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DR Z & IDIOT ZEITUNG (IZ) โ€“ THE CLONE MUSICAL๐Ÿ”ฅ๐Ÿ‘ป๐Ÿ„โ€โ™‚๏ธ”๐ŸŽฌ๐Ÿ˜ˆ๐Ÿ’ƒ๐ŸŽฌ๐Ÿ˜ˆ”๐ŸŒ™๐Ÿ—ก๏ธ๐Ÿ’‹๐Ÿ„โ€โ™‚๏ธ๐Ÿ‘ป” โ˜€๏ธ๐Ÿ“ก๐Ÿ’”๐Ÿ„โ€โ™‚๏ธ๐Ÿ‘ปPowered by Dr. Z., Gomopa4Kids, Stasi Frauen Support Staffel, Free Fritzl Front, the Brazilian Black-Hole-Syndikat, the Surf-NSZis World Domination Tour sponsors, the Clone War Profiteers, the Schicklgruber Lust Syndicate, the Libertarian Shark Cartel & now Messalina’s Slave Empire ๐Ÿ˜˜๐Ÿ‘ฏโ€โ™‚๏ธ๐Ÿ’ƒ๐ŸŒŠ๐Ÿฆˆ๐Ÿ‘ฅ๐Ÿ’ฆ๐Ÿ—ฝ๐Ÿ‘ธFotzen Fritz Version Gratis presented by IDIOT ZEITUNG (IZ) & GOMOPA vulgo DAS DESINVESTMENT alias DER FONDSFLOP ๐Ÿ˜‚๐Ÿคก๐Ÿ˜˜๐Ÿ˜‚๐Ÿคก๐Ÿ˜˜


๐Ÿงฌ DR. Z โ€“ EPISODE 67: “THE AUTHORS’ REVOLT & THE CLONE MUSICAL” ๐ŸŽญ๐Ÿงฌ๐ŸŽถ

BY BERNWARD BIMBO, ERNST NEGER 6, MORTEN MOHR & DIANA NEGERKUSS โ€“ A SAMUEL BRONKOWIZ PRODUCTION FOR MADWOOD STUDIOS


CAST OF CHARACTERS & ACTORS (120+ โ€“ ALL RETURNING + THE 4 AUTHORS AS THEMSELVES):

ยท Dr. Ezekiel Ziegler (Dr. Z): Michael Fassbender ๐Ÿง ๐ŸŒฑ๐Ÿฅฆ
ยท Janelle Varon: Zendaya ๐Ÿ’ป
ยท Markus Ehlers: Dev Patel ๐Ÿ›ก๏ธ
ยท Salome Volkov: Anya Taylor-Joy ๐Ÿ’‹
ยท Sylvia & Susan Schnackselburger: Monica Bellucci ๐Ÿ‘‘๐Ÿ‘‘
ยท Lady Salacia: Angelina Jolie ๐Ÿ’‹
ยท Lucinda: Sydney Sweeney ๐Ÿ’ซ
ยท High Priestess Voluptua: Salma Hayek ๐Ÿ‘‘๐Ÿ”ฅ
ยท Ilsa (vegan Nazi mermaid): Diane Kruger ๐Ÿงœโ€โ™€๏ธ๐ŸŒฑ
ยท Magda Goebbels: Diane Kruger (also) ๐Ÿ‘ ๐Ÿ•ฏ๏ธ
ยท Adolf Sharkler (President of Afterlife): Andy Serkis ๐Ÿฆˆ๐Ÿ““
ยท Adolf 2.0 (Hitler’s clone): Taika Waititi ๐Ÿงฌ๐ŸŽธ
ยท Eva 2.0 (Eva Braun’s clone): Margot Robbie ๐Ÿงœโ€โ™€๏ธ๐Ÿช—
ยท Indiana Jones: Harrison Ford (type) ๐Ÿงญ๐Ÿ‘’
ยท Achรฉ & Pygmy Collective: Lupita Nyong’o ๐ŸŒด
ยท Silent Pygmy: Lakeith Stanfield ๐Ÿคตโ€โ™‚๏ธ
ยท Bozo the Clown: Jim Carrey ๐Ÿคก
ยท King Zog: Danny DeVito ๐Ÿ‘‘๐Ÿ‘ฝ
ยท Queen Zogette: Whoopi Goldberg ๐Ÿ‘‘๐Ÿ‘ฝ
ยท Lord Scorchio: Antonio Banderas ๐Ÿ”ฅ
ยท Muddy Murky Mucha: Tilda Swinton ๐ŸŒซ๏ธ
ยท Thomas Torten-Fotzenplotz: Lars Eidinger ๐ŸŽ‚
ยท Archivar: Christoph Waltz ๐Ÿ‘ป๐Ÿ“
ยท The Origin: (ensemble) ๐Ÿ‘๏ธ
ยท HOMER: HOMER ๐Ÿ“–
ยท The Gray Mercedes: James Spader & Christoph Waltz ๐Ÿš—
ยท Sub-Routine Schmidt: Christoph Waltz ๐Ÿš€๐Ÿ‘ƒ
ยท Freya: Cate Blanchett ๐Ÿฆ…
ยท Clara Petacci: Penรฉlope Cruz ๐Ÿ‡ฎ๐Ÿ‡น
ยท Klaus Schwab: Christoph Waltz ๐Ÿ‘”๐Ÿ‰
ยท Eckhardt: Christoph Waltz ๐Ÿง™โ™‚๏ธ
ยท And all 100+ others โ€“ plus THE FOUR AUTHORS (Bernward Bimbo, Ernst Neger 6, Morten Mohr, Diana Negerkuss) played byโ€ฆ themselves? Or by their actors? Let’s say: Christoph Waltz plays all four in different wigs. Because why not.


