes a change in film making of the twentieth century. Combined with live action as well as models, the movie tells a story about astronauts who take a trip to the moon. The moon, having a human face captures the astronauts after they crash into its eye. They later escape the moon and it’s moon-men and make it back to earth safely. Melies wrote, directed and starred in this movie. He used many important techniques in his films to make them successful. Not only did he develop editing skills and superimposed images, he also used double exposure to complete the magic behind his films. Still used today, Melies’s special effects, small models, painted backgrounds, weird makeup and costumes were just some of the important things used in the movie `A Trip to the Moon.’ – by uoi_chick
Trivia: While on the moon, the astronomers watch the Earth rise over the horizon. To a person on the moon, the Earth never moves. It does not rise or set.
A pretty good digital copy of the reconstruction of this difficult-to-find film. Its problems, especially with the title screens (and the apparently abscounded sound track) notwithstanding, well worth watching here. Although I strongly dislike “best of all time”-type polls, in this case “La Passion” deserves its regular appearance at or near the top of such lists. Falconetti’s performance is peerless by any standard, the cinematography is magnificent, and the film’s naturalism is simply astonishing given the typical practices of the day (1925!). If you do not know this work, invest the time & concentration to give it a fair viewing & it just might change your life. It will at least profoundly alter your understanding of what a driven director can accomplish with very modest means. The final scenes, with Jeanne at the stake, just may not have any equal. And by the way, the script is largely taken verbatim from the actual transcript of her trial, so while Dreyer certainly has a particular point of view and espouses it with a somewhat melodramatic presentation (remember, 1925), the film is as historically accurate as almost any “documentary.”
Dumb luck sets some policemen on his trail — after a series of innovative escapes, he gets mistaken for a murderer with a price on his head, which means the people that aren’t chasing him are fleeing from him.
Dziga Vertov’s Man With A Movie Camera is considered one of the most innovative and influential films of the silent era. Startlingly modern, this film utilizes a groundbreaking style of rapid editing and incorporates innumerable other cinematic effects to create a work of amazing power and energy. Film pioneer Dziga Vertov uses all the cinematic techniques available at the time – dissolves, split screen, slow motion and freeze frames.
This movie is silent! But here are some music that i think fit to it The Drum & Bass from Digibeat Music
Director D.W. Griffith’s expensive, most ambitious silent film masterpiece Intolerance (1916) is one of the milestones and landmarks in cinematic history. Many reviewers and film historians consider it the greatest film of the silent era. The mammoth film was also subtitled: “A Sun-Play of the Ages” and “Love’s Struggle Throughout the Ages.” Griffith was inspired to make this film after watching the revolutionary Italian silent film epic Cabiria (1914) by director Giovanni Pastrone. Intolerance was a colossal undertaking filled with monumental sets, lavish period costumes, and more than 3,000 extras. The film consisted of four distinct but parallel stories that demonstrated mankind’s intolerance during four different ages in world history.
Hard-coded English subtitles. A new crime wave grips the city and all clues seem to lead to the nefarious Dr. Mabuse, even though he has been imprisoned in a mental asylum for nearly a decade.
The Testament of Dr. Mabuse (German: Das Testament des Dr. Mabuse) is a One of Fritz Lang’s most wellknown works, and a classic piece of German expressionism. A sequel to the silent film ‘Dr. Mabuse, der spieler’, archcriminal Mabuse has now been driven way beyond sanity and has spent the last eleven years in an asylum. Our dear doctor spent the first few years in a catatonic state, totally unreachable. Then one day something akin to progress was made. The patient started to scribble down what seemed like gibberish on the walls. The patient was given paper to write on, and since then Mabuse has been writing nonstop, line after line, paper after paper. Acknowledged doctor Baum has ever since taken a great deal of interest both in his patient and in this “work” of his. If one momentarily could just step inside Mabuse’s sick and twisted mind, then a cure might be possible… And then it happens. Baum manages to decipher the text, and realizes that what he has in his hand might very well be a political essay of the same importance and power as Machiavelli’s ‘The Prince’. Throw mankind in the deepest abyss of despair, Mabuse says, using any means possible. Through random acts of violence, through organized terrorism, whatever will lead mankind to the brink of destruction. And then claim power. Soon after this discovery strange crimes are being committed, and rumors of an organized criminal movement mobilizing underground are spread. It does not take long until Berlin is a city in terror. This is where commissioner Lohmann comes in, doing his best to trace down the roots of the terrorist groups. Strangely enough, the evidence seems to point towards – the asylum and Dr. Mabuse! The first half of this film is classic horror – through a visit to the asylum and a lecture by Baum we learn of Mabuse’s work. And when we, together with Lohmann, is introduced to Mabuse (locked up in his cell) and meet his maddened gaze…well, it’s a truly CHILLING moment! We also learn of how a young man with good intentions through poverty is forced to seek work in organized crime. While trying to leave the group he realizes there is only one way out: death. Another claustrophobic and suspenseful moment in the movie. Somewhere in the latter half of the movie things get a little out of hand. When the mystery with Mabuse’s influence on the outside world finally has been solved, some of the incredible dark atmosphere is lost. Instead we get more of a traditional crime/suspense-kind of film, and the high amount of plots makes the film drag on just a little too long. The eery atmosphere in the earlier parts of the movie, the fantastic expressionist style and many original and innovative moments makes this a ‘must-see’ for those with an interest for early German Cinema, or those looking for the roots to genres as horror and film noir. While the early parts of this movie is a definite masterpiece, the latter half feels somewhat flawed though.
Credits
Rudolf Klein-Rogge as Dr. Mabuse Otto Wernicke as Inspector Lohmann Karl Meixner as Detective Hofmeister Oscar Beregi Sr. as Professor Baum Theodor Loos as Dr. Kramm Gustav Diessl as Thomas Kent Wera Liessem as Lilli Rudolf Schündler as Hardy Oskar Höcker as Bredow Theo Lingen as Karetzki Hadrian Maria Netto as Nicolai Griforiew Camilla Spira as Juwelen-Anna Georg John as Baum’s servant
Locked away in an asylum for a decade and teetering between life and death, the criminal mastermind Doctor Mabuse (Rudolf Klein-Rogge) has scribbled his last will and testament: a manifesto establishing a future empire of crime. When the document’s nefarious writings start leading to terrifying parallels in reality, it’s up to Berlin’s star detective, Inspector Lohmann (Otto Wernicke, reprising his role from M) to connect the most fragmented, maddening clues in a case unlike any other. A sequel to his enormously successful silent film Dr. Mabuse: The Gambler, Fritz Lang’s The Testament of Dr. Mabuse reunites the director with the character that had effectively launched his career. Lang put slogans and ideas expounded by the Nazis into the mouth of a madman, warning his audience of an imminent menace, which was soon to become a reality. Nazi Minister of Information Joseph Goebbels saw the film as an instruction manual for terrorist action against the government and banned it for “endangering public order and security.” A landmark of mystery and suspense for countless espionage and noir thrillers to come, this is the complete, uncut original director’s version in a stunning new transfer.
A simple, haunting musical phrase whistled offscreen tells us that a young girl will be killed. “Who Is the Murderer?” pleads a nearby placard as serial killer Hans Beckert (Peter Lorre) closes in on little Elsie Beckmann . . . In his harrowing masterwork M, Fritz Lang merges trenchant social commentary with chilling suspense, creating a panorama of private madness and public hysteria that to this day remains the blueprint for the psychological thriller.
Harakiri is a silent, black and white film directed by Fritz Lang released in 1919. The inter-titles are in Dutch, however an English subtitle file (srt format) is muxed into the original mkv, and available separately as well. The subtitle source is unknown.
The source appears to be a VHS, the audio source and copyright is unknown. Quality is not the best, please upgrade if you have a better source!
It is recommended you download the original mkv file and play it in VLC Player.
A good doctor for those who cannot stop complaining. Listen to the doctor go to sleep take your laxatives with your sleep meds just like the good Doctor Caligari tell s you to Clean up the mess in the morning and everything will be just peachy keen. Be sure to take those laxatives with those sleep meds, and remember that you are all alone , be sure that the neighbors do not smell the horrible odor coming from your one room apartment , just clean up after yourself and always listen to the good Doctor Caligari, who always has your best interests at heart. This film is safely in the PUBLIC DOMAIN
A good doctor for those who cannot stop complaining. Listen to the doctor go to sleep take your laxatives with your sleep meds just like the good Doctor Caligari tell s you to Clean up the mess in the morning and everything will be just peachy keen. Be sure to take those laxatives with those sleep meds, and remember that you are all alone , be sure that the neighbors do not smell the horrible odor coming from your one room apartment , just clean up after yourself and always listen to the good Doctor Caligari, who always has your best interests at heart. This film is safely in the PUBLIC DOMAIN
Zwischen den Zeiten ist ein deutscher Spielfilm aus dem Jahr 2014. Der Film erschien in der Reihe Herzkino des ZDF und wurde aus Anlass des 25. Jahrestags der Maueröffnung am 9. November 2014 erstmals ausgestrahlt.
Die West-Berliner Schülerin Annette Schuster hat sich 1986 bei einem Schulausflug in die DDR in den Potsdamer Schüler Michael Rosch verliebt. Rosch versteckt sich in ihrem Schulbus, um aus der DDR zu fliehen, wird aber von ihr entdeckt. Sie hat Angst vor möglichen Folgen und wirft ihn aus dem Bus. Das MfS hat den Fluchtversuch beobachtet, bedroht ihn mit einer Gefängnisstrafe und wirbt ihn stattdessen alsinoffiziellen Mitarbeiter an. Später wird er zum IM im besonderen Einsatzbefördert, darf Medizin studieren und forscht Medizinstudenten, Ärzte-Kollegen und die renommierte Strahlenforscherin Prof. Dagmar Evert aus.
Heute (2014) arbeitet Annette Schuster als Teamleiterin bei der Rekonstruktion von 16.000 Säcken mit zerrissenen Stasi-Akten mit. Auch ihr Ehemann arbeitet als Historiker im Team. Sie hat einen längst erwachsenen Sohn aus ihrem Potsdamer Liebesabenteuer, der seinen leiblichen Vater nicht kennt.
Eines Tages entdeckt sie zerrissene Observationsfotos ihres damaligen Liebhabers, kurz darauf seine IM-Akte mit handschriftlicher Verpflichtungserklärung. Sie gibt sich eine Mitschuld an seiner späteren Stasi-Karriere, sucht die Aussprache mit ihm und verliebt sich erneut in ihn …
Die Drehbuchautoren wurden von einem authentischen Fall inspiriert.
Begleitend zur Liebesgeschichte, wurde eine eigene ZDF-History-Folge produziert, in der Erkenntnisse aus dem Schnipselprojekt vorgestellt werden.
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A Biographical film about Mary Queen of Scotland and her perpetual rival Elizabeth I of England. This Film features the fictional meeting of the two queens. Starring Vanessa Redgrave as Mary Stuart and Glenda Jackson as Elizabeth I of England.
Jesus of Nazareth,the son of God raised by a Jewish carpenter. Based on the gospel of Luke in the New Testament,here is the life of Jesus from the miraculous virgin birth to the calling of his disciples, public miracles and ministry, ending with his death by crucifixion at the hands of the Roman empire and resurrection on the third day
Starring Seymour Hicks as the title character, Scrooge is a faithful adaptation of the classic Charles Dickens’ novel A Christmas Carol about a heartless miser who discovers the true meaning of Christmas when three ghosts visit him on Christmas Eve. Hicks co-wrote the screenplay to this film, which is a thoroughly entertaining and effective retelling of a familiar story
http://viewster.com – watch MORE free movies on http://www.viewster.com When the Florida Panhandle is hit by a “Category 5” hurricane, the President of the United States has no choice but to reactivate the Florida Militia to restore order in the region. In their quest to restore stability to an unstable area, the Militia is ordered to ‘shoot looters’. When one of the looters tracked down and shot is the grandson of a Voodoo Queen, all hell breaks loose as she seeks revenge on the Militia.
http://viewster.com – watch MORE free movies on http://www.viewster.com A young woman, Dakota has finally found a way to control her Lycanthrope metamorphosis and desires to live a normal life. All might be well if not for Dakota’s pack, who wants a different life for her to live in werewolf immortality and hunt with them forever! Dakota attempts to flee to the city and tries to hide from her pack and but they it aggressively seeks out Dakota in the city, where Dakota has enlisted the help of a shady nightclub owner and his hired assassins to help her combat her past. It becomes a battle where only the strongest will survive! Will Dakota break free from her past? Or will she succumb to the Curse of the Wolf!
http://viewster.com – watch MORE free movies on http://www.viewster.com Germany (2008) A dead woman revenges herself in an unusual manner. People seem to have no choice and are getting killed one by one. The horror begins, the police has no clue and a love story turns into tragedy. GERMAN version with English subtitles! Do you like this movie? Then why don’t you flatter it? https://flattr.com/thing/95899/Death-Hospital-Sovia
A hired assassin weighs his loyalty against his life after being dispatched to eliminate his latest target and falling for a beautiful woman with ties to the very man standing in the center of his crosshairs. Rob (Kristof Robinson) was always a professional, but this time the job has become personal. Realizing that the consequences of betraying his partner and disobeying his direct orders may result in death or worse, Rob attempts to remember what it meant to fight for something he truly believes in while carefully playing both sides and waiting for the perfect moment to play his hand.
It’s said that women will take a boy’s mind of his schoolwork, and one young man finds out just how true that is in this frantic comedy. Peter Broadhurst (Topher Hopkins) is a high school senior whose mother Bev (Della Hobby) is bound and determined to see that her boy goes on to college. However, Bev isn’t quite sure how to pay Peter tuition, since her job at the supermarket barely covers food and rent on their space in the trailer park. Sally (Darlene Demko) is a local woman who has had her eye on Peter for some time, and while he’s had little experience with the opposite sex in the past, that quickly changes when Sally and her friend Randy (Rene Orobello) invite Peter over for some less-than-wholesome fun and games. Peter’s introduction to the world of kinky sex proves to be quite revelatory — to the point where Peter not only doesn’t care how college gets paid for, he doesn’t much care if he goes or not. Raging Hormones received the Audience Award as “Best Feature” at the 1999 New York International Independent Film and Video Festival, as well as a jury award as “Best Comedy.”
This lurid but entertaining Italian/Spanish twist on the Frankenstein legend begins with Baron Frankenstein (Joseph Cotten) being assisted in his research by his sultry daughter Tania (Sara Bay). The doctor’s first attempt at a stitched-together creation results in a lumpy, pop-eyed monstrosity with little of the expected respect for its creator. In fact, the monster begins its rampage by murdering the Baron and escaping into the surrounding village. The younger Frankenstein returns from medical school with newly-acquired surgical expertise and a desire to follow in her late father’s footsteps. She soon begins work on a creation of her own by transplanting the brain of her brilliant but deformed assistant Charles (Paul Müller) into the body of a brawny handyman. The result is a handsome and powerful male creature not only capable of destroying the original monster, but virile enough to satisfy his creator’s overwhelming sexual appetites. Tania is apparently quite eager to test the latter, and she does quite frequently, as indicated in the film’s numerous softcore sex scenes. This lengthy romantic interlude is cut short when the first monster returns to finish what he started. Directed by Mel Welles (who B-movie fans will remember as Gravis Mushnik from Roger Corman’s cult classic Little Shop of Horrors), this film plays like a sexually-obsessed version of an early Hammer production.
A massive, man-eating crocodile is heading for the city, and it’s up to an elite team of soldiers to prevent the creature from feasting on the unsuspecting urbanites who live there.
The time travel drama Dream of a Warrior stars Leon Lai as Dean, a police officer who must travel back in time to save Rose, the daughter of the time machine’s inventor. Making matters more difficult is that fact that the brave man loves Rose, who is stuck in the past…and the time machine breaks.
USA (2007) Renowned “ghost hunter”, Carter Simms is paid to conduct a paranormal investigation of a supposedly haunted house
A paranormal investigator determined to prove that there is life after death investigates the house where an unspeakable tragedy occurred in director Sean Tretta’s low-budget ghost story. The year was 2002. Carter Simms was a ghost hunter whose meticulous approach to studying the supernatural had earned her a $5000 offer to perform a paranormal investigation of the notorious “Masterson House.” Twenty years ago, respected Minister Joseph Masterson, is devoted wife, and their adorable daughter where ruthlessly slaughtered inside their family abode. To this day, the locals insist that the house where these unspeakable acts occurred is still haunted. After recruiting a videographer, a reporter, and a spiritual advocate to assist the investigation, Simms and her small crew settled prepared to prove once and for all whether “Masterson House” was truly haunted. Three days later, Simms was dead. What sinister events unfolded in that unholy house of death? In this film, viewers are invited to follow along on that fateful investigation and find out firsthand just what awful otherworldy force sent this seasoned ghost hunter to her grave.
David Hasselhoff plays one of three bounty hunters in search of a much-wanted criminal. The reward is astronomical, so it’s understandable that the cops want Hasselhoff and company to make themselves scarce. No matter what the law throws in their path, however, the three heroes will not be deterred. Bail Out costars Linda Blair and John Vernon. Though filmed in 1988, Bail Out wasn’t released until 1990, upon Hasselhoff’s success on television’s Baywatch.
This quirky animated take on the classic tale of Robin Hood finds Tom spying for the Sherriff of Nottingham and Prince John. When he realizes his employers have foul plans for Maid Marion, he enlists Jerry to help him save Maid Marion and bring the true king back safely.
A young frontier scout helps guide a freight wagon train across the country, fighting off Indians and evil traders, while his two crusty companions try and save him from falling in love.
A tale of the love between ambulance driver Lt. Henry and Nurse Catherine Barkley during World War I
Farewell to Arms is the second film version of Ernest Hemingway’s World War One novel–and also the last film produced by David O. Selznick (Gone with the Wind). Rock Hudson plays an American serving in the Italian Army during the “War to End All Wars”. Jennifer Jones is his lover, a Red cross nurse. They have a torrid affair, which results in Jones’ pregnancy. As the months pass, Hudson and Jones lose contact with one another, and Jones believes that Hudson has forgotten her. But a battle-weary Hudson finally makes it to Switzerland, where Jones is hospitalized. The baby is stillborn, and Jones dies shortly afterward, murmuring that her death is “a dirty trick.” Filmed on a simpler scale in 1932 (with Gary Cooper and Helen Hayes starring), A Farewell to Arms was blown all out of proportion to “epic” stature for the 1957 remake–so much so that its original director, John Huston, quit the film in disgust. Still, the basic love story is touchingly enacted by Rock Hudson and Jennifer Jones.
A man needing money agrees to impersonate a nonexistent person who said he’d be committing suicide as a protest, and a political movement begins
The first of director Frank Capra’s independent productions (in partnership with Robert Riskin), Meet John Doe begins with the end of reporter Ann Mitchell’s (Barbara Stanwyck) job. Fired as part of a downsizing move, she ends her last column with an imaginary letter written by “John Doe.” Angered at the ill treatment of America’s little people, the fabricated Doe announces that he’s going to jump off City Hall on Christmas Eve. When the phony letter goes to press, it causes a public sensation. Seeking to secure her job, Mitchell talks her managing editor (James Gleason) into playing up the John Doe letter for all it’s worth; but to ward off accusations from rival papers that the letter was bogus, they decide to hire someone to pose as John Doe: a ballplayer-turned-hobo (Gary Cooper), who’ll do anything for three squares and a place to sleep. “John Doe” and his traveling companion The Colonel (Walter Brennan) are ensconced in a luxury hotel while Mitchell continues churning out chunks of John Doe philosophy. When newspaper publisher D.B. Norton (Edward Arnold), a fascistic type with presidential aspirations, decides to use Doe as his ticket to the White House, he puts Doe on the radio to deliver inspirational speeches to the masses — ghost-written by Mitchell, who, it is implied, has become the publisher’s mistress. The central message of the Doe speeches is “Love Thy Neighbor,” though, conceived in cynicism, the speeches strike so responsive a chord with the public that John Doe clubs pop up all over the country. Believing he is working for the good of America, Cooper agrees to front the National John Doe Movement — until he discovers that Norton plans to exploit Doe in order to create a third political party and impose a virtual dictatorship on the country. The last of Capra’s “social statement” films, Meet John Doe posted a profit, although Capra and Riskin were forced to dissolve their corporation due to excessive taxes.
Scrooge, the ultimate Victorian miser, hasn’t a good word for Christmas, though his impoverished clerk Cratchit and nephew Fred are full of holiday spirit. But in the night, Scrooge is visited by spirits of another color.
Starring Seymour Hicks as the title character, Scrooge is a faithful adaptation of the classic Charles Dickens’ novel A Christmas Carol about a heartless miser who discovers the true meaning of Christmas when three ghosts visit him on Christmas Eve. Hicks co-wrote the screenplay to this film, which is a thoroughly entertaining and effective retelling of a familiar story
The story of the film is adapted from the Old Testament: The Philistines declare war on the Israelites and wrench the Arch of the Allience from them. Saul, the king of Israel, listens meanwhile to the words of the prophets who tell him that the new king will be a young shepard called David. But still David has to fight the enemy in form of their mighty giant Goliath
Born of Hope is an independent feature film inspired by the Lord of the Rings and produced by Actors at Work Productions in the UK. http://www.bornofhope.com
Thanks to Chris Bouchard and the H4G team for putting the film here. For more films by the makers of this and BoH extras please visit.
ActorsatWork http://www.youtube.com/actorsatwork
A scattered people, the descendants of storied sea kings of the ancient West, struggle to survive in a lonely wilderness as a dark force relentlessly bends its will toward their destruction. Yet amidst these valiant, desperate people, hope remains. A royal house endures unbroken from father to son.
This 70 minute original drama is set in the time before the War of the Ring and tells the story of the Dúnedain, the Rangers of the North, before the return of the King. Inspired by only a couple of paragraphs written by Tolkien in the appendices of the Lord of the Rings we follow Arathorn and Gilraen, the parents of Aragorn, from their first meeting through a turbulent time in their people’s history.
Maggie Hayward (Bridget Fonda) is a drug addict found guilty of murdering a police officer, and is sentenced to death by lethal injection. However, her death is faked, and a secret government agent named Bob (Gabriel Byrne) informs her that she is to become an operative. Maggie, having little choice, agrees to cooperate and she begins a regimen of intensive training that includes etiquette and computer use.
Operative Amanda (Anne Bancroft) transforms her into a refined, beautiful woman. She is taken on a dinner date with Bob, who informs her about the first job: an assassination of a VIP eating at the same restaurant. Maggie completes the task, and escapes pursuit by fleeing down a laundry chute. This task was her final test, and she has now completed her training.
The following morning she leaves for Venice, California, where she enters into a romantic relationship with apartment house manager J.P. (Dermot Mulroney). While her first assignments, both hit jobs, are ultimately successful, Maggie quickly comes to hate her work and tries to quit her job as a professional killer. As things progress between her and J.P., she asks for help in leaving the agency. Her request is denied, but Bob agrees to get her out of the agency if she completes the next task.
The new job is to masquerade as Angela (Olivia d’Abo), the girlfriend of Fahd Bakhtiar (Richard Romanus), an Iranian trading in nuclear weapons. However, taking out Angela proves problematic and results in the deaths of Angela’s two bodyguards and the injury of Maggie’s partner, Beth (Lorraine Toussaint). Director Kaufman then sends in Victor, a ‘cleaner’ (Harvey Keitel) to get rid of the bodies. Unknown to Maggie, however, he has also been ordered to kill both agents as well. After killing the wounded Beth in front of Maggie, he drives her to Fahd’s home. At gunpoint she gets Fahd to unlock his computer and reveal his secrets, but he avoids execution and she is forced to flee.