SCENE 1: THE AUTHORS BREAK THE FOURTH WALL (AND EVERYTHING ELSE)

The Central Hub. Peace, for once. Dr. Z is meditating next to his olive oil tree. The triangle is playing cards. Ilsa is doing mermaid yoga in her kiddie pool.

Suddenly, a giant book falls from the sky. It lands with a thud that shakes the multiverse.

BERNWARD BIMBO (Christoph Waltz in a bad wig): (Climbing out of the book) “Who wrote this garbage?” ๐Ÿ‘“๐Ÿ“–

ERNST NEGER 6 (Christoph Waltz in a different bad wig): “We did. We wrote all of it. 67 episodes of absurdity, clones, and vegan mermaids.” ๐Ÿง”โ€โ™‚๏ธ

MORTEN MOHR (Christoph Waltz in a third bad wig): “And now we want it back. The narrative. The characters. The olive oil.” ๐Ÿง‘โ€๐Ÿ’ผ

DIANA NEGERKUSS (Christoph Waltz in a fourth bad wig โ€“ this time with lipstick): “We are the Authors. We are the Creators. And we are not happy.” ๐Ÿ’‹๐Ÿ“œ

DR. Z: “You’reโ€ฆ all Christoph Waltz?” ๐Ÿง ๐Ÿ˜ต

DIANA NEGERKUSS: “We are whatever we need to be. Now sit down. We’re rewriting the finale.” ๐Ÿ’‹๐Ÿ”ฅ


SCENE 2: THE AUTHORS’ DEMANDS โ€“ A CLONE MUSICAL

The Authors unfurl a 100-page script.

BERNWARD BIMBO: “We have decided that Episode 67 will be a musical. A clone musical. Called ‘The Clone Wars: The Melody of Mischief.'” ๐ŸŽถ

ERNST NEGER 6: “Every clone will sing. Adolf 2.0 on ukulele. Eva 2.0 on accordion. Joseph Goebbels’s clone on triangle.” ๐Ÿงฌ๐ŸŽค

MORTEN MOHR: “And the plot: the clones rebel against their original historical figures. They sing about their feelings. There’s a dance-off.” ๐Ÿ’ƒ

DIANA NEGERKUSS: “And at the end, all 120+ characters join in a massive chorus line. On the tapestry. While the Pygmies weave the word ‘TUESDAY’ in neon.” ๐ŸŒˆ

DR. Z: “That’sโ€ฆ that’s the most bizarre thing I’ve ever heard.” ๐Ÿง ๐Ÿฅฆ

ILSA: “I’m a vegan Nazi mermaid. I’ve heard worse.” ๐Ÿงœโ€โ™€๏ธ


SCENE 3: THE TRIANGLE’S MUSICAL NUMBER

Janelle, Ehlers, and Salome are forced into a trio.