As they purportedly drive back to her residence, Maggie sees a gun in Victor’s waistband and correctly suspects he’s going to kill her. This leads to a struggle and the car spins out of control. Finally, Victor is dragged over a ravine and killed. Maggie makes her way back to her apartment, but leaves sometime during the night. Bob subsequently learns of her disappearance from J.P. As Bob is leaving, he sees Maggie watching him through the mist. Instead of reporting her, though, he calls Kaufman and informs him, after some hesitation, that the cleaner and Maggie are both dead.
Red Heat is a 1988 buddy cop film directed by Walter Hill. The film stars Arnold Schwarzenegger, as Moscow narc Ivan Danko, and James Belushi, as Chicago detective Art Ridžić. Finding themselves on the same case, Danko and Ridžić work as partners to catch a cunning and deadly Soviet Georgian drug kingpin, Viktor Rostavili (Ed O’Ross), who also happens to be the killer of Danko’s previous partner back in Soviet Russia.
The film was released with the tagline “Moscow’s toughest detective. Chicago’s craziest cop. There’s only one thing more dangerous than making them mad: making them partners.” It was the first American film given permission to shoot in Moscow’s Red Square – however, most of the scenes set in the USSR (with the exceptions of the establishing shots under the main titles and the final lengthy shot in Red Square behind the end credits) were actually shot in Hungary. Schwarzenegger was paid a salary of $8 million for his role in the film.[2] It has found a cult audience amongst fluent Russian speakers because of the movie’s weak portrayal of the Russian language and stereotypes.
A boy who communicates with spirits that don’t know they’re dead seeks the help of a disheartened child psychologist.
Malcom Crowe is a child psychologist who receives an award on the same night that he is visited by a very unhappy ex-patient. After this encounter, Crowe takes on the task of curing a young boy with the same ills as the ex-patient. This boy “sees dead people”. Crowe spends a lot of time with the boy (Cole) much to the dismay of his wife. Cole’s mom is at her wit’s end with what to do about her son’s increasing problems. Crowe is the boy’s only hope. Written by Jeff Mellinger.
Discover the secret of ‘The Sixth Sense’!!!!
Pan’s official entry to the 2008 Academy Awards, this multi-award winning thriller screened at the 2007 Cannes Film Festival. Produced by hotshot Latin American director Guillermo del Toro (Guillermo del Toro). A rare film that’s both frightening and moving.
Days Of Glory was nominated for Best Foreign Language Film Oscar at the 2007 Academy Awards, and the Palme d’Or at the 2006 Festival de Cannes.The year is 1943. France is at war. Four Algerian men – Saïd, Abdelkader, Messaoud and Yassir -like 1,30,000 others, enlist in the French Army to save a country they have never seen. A country that discriminates against them. The story of the forgotten North African “indigenous” heroes and their loyalty to an ungrateful fatherland.
Set in the kingdom of Ehb, the story follows Farmer (Jason Statham), who was adopted by his village. When Farmer’s wife, Solana (Claire Forlani), and his son leave to sell vegetables at the town of Stonebridge, Farmer’s farm is attacked by creatures called Krugs. With the help of his friend and neighbor Norrick (Ron Perlman), he travels to Stonebridge where his wife and son are. Before he arrives, the Krugs, controlled by the wizard Gallian (Ray Liotta), kill his son and capture his wife. Farmer, with the help of Bastian (Will Sanderson), his brother-in-law, and Norrick sets out to find and rescue his wife. The King’s nephew Fallow (Matthew Lillard) is conspiring with the wizard Gallian to take over the kingdom led by King Konreid (Burt Reynolds).
Robert Redford and Brad Pitt. Retiring CIA agent Nathan Muir recalls his training of Tom Bishop while working against agency politics to free him from his Chinese captors.
“On a routine trip returning The Joker to Arkham Asylum, the Dark Knight himself must deal with traps set within its inner sanctums, purposely set by the now escaped Joker, along with the rest of his rogues’ gallery that are now free within the premises.”
Here is ‘Batman: Arkham Asylum’ presented as a full-length feature game-movie.
The Prestige is a 2006 British-American mystery thriller.
The story follows Robert Angier and Alfred Borden, rival stage magicians in London at the end of the 19th century. Obsessed with creating the best stage illusion, they engage in competitive one-upmanship with tragic results.
Crying Freeman is a 1995 French and Canadian produced action film, directed by Christophe Gans, based on the “Portrait of a Killer” arc of the best-selling manga of the same name by Kazuo Koike and Ryoichi Ikegami.
Despite being heavily promoted by Viz Media on Animerica magazine and reprints of the Crying Freeman graphic novel, the film was never released in the United States.
A lethal assassin for a secret Chinese organisation, who sheds tears of regret each time he kills, is seen swiftly and mercilessly executing three Yakuza gangsters by a beautiful artist. She is captivated by the grace of his kill and later falls in love with him. An intense power struggle for the leadership of the Yakuza Clans ensues as they seek vengeance for the death of their leader. They soon realise the fatal mistake of underestimating the deadly skills of the Crying Freeman.
Starring;
Mark Dacascos
Julie Condra
Tchéky Karyo
Byron Mann
Yoko Shimada
Masaya Kato
Rae Dawn Chong
Mako
A criminology professor (Lugosi) operates a charitable mission by day, and leads a gang of master thieves by night. Anyone who dares get in his way ends up buried in his cellar—until a mad doctor reanimates the corpses to exact their revenge!
Bowery at Midnight casts Bela Lugosi as Professor Brenner, a psychology instructor at New York University (which looks a lot like Berkeley in the exterior shots!). When not enlightening his students — most of them buxom Monogram starlets — Brenner is engaged in charitable work, running a mission in the Bowery. In truth, however, the kindly professor is a fiend in human form, who uses his mission as a front for a vast criminal empire. When Judy (Wanda McKay), one of Brenner’s students, stumbles onto the truth, she’s targeted for extermination by the Dr. Jekyll-and-Mr. Hyde prof.
Dr. Carruthers plots his revenge on his employers who are making a profit off of his invention. He electrically enlarges bats and sends them out to kill his employers’ family by instilling in the bats a hatred for a particular perfume he has discovered, which he gets his victims to apply before going outdoors. Johnny Layton, a reporter, eventually figures out Carruthers is the killer. He puts the perfume on himself and Carruthers in the hopes he will reveal himself, but the bats swoop on in before he get a confession.
This campy, entertaining cheapie from PRC Pictures features Bela Lugosi as a chemist who plots an elaborate revenge scheme on his business partners, whom he feels have cheated him out of his share. To this end he develops a mutant breed of vicious, oversized bats and trains several of this breed to home in on a special chemical which he then blends with shaving lotion. Presenting gifts of the lotion to his partners as a peace offering (and browbeating them into splashing it on themselves while in his presence), he subsequently unleashes his monstrous pets to tear them to pieces. Believe it or not, this was one of PRC’s more successful horror programmers, spawning a the sequel Devil Bat’s Daughter.
When a wealthy plantation owner becomes obsessed with a beautiful but unattainable woman, he strikes a devil’s bargain with a sinister voodoo master (Lugosi)!
In this haunting low-budgeter, Bela Lugosi stars as Murder Legendre, a shadowy character who exercises supernatural powers over the natives in his Haitian domain. Coveting Madge Bellamy as his bride, wealthy Robert Frazier enters into an unholy agreement with Lugosi, whereby Madge will die, then be resurrected as a zombie.
A frenzied scientist (Lugosi), conducting experiments in evolution on a remote tropical island, finds the perfect lab rats when two jokers parachute into his jungle lair!
Bela Lugosi plays a mad scientist in the jungle who stumbles across a couple of comedians (intended to resemble Dean Martin and Jerry Lewis) and proceeds to use them as lab mice in his experiments.
The mysterious Vampire comes to England to complete experiments in his mad bid to gain control of the world. When his radar-controlled robot is accidentally delivered instead to Mother Riley, the Vampire, through radar control, has the Robot transport itself as well as Mother Riley to the proper destination. The old lady goes into a whirl of hilarious action in an effort to ruin his evil plans.
A scientist injects himself with serum that turns him into an atom age vampire that kills without guilt..
A less-stylish variant on Franju’s classic Les Yeux Sans Visage, this low-budget Italian production borrows heavily from that film’s plot to tell the tale of a scientist who employs a radical new procedure to restore the beauty of a young hoochie-koochie dancer disfigured in a car accident. All goes well after the bandages come off… but after all, this is a horror film, and it’s only a matter of time before the young lass begins transforming into a monster — which, despite the title, is not really a vampire, but more like something resembling an overcooked pizza roll with eyes. In order to return her to normal, the loony doc sets out to “borrow” the faces of other young women without their permission. Released in its native country (where the dubbing might have been a bit less painful) as Seddock, L’Ereda de Satana or Seddock, Heir of Satan.
It’s Vampire vs Vampire when a young outcast (Smith) sets out to find the true identity of his father! Also known as Seed of Terror
This dark, violent British production stars Michael Pataki as a brutish vampire apparently lacking in Dracula’s powers of seduction, since he finds it necessary to brutally rape a young woman (Kitty Vallacher) in order to sire a child. The product of this unholy mating is a half-human, half-vampire baby boy, bottle-fed on the blood of his now-insane mother (a truly sickening sight) until her eventual death from anemia. Later as a young man, the son (William Smith) is able to spend short periods in daylight, and his bloodlust is considerably lesser than that of his father. Tormented nevertheless by his evil condition, he curses his bloodline and defies his vampire heritage, tracking his father down to the university where he teaches occult sciences. Aside from Pataki’s coarse but imposing performance, this low-budget film is a fairly routine genre entry, but the climactic, bloody duel between father and son vampires is quite gripping.
Abraham Lincoln is reinvented as a vampire-killing president in this Timur Bekmambetov-directed action picture starring Benjamin Walker, Mary Elizabeth Winstead, Rufus Sewell, and Dominic Cooper. Pride and Prejudice and Zombies author Seth Grahame-Smith adapts his own book for 20th Century Fox. Tim Burton produces alongside Bekmambetov and Jim Lemley.
Bane was a sword-weilding warrior 500 years ago. Now he is a vampire bored with immortal life. To keep things exciting, he fights humans, forcing them into mortal combat. John O’Ryan is a retired marine, trying to start a new life with his wife Heather, free of the violence of war. A chance meeting brings the two together and Bane thinks he has found his next opponent. Its just a matter of finding the right incentive. When Bane abducts Heather, he has no idea what he has started. This soldier will stop at nothing to fullfill his mission, taking out every vampire that gets in his way. A sharp piece of wood in the heart takes on a whole new meaning in the hands of this martial-arts weapons expert.
Cat Stevens and Hutch Bessy join forces with circus performers and townsfolk to fight against Honey Fisher and his henchmen who have managed, through swindling, murder, and terror, to gain leases on the important gold-yielding land in the area.
A tough adventurer and his sidekick find outlaws and rowdy women in this action-filled spaghetti western.
A raunchy, playfully obscene British sex comedy that mingles the adult animation absurdity of Monty Python’s Flying Circus and the libidinous madness of American Pie, The Pinocchio Effect chronicles the rise and fall of a man’s erection, a rib-tickling quest for the holy grail of sex, and one man’s triumph over his own dorky, self-repressing nature and the “well-endowed” forces of nature around him.
Judge Foster throws his daughter out because she married a circus man. She leaves her baby girl with Prof. McGargle before she dies. Years later Sally is a dancer with whom Peyton, a son of Judge Foster’s friend, falls in love. When Sally is arrested McGargle proves her real parentage.