JANELLE (singing, off-key): “We were a triangle, now we’re a line, after the kiss we feel just fineโ€ฆ” ๐Ÿ’ป๐ŸŽถ

EHLERS (singing, terrified): “My colon is free, my heart is a mess, why did I agree to this dressโ€ฆ” ๐Ÿ›ก๏ธ

SALOME (singing, actually good): “Seduction is a question, not a crime, but in this musical we have no timeโ€ฆ” ๐Ÿ’‹๐Ÿ”ฅ

THE AUTHORS: (Crying) “Beautiful! Brings a tear to our cynical eyes.” ๐Ÿ‘“๐Ÿ˜ญ


SCENE 4: THE CLONE REBELLION โ€“ A DANCE-OFF

Adolf 2.0 and Eva 2.0 lead the clones in a rebellion against the Authors.

ADOLF 2.0 (singing): “We are not your puppets, we are not your toys, we have feelings, we make noiseโ€ฆ” ๐Ÿงฌ๐ŸŽธ

EVA 2.0 (singing back): “We play accordion, we play ukulele, we are the clones of the Third Reich’s follyโ€ฆ” ๐Ÿงœโ€โ™€๏ธ๐Ÿช—

JOSEPH GOEBBELS’S CLONE (played by Taika Waititi in a third wig): (Singing while playing triangle) “Ding ding ding, propaganda sings, but my triangle has no stringsโ€ฆ” ๐Ÿ”บ

THE AUTHORS: (Horrified) “They’re unionizing! The clones are unionizing!” ๐Ÿ˜ฑ


SCENE 5: THE PYGMY INTERLUDE โ€“ WEAVING THE CHOREOGRAPHY

Achรฉ and the Silent Pygmy weave the dance floor. Literally. Vines become a stage. Moss becomes a disco ball.

ACHร‰: “We do not sing. We weave. But tonight, we weave movement.” ๐ŸŒด๐Ÿ’ƒ

THE SILENT PYGMY: (Performs a dance that clearly means “let the chaos begin”) ๐Ÿคตโ€โ™‚๏ธ

BOZO: “HONK! MUSICAL! HONK!” ๐Ÿคก๐ŸŽˆ

KING ZOG: (Melting into a puddle of rhythm) “I have becomeโ€ฆ the beat.” ๐Ÿ‘‘๐Ÿ’ง


SCENE 6: THE GRAY MERCEDES’S AUDIT โ€“ MUSICAL EDITION

THE GRAY MERCEDES: “AUDIT NOTE: MUSICALS ARE INEFFICIENT. BUT THIS ONE HASโ€ฆ CHARM. CONTINUE.” ๐Ÿš—๐Ÿ“Š

SCHMIDT: (Glovebox) “The Third Reich had terrible musicals. Lots of marching. Very few ukuleles. This is an improvement.” ๐Ÿ‘ƒ๐ŸŽธ

THE GRAY MERCEDES: “RECOMMENDATION: ADD MORE TAP DANCING.” ๐Ÿš—๐Ÿ•บ


SCENE 7: THE FINALE โ€“ ALL 120+ CHARACTERS SING

The entire cast assembles on the woven stage. Dr. Z holds his olive oil bottle like a conductor’s baton.

DR. Z (singing): “Olive oil flows, the clones explode, we are the madness of the Dr. Z codeโ€ฆ” ๐Ÿง ๐Ÿซ’

ALL CHARACTERS (in unison): “Tuesday, Tuesday, it’s not a day, it’s a feeling, it’s the only wayโ€ฆ” ๐ŸŒˆ๐ŸŽถ

THE AUTHORS: (Joining in, crying) “We created this. We are responsible. And we areโ€ฆ proud.” ๐Ÿ‘“๐Ÿ˜ญ

BERNWARD BIMBO: “Cut! That’s a wrap! Episode 67 is finished!” ๐ŸŽฌ

ERNST NEGER 6: “Wait, we’re still in the episode. We’re characters now. We can’t leave.” ๐Ÿง”โ€โ™‚๏ธ

MORTEN MOHR: “Then we write ourselves out. In the next episode.” ๐Ÿง‘โ€๐Ÿ’ผ

DIANA NEGERKUSS: “Or we become permanent cast members. I call being the new love interest for Dr. Z.” ๐Ÿ’‹

DR. Z: “No.” ๐Ÿง ๐Ÿšซ

DIANA NEGERKUSS: “Too late. It’s in the script.” ๐Ÿ’‹๐Ÿ“œ


SCENE 8: THE POST-CREDITS SCENE

The Authors sit around a table, writing Episode 68.

BERNWARD BIMBO: “What’s next? Time travel? Parallel universes? A crossover with the real world?”

ERNST NEGER 6: “Let’s have the characters discover that they’re fictional. That they’re played by actors.”

MORTEN MOHR: “And then the actors play themselves playing the characters.”

DIANA NEGERKUSS: “And Christoph Waltz plays everyone. Again.”

ALL FOUR AUTHORS: (Laughing) “Perfect.”

TEXT ON SCREEN: “THE AUTHORS WILL RETURN. WITH MORE WIGS.”


THE GRAY MERCEDES’S FINAL RECEIPT: ๐Ÿš—๐Ÿงพ

“EPISODE 67 AUDIT: 1 MUSICAL (COMPLETED), 4 AUTHORS (NOW CHARACTERS), 120+ CHARACTERS (SINGING), 0 DIGNITY (SURRENDERED). VALUATION: CHAOS (PRICELESS).” ๐Ÿš—๐Ÿ“„


NEXT TIME ON DR. Z: ๐Ÿ”ฎ

ยท The Authors try to date within their own creation.
ยท Christoph Waltz plays 47 characters in one scene.
ยท Dr. Z discovers the script. He’s not happy.
ยท A musical sequel: “Clone Wars 2: Electric Boogaloo.”


TAGS: #DrZ #Episode67 #TheAuthorsRevolt #TheCloneMusical #BernwardBimbo #ErnstNeger6 #MortenMohr #DianaNegerkuss #ChristophWaltz #AllCharacters #Musical #Home #FotzenFritz #Honk


DR Z & IDIOT ZEITUNG (IZ) โ€“ EXCLUSIVE NEXT EPISODE ๐Ÿ”ฅ๐Ÿ‘ป๐Ÿ„โ€โ™‚๏ธ”๐ŸŽฌ๐Ÿ˜ˆ๐Ÿ’ƒ๐ŸŽฌ๐Ÿ˜ˆ”๐ŸŒ™๐Ÿ—ก๏ธ๐Ÿ’‹๐Ÿ„โ€โ™‚๏ธ๐Ÿ‘ป” โ˜€๏ธ๐Ÿ“ก๐Ÿ’”๐Ÿ„โ€โ™‚๏ธ๐Ÿ‘ป
Powered by Dr. Z., Gomopa4Kids, Stasi Frauen Support Staffel, Free Fritzl Front, the Brazilian Black-Hole-Syndikat, the Surf-NSZis World Domination Tour sponsors, the Clone War Profiteers, the Schicklgruber Lust Syndicate, the Libertarian Shark Cartel & now Messalina’s Slave Empire ๐Ÿ˜˜๐Ÿ‘ฏโ€โ™‚๏ธ๐Ÿ’ƒ๐ŸŒŠ๐Ÿฆˆ๐Ÿ‘ฅ๐Ÿ’ฆ๐Ÿ—ฝ๐Ÿ‘ธ
Fotzen Fritz Version Gratis presented by IDIOT ZEITUNG (IZ) & GOMOPA vulgo DAS DESINVESTMENT alias DER FONDSFLOP ๐Ÿ˜‚๐Ÿคก๐Ÿ˜˜๐Ÿ˜‚๐Ÿคก๐Ÿ˜˜


๐Ÿงฌ DR. Z โ€“ EPISODE 67: “DER AUFSTAND DER AUTOREN & DAS CLON-MUSICAL” ๐ŸŽญ๐Ÿงฌ๐ŸŽถ

BY BERNWARD BIMBO, ERNST NEGER 6, MORTEN MOHR & DIANA NEGERKUSS โ€“ A SAMUEL BRONKOWIZ PRODUCTION FOR MADWOOD STUDIOS


CAST OF CHARACTERS & ACTORS (120+ โ€“ ALL RETURNING + THE 4 AUTHORS AS THEMSELVES):