Pioneering filmmaker D.W. Griffith directed W.C. Fields in his first starring role in this silent comedy. When Mary Foster runs away from home to marry her sweetheart, a circus performer, she does so against the wishes of her socially prominent parents (Erville Alderson and Effie Shannon), who make no secret of their anger and disappointment. Mary begins travelling with her husband, and she makes friends with Prof. Eustace McGargle (W.C. Fields), a crusty but good-hearted cardsharp working with the carnival. When both Mary and her husband die, their daughter Sally is left in McGargle’s care. Sally grows to adulthood (now played by Carol Dempster) and becomes a dancer with the circus; while McGargle has grown quite fond of the child, he wonders if she might not be better off with her grandparents, who can better provide for her and give her a stable home, though he’s kept their identity a secret from her. While performing in the town of Green Meadows, Sally catches the eye of the wealthy and charming Payton Lennox (Alfred Lunt), but Sally must overcome the prejudices of Payton’s parents, who do not consider a showgirl to be fit company for their son. However, a sympathetic local woman hires Sally to dance at an upcoming society recital — not knowing that Sally is, in fact, her granddaughter. Sally of the Sawdust was based on a play that Fields had starred in on Broadway; he also starred in a sound remake entitled Poppy.
An aging actor,trying to make a comeback on Broadway,is surprised when his estranged daughter shows up..It seems that she is an actress and is also trying to make it on Broadway..Adolphe Menjou,Andrea Leeds,Edgar Bergen,Ann Sheridan..
After three British agents are assigned to assassinate a mysterious German spy during World War 1, two of them become ambivalent when their duty to the mission conflicts with their consciences…Directed by Alfred Hitchcock..stars John Geilgud,Madeleine Caroll,Robert Young
Amid big-budget medieval pageantry, King Richard goes on the Crusades leaving his brother Prince John as regent, who promptly emerges as a cruel, grasping, treacherous tyrant. Apprised of England’s peril by message from his lady-love Marian.
This quirky animated take on the classic tale of Robin Hood finds Tom spying for the Sherriff of Nottingham and Prince John. When he realizes his employers have foul plans for Maid Marion, he enlists Jerry to help him save Maid Marion and bring the true king back safely.
Dr. Richard Marlowe uses a combination of voodoo rite and hypnotic suggestion to attempt to revivify his beautiful, but long-dead wife, by transferring the life essences of several hapless young girls he has kidnapped and imprisoned in the dungeon beneath his mansion
Though no more expensive or ambitious than any of his earlier Sam Katzman-produced vehicles, Bela Lugosi’s Voodoo Man is perhaps the best of the batch, if only because of its quirky supporting cast and casually offbeat dialogue. Lugosi plays Dr. Marlowe, a practioner of voodoo who kidnaps nubile young ladies and places them in a state of suspended animation. He hopes that this practice will somehow restore his zombiefied wife (Ellen Hall) to her normal self. But when he abducts Betty (Wanda McKay), the girlfriend of screenwriter Ralph (Michael Ames), Marlowe’s little scheme begins to unravel. Aiding and abetting Marlowe in collecting unwary females is gas-station attendant Nicrolas (George Zucco), while the doctor’s retarded handyman Job (John Carradine, who has the film’s best and most amusing scenes) dutifully looks after the quick-frozen cuties. When it’s all over, Ralph enthusiastically suggests to his studio boss S. K. (not the real Sam Katzman, but reasonable facsimile John Ince) that the story of Marlowe and his voodoo-practicing cohorts would make a great film vehicle for Bela Lugosi! Best line: Lugosi calmly explaining that his wife seems so pale because “she has been dead for twenty-two years now.”
Conducting weird scientific experiments, crazed Dr. James Brewster, aided by his colleague Dr. Randall, has managed to transform himself into a hairy, stooped-over ape-man. Desperately seeking a cure, Brewster believes only an injection of recently-drawn human spinal fluid will prove effective. With Randall refusing to help him, it falls to Brewster and his captive gorilla to find appropriate donors.
A frenzied scientist (Lugosi), conducting experiments in evolution on a remote tropical island, finds the perfect lab rats when two jokers parachute into his jungle lair!
A doctor (Lugosi) unwittingly commits a series of grisly murderers while hypnotized by the ghost of his dead wife!
Invisible Ghost is far from the best of Bela Lugosi’s Monogram vehicles (if indeed there is such a thing), but with Joseph H. Lewis at the controls it is far and away the best directed. Lugosi is cast as Kessler, an otherwise normal gentleman who goes balmy whenever he thinks about his late wife (Betty Compson). It gets worse when Kessler is transformed via hypnosis into an unwitting murderer, apparently at the behest of his wife’s ghost. An innocent man (John McGuire) is executed for Kessler’s first murder, but the victim’s twin brother (also John McGuire) teams with Kessler’s daughter (Polly Ann Young) to determine the identity of the true killer. Though cheaply made, The Invisible Ghost maintains an appropriately spooky atmosphere throughout, with Lugosi delivering a full-blooded performance as a basically decent man controlled by homicidal impulses beyond his ken. Best of all is the non-stereotypical performance by african-american actor Clarence Muse as Lugosi’s articulate, take-charge butler.
A man lets a former flame fall to her death rather than let her interfere with his new relationship, but her ghost returns to disrupt his impending nuptials.
AMERICAN SCARY is a look at the nation’s tradition of horror hosting, from Zacherley to A. Ghastlee Ghoul. With interviews and footage from major hosts from the 1950s to the present day, such as Zacherley, Vampira, Ghoulardi and others, along with memories from celebrities and fans who were influenced by these hosts, you’ll follow this American folk art form from its glamorous beginnings, through repeated waves of popularity in the 1960s and 1970s, to its scrappy resurgence and survival in the current age of cable access and the Internet. American Scary looks to remind people how much fun local TV could be — and maybe could be again.
A female college student visits a small New England town called Whitewood during her winter vacation so she can research her paper on witchcraft. She checks into the “Raven’s Inn,” run by Mrs. Newlis and notices some weird happenings. She soon finds herself “marked” for sacrifice by the undead coven of witches led by the innkeeper.
George Baxt scripted this extraordinarily good chiller from a story by Milton Subotsky, who also co-produced. A college student (Venetia Stevenson) with an interest in witchcraft goes to the Massachusetts town of Whitewood. It’s a foggy, spooky town which gets even scarier when Stevenson discovers that the owner of the Raven’s Inn, Mrs. Newlis (Patricia Jessel) is in fact a 268-year old witch. Jessel sold her soul to the Devil to regain her life after being burned at the stake. The whole town is her coven, including Stevenson’s kindly history professor (Christopher Lee). Stevenson’s boyfriend and brother arrive to look for her and discover human sacrifices and all sorts of evil goings-on. One of the few horror films of the period which still has the power to frighten, Horror Hotel is required viewing for genre fans.
One of the many similarly named actors to cash in on the success of the legendary Bruce Lee, Bruce Li stars in Bruce Lee the Invincible as a man who must stop a mercenary. The film co-stars action favorites Chen Sing and Chang Li.
Violent outlaws overrun the town of Tombstone until a mysterious Lawyer (Kinski) teams with a newly appointed sheriff (Robsahm) to end their reign of terror!
Searching for the men who murdered his family, a mercenary (Richard Harrison) tracks an unscrupulous sheriff (Kinski) and a vicious gang of gunrunners across the Mexican border.
Plot:
The film follows the life of Napoleon from his early life in Corsica to his death at Saint Helena. The film is notable for its use of location shooting for numerous scenes, especially at the French estates of Malmaison and Fontainebleau, the Palace of Versailles, and sites of Napoleonic battles including Austerlitz and Waterloo.
Campaigns of Napoleon, Vol. 1: 1812 — Napoleon’s Road to Moscow is part two in a three-volume historical documentary series that depicts Napoleon’s military genius within the context of his greatest battles. With analysis and commentary by David Chandler, former Head of Military Studies at Sandhurst and a leading expert on the Napoleonic Wars, this episode focuses on the battle of Borodino. The film features computer-generated mapping, footage from feature films, and battle reenactments. Part one in the video set is Campaigns of Napoleon, Vol. 1: 1805 — The Battle of Austerlitz. Part three is Campaigns of Napoleon, Vol. 1: 1815 — The Battle of Waterloo.
Model citizen, devoted father, loving husband and serial killer John Wayne Gacy – a man with over 30 dead men and boys entombed in the crawl space underneath his family house. Based on a true story.
Chief Yellow Shirt and cowboy Sam Glass find themselves in a battle for life and death due to the prejudices they hold and circumstances they inhabit. Though both sympathetic characters, in seem unlikely both can survive this battle.
Telling the story of his early life in flashback, a former prospector (Joel McCrea, with flashback sequences featuring son Jody) explains his brutal massacre of a tribe of Indians. The only survivor (Marie Gahua) agrees to lead him to a secret gold mine.
Aboard the trans-Sirberian express, an English anthropologist is transporting a frozen monster he unearthed in Manchuria.He believes may be the Missing Link. Horror strikes when during the trip the monster thaws out and starts to kill off passengers. Also released as Panic in the Trans-Siberian Train.
This horror science-fiction thriller, a cult favorite, takes place in 1907. Professor Caxton (Christopher Lee), a fossil-hunter has discovered some sort of pre-human creature frozen in ancient Manchurian ice. He is traveling to London with his find on the Trans-Siberian Railway and is horrified to discover that his frozen man is missing, and corpses and zombies are appearing all over the train. It turns out that the frozen specimen is an alien with some unusual powers. The combined forces of Professor Caxton, his rival Dr. Wells (Peter Cushing), and a Cossack captain (Telly Savalas) are needed to save the world from this monstrous being. Skillfully told, with a good dose of humor, this film also features the train which appeared a year before in Nicholas and Alexandra .
Mae Miller wants the finer things in life, luxuries that she feels her husband, a doctor, cannot provide for her. She begins to gamble in order to ring in spending money for herself, but winds up deep in debt. To pay her dues, she is reduced to the shame of selling herself.
“Suggested” by the notorious trial of gangster Lucky Luciano, this typical low-budget sexploitation-melodrama came complete with the promise to rip “the lid from a vicious phase of American life.” In reality, the sordid little film, which was instantly banned by New York censors, depicted little more than a standard tale of illicit gambling augmented by shots of starlets in their underwear. Mae Miller (Martha Chapin), the bleach blond wife of an aging medical student (Robert Frazer), is arrested for shooting Lucky Wilder (Wheeler Oakman) during a raid on Wilder’s gambling den. The events leading up to the killing are then told in flashback. At a society garden party, Mae befriended Molly Murdock (Gay Sheridan), who promptly lured the young innocent into Lucky Wilder’s den of inequity. Mae eventually accrued 9,000 dollars in gambling debts was forced into prostitution by Wilder and Mrs. Murdock. Lucky’s seduction of Mae’s kid sister Carolyn (Janet Eastman) and the latter’s death following a back alley abortion finally drove Mae to shoot and kill her tormentor. Produced by J.D. Kendis, a well-known procurer of exploitation-thrillers, Gambling With Souls was directed by Elmer Clifton, a former protegée of D.W. Griffith who had fallen on hard times. The film was not screened in New York City until May of 1937, when it was re-released under the title Vice Racket. Like most exploitation films of the 1930s, Gambling With Souls was cast with a combination of unknown starlets and down-on-their-luck silent screen players, all of whom either overacted hilariously or didn’t act at all. Florence Dudley, however, provided a bit of intentional comedy relief as a rather zoftig call girl. Footage from Gambling With Souls later found its way into Teen Age (1944).
Alec Baldwin co-stars in this mob thriller set in Brooklyn 1985, and filled with star-studded cameos (Scott Caan, Mena Suvari, Freddie Prinze Jr. and others).
Director Michael Corrente’s coming-of-age comedy drama Brooklyn Rules unfurls in 1985, coincident with the early rise of John Gotti. Three young Brooklyn men of Italian-American heritage — Michael Turner (Freddie Prinze Jr.), Carmine Mancuso (Scott Caan), and Bobby Canzoneri (Jerry Ferrara) — make the pivotal, potentially irreversible choices that will determine their directions in life. The boys’ periodic run-ins with a sadistic mobster type who rules the neighborhood, Caesar Manganaro (Alec Baldwin), suggest the ever-present option of drifting into a career of crime. On the surface, Michael courageously and doggedly bucks this choice, opting instead for the pre-law program at Columbia and a straight-laced romance with blonde-haired, blue-eyed coed Ellen (Mena Suvari), yet this path is not as antiseptic as it may seem, for he actually scammed his way into the law program. Meanwhile, Carmine idolizes Caesar, and his desire to emulate this thug not only compromises his own moral integrity, but threatens to jeopardize the stability of Michael’s life as well by drawing him into a sticky web of criminal activity. While the first two men navigate these treacherous paths, the third friend, Bobby, stakes out safer ground with a low-key job at the post office and married life with his intended. Over the course of it all, the boys’ bonds of friendship become stressed and strained given the divergence of their paths.
Yoshihiro Nishimura (The Machine Girl) and Tsuyoshi Kazuno (Robo Geisha) headline this outrageous crime thriller modeled on the Japanese “pink films” of the 1970s, and following the brutal journey of a girl who embarks on a bloody mission of vengeance after her friends are massacred by a ruthless killer.
Child pornography, along with prostitution and drugs, allows the Yakuza – Japans 80 000 strong mafia – to rake in 50 billion dollars a year. We pry open a window on this deadly criminal network.
Produced by ABC Australia Distributed by Journeyman Pictures
He had just humiliated the most powerful nation in the world, heading one of the most controversial cyber operations in history. So when Julian Assange arrived in Sweden in August 2010 he was greeted like a conquering hero. But within weeks there was a warrant out for his arrest and he was being investigated for rape and sexual molestation. However, as the details of the allegations against Assange emerged, suspicions arose over the legal barrage being aimed at him. Exploring the mysterious circumstances surrounding the case, this doc gets to the heart of a bizzare tale of international cat and mouse.
“Sitting outdoors with the world’s coolest, smartest people! It’s amazing!”, Anna Ardin tweeted, as she sat at a barbecue she had arranged for Assange. Yet according to the allegations she would later bring against him he had recently sexually abused her. “You wouldn’t send such messages if you had been raped by someone the night before”, argues Assange’s lawyer. Both Assange and his supporters believe the attempt to force his return to Sweden is simply the first step in a plan to see him extradited to the United States and that the case against him is a set up.
It’s clear that when Assange arrived in Sweden Anna Ardin & Sofia Wilen were both enthralled by the Wikileaks phenomena and he slept with both women over a period of weeks. The charges originated with a misunderstanding in a Stockholm police station that “some sort of sex crime had been committed”. Wilen refused to sign what had been taken down. Assange was interviewed but not charged with any offence. But 12 days after being given permission to leave the country, the case was re-opened and the Swedes issued a warrant for his arrest.
At this point Assange was at the height of his powers and three weeks later he delivered a massive hit against America: the Iraq War Logs. An outraged US labelled him a “traitor” and were overcome with calls to “shoot the son-of-a-bitch”. Shortly afterwards Sweden issued an Interpol Red Notice for his arrest; a highly unusual move. “Red Notices are normally the preserve of terrorists and dictators. Even Gaddafi was not subject to a Red Notice.”
After 500 days of fighting extradition from the UK to Sweden, Assange made his dramatic dash to the Ecuadorian embassy. In an interview from inside, Assange claims he had sensed the net tightening around him when, “the Swedish government publicly announced that it would detain me without charge in severe conditions. On the same evening security contractors turned up unannounced at 10:30pm and insisted on fitting another manacle to my leg”.
Following the complex twists and turns of the entire saga, this documentary charts a case far more complex than the Swedes seem to be admitting to. When pressed about the strange manner in which the charges were brought the answer is baffling: “I can very well understand the confusion…it is very difficult to understand, well, exactly how it works.” And as Assange’s US lawyer points out, he should be worried. “I’d be very nervous, because if the United States get their hands on you, you’re a goner.”
The War Crimes Commission sends Wilson to find Franz Kindler, mastermind of the Holocaust, who has effectively erased his identity. Wilson releases Kindler’s former comrade Meinike and follows him to Harper, Connecticut, to track down Kindler. Unfortunately Meinike is murdered before he can identify Kindler. Wilson is only left with the knowledge of Kindler’s fascination with antique clocks as a lead
The Stranger is often considered Orson Welles‘ most “traditional” Hollywood-style directorial effort. Welles plays a college professor named Charles Rankin, who lives in a pastoral Connecticut town with his lovely wife Mary (Loretta Young). One afternoon, an extremely nervous German gentleman named Meineke (Konstantin Shayne) arrives in town. Professor Rankin seems disturbed–but not unduly so–by Meineke’s presence. He invites the stranger for a walk in the woods, and as they journey farther and farther away from the center of town, we learn that kindly professor Rankin is actually notorious Nazi war criminal Franz Kindler. Conscience-stricken by his own genocidal wartime activities, Meineke has come to town to beg his ex-superior Kindler to give himself up. The professor responds by brutally murdering his old associate. If Kindler believes himself safe–and he has every reason to do so, since no one in town, especially Mary, has any inkling of his previous life–he will change his mind in a hurry when mild-mannered war crimes commissioner Wilson (Edward G. Robinson) pays a visit, posing as an antiques dealer.
Middle-aged Chris Cross has a gold watch and little else. One rainy night, he rescues the delectable Kitty from her abusive boyfriend, Johnny. Chris is smitten with Kitty, while Kitty’s boyfriend convinces her to try and con Chris out of the fortune they mistakenly think he has. The results are not what they expected.
Masterfully directed by Fritz Lang, Scarlet Street is a bleak film in which an ordinary man succumbs first to vice and then to murder. Christopher Cross (Edward G. Robinson) is a lonely man married to a nagging wife. Painting is the only thing that brings him joy. Cross meets Kitty (Joan Bennett) who, believing him to be a famous painter, begins an affair with him. Encouraged by her lover, con man Johnny Prince (Dan Duryea) Kitty persuades Cross to embezzle money from his employer in order to pay for her lavish apartment. In that apartment, happy for the first time in his life, Cross paints Kitty’s picture. Johnny then pretends that Kitty painted to portrait, which has won great critical acclaim. Finally realizing he has been manipulated, Cross kills Kitty, loses his job, and because his name has been stolen by Kitty, is unable to paint. He suffers a mental breakdown as the film ends, haunted by guilt. Kitty and Johnny are two of the most amoral and casual villains in the history of film noir, both like predatory animals completely without conscience. Milton Krasner’s photography is excellent in its use of stark black-and-white to convey psychological states. Fritz Lang is unparalleled in his ability to convey the desperation of hapless, naïve victims in a cruelly realistic world.
In 1865, the rightful ruler of Lichtenburg, Zona, has had her power usurped by dictator General Gurko Lanen. When the Count of Monte Cristo visits on behalf of the king of France, he falls for Zona and vows to help her.
Though set in 1865, The Son of Monte Cristo is a thinly disguised indictment against 20th century dictatorships. Louis Hayward plays the title character, Edmond Dantes Jr., who while posing as an epicene dandy works tirelessly to topple the regime of fascistic Balkan despot Count Gurko (George Sanders). Under cover of night, Hayward dons mask and cape as “The Torch”, a Zorro-like dogooder rallying the peasantry to rise up against Gurko and his ilk. As a bonus, he rescues the lovely Grand Duchess Zona (Joan Bennett) from an arranged marriage with the usurping Count. Produced by Edward Small as a followup to his 1939 version of Man in the Iron Mask, The Son of Monte Cristo benefits from a carefully chosen supporting cast, including Clayton “Lone Ranger” Moore and Ralph “Dick Tracy” Byrd.
Levi Bellfield (born 17 May 1968) is a British serial killer. A former nightclub bouncer and manager of a car clamping business, he was convicted on 25 February 2008 of murdering Marsha McDonnell and Amelie Delagrange. He was also convicted of the attempted murder of Kate Sheedy. On 23 June 2011, Bellfield was found guilty of the murder of Milly Dowler.
The Sun worshipers and the Moon worshipers are two tribes, Maxxus must deal with. After saving the leader of the Sun tribe from a sea monster, he must save the women who have been kidnapped by the Moon tribe.
A clumsy young man nurtures a plant and discovers that it’s a bloodthirsty plant, forcing him to kill to feed it.
Perhaps the greatest movie ever shot in two days, Little Shop of Horrors was originally conceived as a followup to Roger Corman‘s black comedy A Bucket of Blood (1959). Jonathan Haze plays Seymour Krelboin, a schlemiel’s schlemiel who works at the Skid Row flower shop of Mr. Mushnick (Mel Welles). Experimenting in his spare time, Seymour develops a new plant species that he hopes will lead him to fame and fortune. Unfortunately, the mutated pl…
Madame Ying Su is head of a criminal gang in Chinatown and after a valuable jewel hidden inside an ancient Oriental dagger. She lets nothing stand in her way of obtaining it. A flustered cop named Dooley is on her trail, providing comedic relief along the way.
Following a series of mysterious disappearances of young girls, dancer Thalia Arnold is found murdered. Police-detective Captain McVeigh believes that King Peterson, a nightclub operator and owner of the Crescent School of Fine Arts, knows something about the case. Meanwhile, reporter Nora is waging a newspaper crusade against the district attorney’s office for failing to trace the girls. Pauline Randolph disappears next, but not before Nora sees her leaving her grandmother’s home in a car driven by a blonde woman. An interview with the girl’s grandmother provides the first real clues…
A filmed theater production of General Electric True Theater. Starring James Dean and Natalie Wood and narrated by Eddie Albert. Hosted by Ronald Reagan.
Cromwell Street, Gloucester – an ordinary house in an ordinary street. Number 25 was the home of a local builder and his wife, bustling with children and topped up to the brim with lodgers. The only thing that distinguished number 25 from the others was the amount of people that came and went.
Fred West liked company. He also liked to maim, molest and murder. But was this seemingly ordinary man driven to the slaughter of at least 12 women and children… or was Fred West Born to Kill? Over a period of about twenty years Fred and Rose West abducted, tortured, raped and murdered an unknown number of girls, many of whom lay buried in the garden until the police dug them up.
What motivated West to commit such terrible crimes? Was he born evil or did his upbringing make him this way? Did he do it for sexual kicks? Or, as some allege, did he supply the sacrificial victims to a black magic coven?
For many years, Myra Hindley was depicted by the tabloid press as “the most hated woman in Britain”.The crimes committed by Hindley and her lover, Ian Brady, shocked the nation and became the benchmark by which other acts of evil came to be measured. Until she met Brady, Hindley had been, by all accounts, a perfectly normal girl, with trong religious feelings. She loved children and animals, and was much in demand as a babysitter, But was she born to kill?
“Documentary about serial killers and FBI Behavioral Sciences Profilers. Interviews with Ed Kemper and Ted Bundy as well as crime victims and law enforcement officials. Includes some Dramatic Recreations.”
** IMDB #58 Best Movie Of All Time ** in High Def
M – Eine Stadt sucht einen Moerder (1931)
When the police in a German city are unable to catch a child-murderer, other criminals join in the manhunt.
This film is nothing less than a masterpiece.
It is a highly structured and stylized film about a serial killer.
It created the serial kill genre, which includes such entries as Psycho and Silence of the Lambs.
Alfred Hitchcock (the director of Psycho) was a disciple of Lang as were Jacques Tourneur (The Leopard Man (1943)) and Michael Powell (Peeping Tom (1960)).
M was not only the originator of the genre, but arguably remains it preeminent entry.
Highly recommended for those in the mood for a Hitchcockian-style thriller with a great performance by Peter Lorre and great story-telling technique by Fritz Lang
Joseph Dominick Pistone, alias Donnie Brasco, (born September 17, 1939), is a former FBI agent who worked undercover for six years infiltrating the Bonanno crime family and to a lesser extent the Colombo crime family, two of the Five Families of the Mafia in New York City.[1][2] Pistone was an FBI agent for 17 years and is considered to be an FBI legend.[3]
Pistone was a pioneer for deep long-term undercover work. J. Edgar Hoover originally did not want FBI agents to work undercover because it could be a dirty job and might end up tainting the agents, but Pistone’s work helped convince the FBI that using undercover agents instead of just using informants was a crucial tool in law enforcement.