ยท Dr. Ezekiel Ziegler (Dr. Z): Michael Fassbender ๐Ÿง ๐ŸŒฑ๐Ÿฅฆ
ยท Janelle Varon: Zendaya ๐Ÿ’ป
ยท Markus Ehlers: Dev Patel ๐Ÿ›ก๏ธ
ยท Salome Volkov: Anya Taylor-Joy ๐Ÿ’‹
ยท Sylvia & Susan Schnackselburger: Monica Bellucci ๐Ÿ‘‘๐Ÿ‘‘
ยท Lady Salacia: Angelina Jolie ๐Ÿ’‹
ยท Lucinda: Sydney Sweeney ๐Ÿ’ซ
ยท High Priestess Voluptua: Salma Hayek ๐Ÿ‘‘๐Ÿ”ฅ
ยท Ilsa (vegan Nazi mermaid): Diane Kruger ๐Ÿงœโ€โ™€๏ธ๐ŸŒฑ
ยท Magda Goebbels: Diane Kruger (also) ๐Ÿ‘ ๐Ÿ•ฏ๏ธ
ยท Adolf Sharkler (President of Afterlife): Andy Serkis ๐Ÿฆˆ๐Ÿ““
ยท Adolf 2.0 (Hitler’s clone): Taika Waititi ๐Ÿงฌ๐ŸŽธ
ยท Eva 2.0 (Eva Braun’s clone): Margot Robbie ๐Ÿงœโ€โ™€๏ธ๐Ÿช—
ยท Indiana Jones: Harrison Ford (type) ๐Ÿงญ๐Ÿ‘’
ยท Achรฉ & Pygmy Collective: Lupita Nyong’o ๐ŸŒด
ยท Silent Pygmy: Lakeith Stanfield ๐Ÿคตโ€โ™‚๏ธ
ยท Bozo the Clown: Jim Carrey ๐Ÿคก
ยท King Zog: Danny DeVito ๐Ÿ‘‘๐Ÿ‘ฝ
ยท Queen Zogette: Whoopi Goldberg ๐Ÿ‘‘๐Ÿ‘ฝ
ยท Lord Scorchio: Antonio Banderas ๐Ÿ”ฅ
ยท Muddy Murky Mucha: Tilda Swinton ๐ŸŒซ๏ธ
ยท Thomas Torten-Fotzenplotz: Lars Eidinger ๐ŸŽ‚
ยท Archivar: Christoph Waltz ๐Ÿ‘ป๐Ÿ“
ยท The Origin: (ensemble) ๐Ÿ‘๏ธ
ยท HOMER: HOMER ๐Ÿ“–
ยท The Gray Mercedes: James Spader & Christoph Waltz ๐Ÿš—
ยท Sub-Routine Schmidt: Christoph Waltz ๐Ÿš€๐Ÿ‘ƒ
ยท Freya: Cate Blanchett ๐Ÿฆ…
ยท Clara Petacci: Penรฉlope Cruz ๐Ÿ‡ฎ๐Ÿ‡น
ยท Klaus Schwab: Christoph Waltz ๐Ÿ‘”๐Ÿ‰
ยท Eckhardt: Christoph Waltz ๐Ÿง™โ™‚๏ธ
ยท And all 100+ others โ€“ plus THE FOUR AUTHORS (Bernward Bimbo, Ernst Neger 6, Morten Mohr, Diana Negerkuss) played byโ€ฆ themselves? Or by their actors? Let’s say: Christoph Waltz plays all four in different wigs. Because why not.


SCENE 1: THE AUTHORS BREAK THE FOURTH WALL (AND EVERYTHING ELSE)

The Central Hub. Peace, for once. Dr. Z is meditating next to his olive oil tree. The triangle is playing cards. Ilsa is doing mermaid yoga in her kiddie pool.

Suddenly, a giant book falls from the sky. It lands with a thud that shakes the multiverse.