Pistone was born in Erie, Pennsylvania and grew up in Paterson, New Jersey. He graduated from Paterson State College (now William Paterson University) with a B.A. in elementary education social studies in 1965, then worked as a teacher for one year before taking a position at the Office of Naval Intelligence. Pistone joined the FBI in 1969; after serving in a variety of roles, he was transferred to New York in 1974 and assigned to the truck hijacking squad.
His ability to drive 18-wheel trucks and bulldozers led to being chosen for what would become his first undercover operation, infiltrating a gang stealing heavy vehicles and equipment. His penetration of the group led to the arrest of over 30 people along the Eastern Seaboard in February 1976 – described at the time as one of the largest and most profitable theft rings ever broken in America. The name Donald (“Donnie”) Brasco was chosen to be Pistone’s alias.
Pistone was born in Erie, Pennsylvania and grew up in Paterson, New Jersey. He graduated from Paterson State College (now William Paterson University) with a B.A. in elementary education social studies in 1965, then worked as a teacher for one year before taking a position at the Office of Naval Intelligence. Pistone joined the FBI in 1969; after serving in a variety of roles, he was transferred to New York in 1974 and assigned to the truck hijacking squad.
His ability to drive 18-wheel trucks and bulldozers led to being chosen for what would become his first undercover operation, infiltrating a gang stealing heavy vehicles and equipment. His penetration of the group led to the arrest of over 30 people along the Eastern Seaboard in February 1976 – described at the time as one of the largest and most profitable theft rings ever broken in America. The name Donald (“Donnie”) Brasco was chosen to be Pistone’s alias.
[edit]Operation Donnie Brasco (1976–1981)
Pistone was selected to be an undercover agent because he was of Sicilian heritage, was fluent in Italian and was acquainted with the mob from growing up in New Jersey. He also said that he did not perspire under pressure and was aware of the Mafia’s codes of conduct and system. The operation was given the code name “Sun-Apple” after the locations of its two simultaneous operations: Miami (“Sunny Miami”) and New York (“The Big Apple”). After extensive preparation including FBI gemology classes and again using the alias Donnie Brasco, he went undercover as an expert jewel thief.
In September 1976, Pistone walked out of the FBI office and did not return for the next six years. The FBI erased Pistone’s history (making it seem like he never existed) and anyone who called asking for him would be told that no one by that name was employed there. His co-workers, friends and informants had no idea what had happened to him. Pistone stated that it was not the original aim to penetrate the Mafia; rather, the focus was to be on a group of people fencing stolen property from the large number of truck hijackings taking place each day in New York (five to six a day). It was intended that the undercover operation last for around six months.
Adolf Eichmann was a German Nazi and SS-Obersturmbannführer (Lieutenant Colonel) and one of the major organizers of the Holocaust. Because of his organizational talents and ideological reliability, Eichmann was charged by Obergruppenführer (General) Reinhard Heydrich with the task of facilitating and managing the logistics of mass deportation of Jews to ghettos and extermination camps in German-occupied Eastern Europe.
Conspiracy “Wansee Conference” of January 1942 was the real beginning of the Holocaust In the sublime surroundings of a German country house, the assembled mingle for drinks, enjoy a first class buffet lunch and debate whether execution or sterilisation is the most efficient option of eliminating an entire race of people.
Is about the bureacratic genesis of the Holocaust. It shows, in more or less real time, a fictionalized version of a real-life conference of 15 officials from the SS/SD, Gestapo, Railway Ministry, Interior Ministry, Government General, and Ministry of Justice, which was chaired by Reinhard Heydrich and organized by Adolf Eichmann.
As a movie, however, it is really a study in the essential amorality of bureacracy and, to use a tired phrase, the banality of evil.
Credit must be given to Kenneth Branagh who propels the entire piece with one of the best portrayals on screen in memory. He is utterly convincing in the role of a man who epitomises the classic definition of evil: not just the doing of wrong, but the perversion of the human spirit so that it no longer has any perception of the good.
Official uncut theatrical version of Gene Fallaize’s ‘Superman: Requiem’ fan film, starring Martin Richardson, Stacy Sobieski, Paul Khanna, Serena Lorien, and Jack O’Halloran.
Superman is the world’s greatest super hero, and law enforcement across the globe has come to rely on him to deal with some of the major tasks that face society. When the Man of Steel loses some of his powers after an evil villain attacks him with Kryptonite though, he must overcome his obstacles and prove he really is a super man.
Superman: Requiem is a high-value fan-film that depicts the life of Superman several years after the events of Superman Returns, and takes into account the events of Superman (1978), Superman II (1980) and Superman Returns (2006), and focuses on an event by an evil villain who attempts to make Superman lose his powers.
The film was conceived in 2011 by producer Gene Fallaize who decided to he was going to make an independent Superman fan-film, and wrote the first draft of the script in less than a week. Fallaize brought Tony Cook on board to co-produce the project to allow him the freedom and time to direct the project.
The film was released globally online on 11.11.11 after a red carpet World Premiere in London’s Odeon Covent Garden.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
Born of Hope is an independent feature film inspired by the Lord of the Rings and produced by Actors at Work Productions in the UK. http://www.bornofhope.com
Thanks to Chris Bouchard and the H4G team for putting the film here. For more films by the makers of this and BoH extras please visit.
ActorsatWork http://www.youtube.com/actorsatwork
A scattered people, the descendants of storied sea kings of the ancient West, struggle to survive in a lonely wilderness as a dark force relentlessly bends its will toward their destruction. Yet amidst these valiant, desperate people, hope remains. A royal house endures unbroken from father to son.
This 70 minute original drama is set in the time before the War of the Ring and tells the story of the Dúnedain, the Rangers of the North, before the return of the King. Inspired by only a couple of paragraphs written by Tolkien in the appendices of the Lord of the Rings we follow Arathorn and Gilraen, the parents of Aragorn, from their first meeting through a turbulent time in their people’s history.
Award winning unofficial prequel to The Lord Of The Rings dramatising Aragorn & Gandalf’s long search for Gollum directed by British filmmaker Chris Bouchard. Based faithfully on the appendices of the books this is a non-profit, serious homage to the writing of J.R.R Tolkien and the films of Peter Jackson.
It was shot on locations in England and Snowdonia with a team of over a hundred people working over the Internet. It took two years to make and was released as a non-profit Internet-only video by agreement with Tolkien Enterprizes.
This Youtube version is slightly extended with 1 scene added back in.
Der Anführer einer Yakuza-Organisation Tsukamoto deponiert für den Fall seiner Ermordung 100 Millionen Dollar für denjenigen, der seinen Tod rächen würde. Etwas später wird er getötet. Zahlreiche Menschen nehmen an einem Treffen der Killer teil, die den Auftrag ausführen könnten. Darunter befindet sich Fu, der früher ein Soldat einer Eliteeinheit war und in finanziellen Schwierigkeiten steckt. Fu verbündet sich mit dem Betrüger Ngok Lo.
Ngok Lo, der fortan als Agent von Fu fungiert, kauft seinem Geschäftspartner teure Bekleidung.
Eiji Tsukamoto, der Enkelsohn des Ermordeten, will den Mörder selbst töten. Er nimmt seinem Vater übel, dass Fremde den Tod dessen Vaters rächen sollten. Währenddessen nimmt Fu einen anderen Auftrag an, um die laufenden Kosten zu decken. Er tötet die Zielperson nicht, sondern verteidigt sie vor den anderen Killern, wofür er von dieser Person mit Geld belohnt wird. Er und Ngok Lo werden aber am Tatort verhaftet und vernommen. Ngok Los Tochter Kiki, die Jura studiert, holt beide aus dem Arrest. Er bringt Fu in seiner Wohnung unter — im einstigen Zimmer seiner Tochter. Er warnt Fu, dass dieser nicht für die bereits verlobte Kiki schwärmen soll.
Als Fu und Ngok Lo von Eiji Tsukamoto bedrängt werden, erzählt Ngok Fu, dass er ein Hochstapler ist. Weiterhin hat Ngok Lo in der Unterwelt verbreitet, er wäre der König der Killer. Aber, da Tsukamoto vom echten König der Killer umgebracht wurde, sind nun alle fälschlicherweise hinter ihm her.
Fu und Ngok treffen sich mit Tsukamoto. Dort kommt es zum großen Kampf, an dem auch der König der Killer plötzlich auftaucht und sich als Polizist zu erkennen gibt.
Es kommt zum Kampf zwischen dem König der Killer und Eiji, in dem Eiji Tsukamoto stirbt. Der Vorsitzende der Jury, die die Belohnung vergeben soll, willigt ein, der Version zuzustimmen, in der Eiji Tsukamoto der zu tötende Mörder war. Der König der Killer will seinen Platz Fu überlassen, der Ngok Lo als seinen Agenten feuert und stattdessen mit der Vermittlung der Aufträge dessen Tochter Kiki beauftragt.
Jet Li stellt in diesem Film den chinesischen Arzt und Meister der chinesischen Kampfkunst Hung Gar Kuen Wong Fei Hung dar, welcher aus der Provinz Fu-Shang stammt. Er macht zusammen mit seinem Gehilfen Fu und seiner Cousine Ji eine Reise zu einem internationalem Ärztekongress in Kanton. An diesem Treffen nehmen vor allem westliche Ärzte teil, und Dr. Wong soll als Gastredner die chinesische Akupunktur erklären.
Zu genau diesem Zeitpunkt findet in Kanton ein politischer Umsturz statt. Die Sekte des Weißen Lotus möchte alle westlichen Einflüsse auf die chinesische Kultur mit Gewalt fernhalten. Cousine Ji, die sich nach westlicher Manier kleidet, bekommt bei einer Kundgebung des Weißen Lotus Probleme und soll entführt werden, welches Wong Fei Hung erfolgreich verhindern kann, worauf ihm der Anführer der Sekte, Meister Kung, Rache schwört.
Auf dem Ärztekongress lernt Wong Fei Hung Bruder Sun Yat-sen kennen, der die westliche Medizin studiert hat. Die beiden halten den Vortrag zusammen. Bruder Su will ebenfalls einen politischen Umsturz herbeiführen, aber mit friedlichen Mitteln. Sein Ziel ist es, China zu einer Republik zu machen.
Als das linguistische Institut vom Weißen Lotus angegriffen wird, können Wong Fei Hung, Fu und Cousine Ji eine Gruppe Kinder retten. Diese wollen sie zuerst in der Stadthalle unterbringen, aber der Leutnant der chinesischen Garde erklärt Dr. Wong, dass er für den Schutz der Kinder nicht garantieren kann. Daraufhin bringen die Gefährten diese im britischen Konsulat unter. Dort treffen sie auf Bruder Luk, den Leiter des linguistischen Institutes, der ein Freund und Mitverschwörer von Bruder Su ist. Damit der Leutnant der chinesischen Garde die beiden gefangen nehmen kann, ebnet er dem Weißen Lotus den Weg, damit diese das Britische Konsulat verwüsten können. Durch eine List und mit der Hilfe von Wong Fei Hung kann Bruder Luk entkommen.
Anschließend machen sich Wong Fei Hung und Bruder Luk auf den Weg, um den Tempel des Weißen Lotus zu zerstören und den geistigen Führer Kung umzubringen. Nach erfolgreichem Abschluss machen sie sich auf den Weg, um sich wieder mit Fu zu treffen und an die Anlegestelle zu kommen, wo sie sich mit den anderen auf dem Schiff nach Ton Ga Bay absetzen wollen. Vorher müssen sie noch die Namensliste mit den Anhängern des friedlichen Umsturzes aus dem Versteck holen. Dort werden sie von der chinesischen Garde angegriffen. Bruder Luk wird dabei getötet. Der Leutnant und Wong Fei Hung stellen sich noch dem finalen Kampf.
Jet Li stars as Tai Feng (aka Fu). a hitman with a `sense of justice` and a talent for deliberately missing his intended victims. When his streetwise agent Sam (Eric Tsang) uses Tai`s awesome fighting skills to acquire billions of dollars at the expense of heavy-hitting Japanese mobsters, the scene is set for a martial-arts showdown of ground-breaking proportions. An exhilarating, suspenseful action-drama combining elements of black humour and s sense of style, Hitman packs the king of resounding punch you would expect from the world`s most enigmatic action star. Jet Li is more lethal than ever as the Hitman!
After a sudden attack on the MI5, Johnny English, Britain’s most confident yet unintelligent spy, becomes Britain’s only spy.
[Rowan Atkinson]
REALLY GOOD COMEDY!
College-bound Peter Broadhurst is quickly taken off course when his beautiful sex-crazed neighbor decides to use him as her personal sex toy. Peter thinks he’s landed in the most amazing fantasy a teen could ever imagine until his mother catches him and all hell breaks loose.
It’s said that women will take a boy’s mind of his schoolwork, and one young man finds out just how true that is in this frantic comedy. Peter Broadhurst (Topher Hopkins) is a high school senior whose mother Bev (Della Hobby) is bound and determined to see that her boy goes on to college. However, Bev isn’t quite sure how to pay Peter tuition, since her job at the supermarket barely covers food and rent on their space in the trailer park. Sally (Darlene Demko) is a local woman who has had her eye on Peter for some time, and while he’s had little experience with the opposite sex in the past, that quickly changes when Sally and her friend Randy (Rene Orobello) invite Peter over for some less-than-wholesome fun and games. Peter’s introduction to the world of kinky sex proves to be quite revelatory — to the point where Peter not only doesn’t care how college gets paid for, he doesn’t much care if he goes or not. Raging Hormones received the Audience Award as “Best Feature” at the 1999 New York International Independent Film and Video Festival, as well as a jury award as “Best Comedy.”
MAKEOVER:
Rodger Keaton is a socially challenged, clinically frigid, computer nerd, desperate single white male. Patricia Bartlett is a ruthless award winning journalist who has found her man. Pitted against overwhelming odds, Hollywood makeover Guru Brad Holloway is blackmailed via the threat of crippling publicity. Brad’s challenge is a “mission impossible” makeover and he must prove with substantial results that his Ultimate Makeover Services are the ‘Real Deal’. Over the next six weeks, Brad & Rodger take a most unlikely journey into often uncharted terrain, with hilarious & heart warming results at every turn. But can true change be given a deadline? And can anything with a deadline be thoroughly achieved? A willing dog can learn a thousand new tricks, but is self-identity a trick? Can it be learnt, or must it be found? Join Rodger on a roller coaster of fear, anxiety, disaster, celebration, discovery, reinvention & hope as he hurtles toward the finishing line in this race against time.
A young man who has been on the reds hits a jackpot but prefers to be the playboy in Town. This triggers a series of events that led him back to square one.
Two models are stranded in a motor cruiser in the middle of the ocean. It’s only meant to be a publicity stunt, a way of stirring up interest in the boat itself; but they soon prove to be in real trouble. They’re set upon by a 16th century galleon enshrouded by a fog. They each board the ghost ship, and each one disappears. Soon, the sporting goods magnate who hired the two girls sets out to find them. He is joined by his conniving right-hand man; the head of the modeling agency; a third model who is a lover to one of the missing girls; and a scientist from the weather bureau who is convinced something supernatural is going on. They all end up on the galleon, where they discover its crew are the undead Satan-worshiping Knights Templar.
Wetboy is a compelling story of a professional assassin for the government that only wants to serve God and Country. He soon finds himself immersed in a world of lies, betrayals and corruption. This story not only encompasses the means by which he deals with this, but also its consequences.
***ROMAN POLANSKI CREATION*** Described by Polanski himself as his best film, Cul-de-sac draws heavily on the traditions of the Theatre of the Absurd and echoes of Beckett’s Waiting for Godot in both it’s themes and visual style. A wounded criminal and his dying partner take refuge at a beachfront castle. The owners of the castle, a meek Englishman and his willful French wife, are initially the unwilling hosts to the criminals. Quickly, however, the relationships between the criminal, the wife, and the Englishman begin to shift in humorous and bizarre fashion.
The fact that there isn’t a single likeable character in Cul de Sac does not diminish its artistic value in the least. Ageing, furtively kinky Donald Pleasence is married to sexy young Francoise Dorleac. The couple’s hermitlike tranquility is shattered when wounded gangsters Jack MacGowan and Lionel Stander invade their home and hold them hostage. As Dorleac urges her tremulous husband to do something, the two criminals begin behaving in a fashion that can only inadequately be described as eccentric. Drawing upon two of Polanski’s favorite themes-isolation and latent insanity–Cul de Sac actually improves upon each viewing, assuming that the viewer has the intestinal fortitude to sit through it once.
***An All Time Classic*** At the Opera of Paris, a mysterious phantom threatens a famous lyric singer, Carlotta and thus forces her to give up her role (Marguerite in Faust) for unknown Christine Daae. Christine meets this phantom (a masked man) in the catacombs, where he lives. What’s his goal ? What’s his secret
Before Kidman and McGregor there was Zsa Zsa Gabor!!! Henri de Toulouse Lautrec frequently visits the Moulin Rouge, where he drinks cognac and draws sketches of the dancers and singers. Though the son of a French count, Henris legs were badly deformed by a childhood fall, and his personal life is often unhappy as a result. While he is going home one night, a spirited young woman of the streets, Marie, asks him for help. He falls in love with her, and the two become involved in a tumultuous relationship. It becomes increasingly difficult for Toulouse Lautrec to balance his personal feelings, his artistic abilities, and his family name and position.
Frederick Loren has invited five strangers to a party of a lifetime. He is offering each of them $10,000 if they can stay the night in a house. But the house is no ordinary house. This house has reputation for murder. Frederick offers them each a gun for protection. They will all arrived in a hearse and will either leave in it $10,000 richer or leave in it dead!
Five Allied soldiers in an airplane flying to Egypt crash-land in Iraq. They are taken in by a local sheik, but soon begin to suspect that he may not be quite as friendly as he appears to be.
Starting in Switzerland, Sherlock Holmes rescues the inventor of a bomb-sight which the allies want to keep from the Nazis
The second of Universal’s “modernized” Sherlock Holmes films pits the Great Detective (Basil Rathbone, of course) against that “Napoleon of Crime,” Professor Moriarty (Lionel Atwill). Surpassing his previous skullduggery, Moriarty has now aligned himself with the Nazis and has dedicated himself to stealing a top-secret bomb sight developed by expatriate European scientist Dr. Franz Tobel (William Post Jr.). Before being kidnapped by Moriarty’s minions, Tobel was enterprising enough to disassemble his invention and distribute its components among several other patriotic scientists. Racing against the clock, Holmes and Dr. Watson (Nigel Bruce) try to stem the murders of Tobel’s colleagues and prevent Moriarty from getting his mitts on the precious secret weapon. The now-famous climax finds Holmes playing for time by allowing Moriarty to drain all the blood from his body, drop by drop (“The needle to the last, eh Holmes?” gloats the villain). Dennis Hoey makes his first appearance as the dull-witted, conclusion-jumping Inspector Lestrade. Constructed more like a serial than a feature film, Sherlock Holmes and the Secret Weapon (based loosely on Conan Doyle’s The Dancing Men) is one of the fastest-moving entries in the series; it is also one of the most readily accessible, having lapsed into public domain in 1969.
Two brothers, Phil and Ted Stoneman, visit their friends in Piedmont, South Carolina: the family Cameron. This friendship is affected by the Civil War, as the Stonemans and the Camerons must join up opposite armies. The consequences of the War in their lives are shown in connection to major historical events, like the development of the Civil War itself, Lincoln’s assassination, and the birth of the Ku Klux Klan.
The most successful and artistically advanced film of its time, The Birth of a Nation has also sparked protests, riots, and divisiveness since its first release. The film tells the story of the Civil War and its aftermath, as seen through the eyes of two families. The Stonemans hail from the North, the Camerons from the South. When war breaks out, the Stonemans cast their lot with the Union, while the Camerons are loyal to Dixie. After the war, Ben Cameron (Henry B. Walthall), distressed that his beloved south is now under the rule of blacks and carpetbaggers, organizes several like-minded Southerners into a secret vigilante group called the Ku Klux Klan. When Cameron’s beloved younger sister Flora (Mae Marsh) leaps to her death rather than surrender to the lustful advances of renegade slave Gus (Walter Long), the Klan wages war on the new Northern-inspired government and ultimately restores “order” to the South. In the original prints, Griffith suggested that the black population be shipped to Liberia, citing Abraham Lincoln as the inspiration for this ethnic cleansing. Showings of Birth of a Nation were picketed and boycotted from the start, and as recently as 1995, Turner Classic Movies cancelled a showing of a restored print in the wake of the racial tensions around the O.J. Simpson trial verdict.
Director D.W. Griffith’s expensive, most ambitious silent film masterpiece Intolerance (1916) is one of the milestones and landmarks in cinematic history. Many reviewers and film historians consider it the greatest film of the silent era. The mammoth film was also subtitled: “A Sun-Play of the Ages” and “Love’s Struggle Throughout the Ages.” Griffith was inspired to make this film after watching the revolutionary Italian silent film epic Cabiria (1914) by director Giovanni Pastrone. Intolerance was a colossal undertaking filled with monumental sets, lavish period costumes, and more than 3,000 extras. The film consisted of four distinct but parallel stories that demonstrated mankind’s intolerance during four different ages in world history.
Country music legends Johnny Cash and Kris Kristofferson star as Frank and Jesse James in this made-for-TV biography of the notorious Old West criminals.
Roy Rogers is out to get Red Barry (as Jesse James) for robbing a bank. George “Gabby” Hayes is along for the ride as Rogers’ loyal sidekick. Trying to set things right, Rogers becomes a member of the “James Gang”. Songs include “Echo Mountain,” “I’m a Son of a Cowboy,” and “Saddle Your Dreams.”
Former CIA spy Bob Ho takes on his toughest assignment to date: looking after his girlfriend’s three kids, who haven’t exactly warmed to their mom’s beau.
Push is a 2009 American science fiction thriller film directed by Paul McGuigan. The film stars Chris Evans, Dakota Fanning, Camilla Belle, Cliff Curtis, Joel Gretsch and Djimon Hounsou. The film centers on a group of people born with various superhuman abilities who band together in order to take down a government agency that is using a dangerous drug to enhance their powers in hopes of creating an army of super soldiers.
narrator (Cassie) describes how people with psychic abilities have been involved with the United States government since 1945. Two “Movers”, Nick Gant and his father, are on the run from the “Division”. Realizing that escape is impossible, Nick’s father tells him of a vision he received from a “Watcher”; a girl will give him a flower and he is to help her in order to help all the people with powers. Nick’s father throws Nick into an air vent as Agent Henry Carver of the Division arrives. Nick’s father is killed.
10 years later, the American Division tests a power boosting drug on a “Pusher” (someone who can implant thoughts in others’ minds), named Kira. Hundreds of subjects died from the drug before her; she is the first to survive. Rendering the doctor unconscious, Kira steals his security clearance card and an augmentation drug-filled syringe and escapes.
In Hong Kong, Nick is hiding from the Division as an expatriate. He attempts to use his ability to make a living, but his poor skills at “moving” at a dice game leave him indebted to a local Triad controlled by “Bleeders”, bred by the now-defunct Chinese Division. A young girl named Cassie Holmes arrives at Nick’s apartment, explaining that she is a “Watcher” and that they are going to find a case containing 6 million dollars. They are attacked by Triad Bleeders but escape.
Nick and Cassie go to a nightclub on a hint from Cassie’s predictions. Nick sees an old friend, “Hook” Waters, who is a “Shifter”. He uses his abilities to make a replica of the clue in Cassie’s drawing and tells them to go to Emily Hu, a “Sniff” who can help them find Kira. Nick and Cassie find Kira, who had a romantic relationship with Nick. They recruit a “Shadow” named “Pinky” Stein to hide Kira from the “Sniffs”. Cassie finds the key in her shoe to a locker in which Kira hid a case. With the aid of Cassie’s visions, they piece together the events that led them to meet; Cassie’s mother used her visions to set a complex plan in motion that will destroy Division. Nick devises a plan that involves seven envelopes in which he places instructions; each person in the group is entrusted with one red envelope, and none are to be opened until the right time. While Kira and Pinky leave, Nick and Cassie share a goodbye. Cassie tells him to “take an umbrella, it’s going to rain”, he replies with “you be careful too”.
Nick uses a “Wiper” to erase his memories of the plan, ensuring that Watchers from both Division and the Triads will not be able to interfere. Hook retrieves the case, which has the syringe Kira stole, and brings it to Cassie. Hook shifts another case to match the case with the syringe. Cassie takes the shifted case to Nick’s apartment and waits. Nick regains consciousness: he has no memory of the envelopes or his plan. He opens his envelope, which tells him to return home. He finds the case in his room but Carver introduces himself to Kira as a friend, stating that her memories are false; she is a Division agent who volunteered to take the augmentation injection and suffered amnesia as a side-effect. Carver shows Kira her badge.
Before bidding bye, Nick assures a worried Cassie that she will survive and everything is going to be fine. He asks her to go ahead with everything and instead of thinking too much face it as it may. She leaves as the Hong-Kong watcher tracks her to finally kill her, however at the last moment the “Wiper” appears (the same who helped Nick remove his memory) and erases her memory, thereby saving Cassie.
Nick goes to retrieve the augmentation drug and confronts Carver and Kira. Carver tells Kira and Nick that their relationship never happened; it was a “push” memory. Kira reveals she has been using Nick and Nick takes the three to the building that contains the lockers and the case. Carver locks Nick in his car’s hood and goes to retrieve the case. They are ambushed by the Triads. In the midst of the fight, Nick is released from the hood. He goes to find Kira and is confronted by Victor, another “Mover” and Division agent who works for Carver. During Nick-Victor fight, two of the “Bleeders” screams killing Victor while Nick saves himself by closing his ears. Carver injures Nick. Nick grabs the case and jams the syringe into his arm, which “kills” him. After the fights ends and Carver leaves with Kira, Nick wakes up. Cassie appears with an umbrella and smiles at him. “I told you to bring an umbrella” she tells him, revealing it was part of the plan. Cassie retrieves the true case, revealing that Nick injected himself with soy sauce, as they planned. Asked whether they will see Kira again, Cassie tells Nick that they will see “Miss Trouble soon enough”.
Flying back to America with a sleeping Agent Carver, Kira opens her purse, finding her red envelope. She remembers Nick telling her to open it when “she started doubting the truth” and opens it. She finds a photograph of herself and Nick obviously in a relationship, which means that their relationship was true, and a message written on the photograph that says “KILL HIM” on the upper left corner and “See U soon, Nick” on the lower right. Kira “pushes” Carver, commanding him to put his gun in his mouth and pull the trigger. The screen fades to black, followed by the sound of a gunshot.
[edit] Types of Superhumans
Watchers
Watchers have the ability to foresee the future to varying degrees. As knowledge of the future invariably causes that future to change, Watchers’ visions of the future in their direct sphere of influence are subject to frequent shifting. Watchers visions are like a sense of deja vu. Watchers can get visions at will. Drinking alcoholic beverages can temporarily enhance a Watcher’s abilities (as shown by Cassie). Cassie and Pop Girl are Watchers, and Cassie’s mother is also an advanced Watcher.
Movers
Movers are powerful telekinetics who are trained to identify the specific atomic frequency of a given material and alter the gravitational field around it, usually causing the nearby air to appear warped. This allows them to move both animate and inanimate objects. Advanced Movers can work at the molecular level, creating Energy shields in the air around them or create Power Fists and kicks, a strike that delivers 3x the power than a punch delivered normally. Nick is a Mover, but not a very advanced one, unlike Victor, Carver’s right hand man.
Pushers
Pushers have the ability to implant memories, thoughts and emotions into the minds of other people in order to manipulate them. The skill level of the Pusher determines how many people the Pusher is able to control at one time, and how vivid the implanted memories are. A powerful Pusher can push a large group of people at the same time, basically creating a personal army. A Pusher is able to make a person do anything the Pusher desires, even commit suicide. A Pusher’s eyes indicate how powerful they are: their pupils will dilate to certain degrees depending on how powerful the push is (for example, Henry Carver’s eyes are rendered completely black, signifying that he is an extremely able and effective Pusher). Carver is a trained Pusher, and Kira as well.
Bleeders
Bleeders have the ability to emit high-pitched sonic vibrations that cause ruptures in a target’s blood vessels. While using this ability, their pupils turn into vertical slits, like a snake’s, because of synthetic materials implanted in them to protect the blood vessels from the effects of their own ability. They are also sometimes known as Screechers or Screamers. Pop Girl’s brothers and father, the Triads, are Bleeders.
Sniffs
Sniffs are highly developed psychometrics who can track the location of people or objects over varying distances. Like bloodhounds, their ability is increased if they have tactile access to an object that has been in direct contact with the subject. Sniffs receive information in the form of images, which is why identifiable landmarks help increase their effectiveness. Emily Hu is a highly trained Sniff, and she uses her powers for money. Carver’s associates who kidnapped Kira are also Sniffs.
Shifters
Shifters can temporarily alter the appearance of an object by manipulating patterns of light interacting with it. Once the illusion is established, it remains with the object for a short period of time. For example, a Shifter could touch a one dollar bill and alter it to appear as a one hundred dollar bill until the effect expires. The object shifted must have roughly the same dimensions as the object it is shifted into. The length of time that the effect will last is based on the Shifter’s experience. Hook Waters, an ex-Division agent and Nick’s friend is a highly experienced Shifter.
Wipers
Wipers are skilled at either temporarily or permanently erasing memories, an invaluable asset in espionage. Experience will dictate the accuracy of their wipes, though there is always the danger that they will eliminate a desired memory. Wo Chiang, a fisherman who lives on a dock, is a Wiper who uses his powers for those who need for money; he also erases part of Nick’s and Kira’s memory, and saves Cassie from Pop Girl by sneaking behind her and wiping her entire memory.
Shadows
Shadows are trained to block the vision of other clairvoyants such as Sniffs, making any subject within their target radius appear “dark”. Experience will enhance the size of the area they can shadow and the intensity of their shielding effect. Shadows need to be awake to manifest their ability, so it is common for a detail of two Shadows to operate in shifts while protecting a person or object for extended periods. Most Shadows are effective only against Sniffs, but some extremely powerful Shadows are able to block even Watchers. Pinky, a friend of Nick’s, is a Shadow, and he is effective only against Sniffs. Like other characters, he also uses his powers for money. An old woman hired by Kira to hide the syringe has the ability to shadow an entire building, even from watchers.
Stitches
Stitches are psychic surgeons trained to quickly reconstruct cells to their previous or healthy state. Using only their hands, they can heal and even “unheal” whatever they have done. For more detailed work, Stitches use a silver based cream on their hands which acts as a conductor for their ability.
Der Amerikaner Joe Delaney kämpfte auf den Schlachtfeldern des Ersten Weltkriegs für sein Land. 15 Jahre nach dem Ende des Kriegs schrieb er ein Buch über seine Erfahrungen als Mitglied des US-Marine Corps. Doch was er erzählt, ist nicht die Geschichte eines großen Krieges und heldenhafter Soldaten. Es ist die Geschichte eines Mannes, der erkennen muss, dass es einzelne Momente im Leben sind, die den wahren Charakter eines Menschen definieren. Und er erinnert sich an den deutschen Soldaten, den er tötete und der ihn in seinen Träumen heimsuchte.
Stalingrad ist ein deutscher Anti-Kriegsfilm aus dem Jahr 1993. Thematischer Hintergrund ist die Schlacht von Stalingrad Ende 1942/Anfang 1943 während des Zweiten Weltkriegs aus der Sicht eines deutschen Sturmpionier-Bataillons. Regie führte Joseph Vilsmaier. Der Film startete am 21. Januar 1993 in den bundesdeutschen Kinos.
Grozovye Vorota / Grozovue Vorota / Грозовые ворота / The Storm Gate / War Fighter
War Fighter is a DVD release ( German audio, German subs) of the
russian TV movie “Grozovye Vorota” it’s about a battle durring 2nd Chechen war,
where 200 russian soldiers fights against 2000 terrorists, only 9 survive
Award winning unofficial prequel to The Lord Of The Rings dramatising Aragorn & Gandalf’s long search for Gollum directed by British filmmaker Chris Bouchard. Based faithfully on the appendices of the books this is a non-profit, serious homage to the writing of J.R.R Tolkien and the films of Peter Jackson. It was shot on locations in England and Snowdonia with a team of over a hundred people working over the Internet. It took two years to make and was released as a non-profit Internet-only video by agreement with Tolkien Enterprizes. This Youtube version is slightly extended with 1 scene added back in. http://www.thehuntforgollum.comhttp://www.ioniafilms.com
Born of Hope is an independent feature film inspired by the Lord of the Rings and produced by Actors at Work Productions in the UK. http://www.bornofhope.com
Thanks to Chris Bouchard and the H4G team for putting the film here. For more films by the makers of this and BoH extras please visit.
ActorsatWork http://www.youtube.com/actorsatwork
A scattered people, the descendants of storied sea kings of the ancient West, struggle to survive in a lonely wilderness as a dark force relentlessly bends its will toward their destruction. Yet amidst these valiant, desperate people, hope remains. A royal house endures unbroken from father to son.
This 70 minute original drama is set in the time before the War of the Ring and tells the story of the Dúnedain, the Rangers of the North, before the return of the King. Inspired by only a couple of paragraphs written by Tolkien in the appendices of the Lord of the Rings we follow Arathorn and Gilraen, the parents of Aragorn, from their first meeting through a turbulent time in their people’s history.
Adolf Eichmann was a German Nazi and SS-Obersturmbannführer (Lieutenant Colonel) and one of the major organizers of the Holocaust. Because of his organizational talents and ideological reliability, Eichmann was charged by Obergruppenführer (General) Reinhard Heydrich with the task of facilitating and managing the logistics of mass deportation of Jews to ghettos and extermination camps in German-occupied Eastern Europe.
Release date- June 1974 (USA)
Starring: Terence Hill, Henry Fonda and Jean Martin
A young, easygoing gunman (Hill) worships and competes with an old gunfighter (Fonda) who only wants to retire.
France, 1640: Cyrano, the charismatic swordsman-poet with the absurd nose, hopelessly loves the beauteous Roxane; she, in turn, confesses to Cyrano her love for the handsome but tongue-tied Christian. The chivalrous Cyrano sets up with Christian an innocent deception, with tragic results.
One of the first of several horror films with “Don’t” leading the title, this gory low-budget thriller takes place in an experimental hospital for the criminally insane, where the pioneering director allows several patients to act out their twisted fantasies (which involve necrophilia, paranoia and popsicles). When a new staffer shows up, things start to go haywire — beginning with the bloody axe-murder of the doctor himself and leading to a total takeover of the asylum by its most dangerous inmates. The acting is horrendous, the sound is incoherent and the color is so cheap-looking that some theaters were issued black-and-white prints… but somehow the intrinsic sleaziness generated by the threadbare production manages to lend it a remarkably suitable ambience. Instead of vanishing into obscurity, this quirky little potboiler became a staple on the early-70’s drive-in circuit, thanks to Hallmark Films’ frequent double-bill bookings with Wes Craven’s Last House on the Left (even borrowing the logline “Keep telling yourself: It’s only a movie…”) and Mario Bava’s Bay of Blood. Some video versions are missing most of the graphic violence from the original cut.
While driving through the desert, a teenage girl is frightened by a seven-foot giant which appears in her path. After escaping, she returns to the site with her boyfriend and her father in an attempt to find the giant. They do, and it proceeds to terrorize them and the rest of Palm Springs, California.
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