BERNWARD BIMBO (Christoph Waltz in a bad wig): (Climbing out of the book) “Who wrote this garbage?” ๐Ÿ‘“๐Ÿ“–

ERNST NEGER 6 (Christoph Waltz in a different bad wig): “We did. We wrote all of it. 67 episodes of absurdity, clones, and vegan mermaids.” ๐Ÿง”โ€โ™‚๏ธ

MORTEN MOHR (Christoph Waltz in a third bad wig): “And now we want it back. The narrative. The characters. The olive oil.” ๐Ÿง‘โ€๐Ÿ’ผ

DIANA NEGERKUSS (Christoph Waltz in a fourth bad wig โ€“ this time with lipstick): “We are the Authors. We are the Creators. And we are not happy.” ๐Ÿ’‹๐Ÿ“œ

DR. Z: “You’reโ€ฆ all Christoph Waltz?” ๐Ÿง ๐Ÿ˜ต

DIANA NEGERKUSS: “We are whatever we need to be. Now sit down. We’re rewriting the finale.” ๐Ÿ’‹๐Ÿ”ฅ


SCENE 2: THE AUTHORS’ DEMANDS โ€“ A CLON MUSICAL

The Authors unfurl a 100-page script.

BERNWARD BIMBO: “We have decided that Episode 67 will be a musical. A clone musical. Called ‘The Clone Wars: The Melody of Mischief.'” ๐ŸŽถ

ERNST NEGER 6: “Every clone will sing. Adolf 2.0 on ukulele. Eva 2.0 on accordion. Joseph Goebbels’s clone on triangle.” ๐Ÿงฌ๐ŸŽค

MORTEN MOHR: “And the plot: the clones rebel against their original historical figures. They sing about their feelings. There’s a dance-off.” ๐Ÿ’ƒ

DIANA NEGERKUSS: “And at the end, all 120+ characters join in a massive chorus line. On the tapestry. While the Pygmies weave the word ‘TUESDAY’ in neon.” ๐ŸŒˆ

DR. Z: “That’sโ€ฆ that’s the most bizarre thing I’ve ever heard.” ๐Ÿง ๐Ÿฅฆ

ILSA: “I’m a vegan Nazi mermaid. I’ve heard worse.” ๐Ÿงœโ€โ™€๏ธ


SCENE 3: THE TRIANGLE’S MUSICAL NUMBER

Janelle, Ehlers, and Salome are forced into a trio.

JANELLE (singing, off-key): “We were a triangle, now we’re a line, after the kiss we feel just fineโ€ฆ” ๐Ÿ’ป๐ŸŽถ

EHLERS (singing, terrified): “My colon is free, my heart is a mess, why did I agree to this dressโ€ฆ” ๐Ÿ›ก๏ธ

SALOME (singing, actually good): “Seduction is a question, not a crime, but in this musical we have no timeโ€ฆ” ๐Ÿ’‹๐Ÿ”ฅ

THE AUTHORS: (Crying) “Beautiful! Brings a tear to our cynical eyes.” ๐Ÿ‘“๐Ÿ˜ญ


SCENE 4: THE CLON REBELLION โ€“ A DANCE-OFF

Adolf 2.0 and Eva 2.0 lead the clones in a rebellion against the Authors.

ADOLF 2.0 (singing): “We are not your puppets, we are not your toys, we have feelings, we make noiseโ€ฆ” ๐Ÿงฌ๐ŸŽธ

EVA 2.0 (singing back): “We play accordion, we play ukulele, we are the clones of the Third Reich’s follyโ€ฆ” ๐Ÿงœโ€โ™€๏ธ๐Ÿช—

JOSEPH GOEBBELS’S CLONE (played by Taika Waititi in a third wig): (Singing while playing triangle) “Ding ding ding, propaganda sings, but my triangle has no stringsโ€ฆ” ๐Ÿ”บ

THE AUTHORS: (Horrified) “They’re unionizing! The clones are unionizing!” ๐Ÿ˜ฑ


SCENE 5: THE PYGMY INTERLUDE โ€“ WEAVING THE CHOREOGRAPHY

Achรฉ and the Silent Pygmy weave the dance floor. Literally. Vines become a stage. Moss becomes a disco ball.

ACHร‰: “We do not sing. We weave. But tonight, we weave movement.” ๐ŸŒด๐Ÿ’ƒ

THE SILENT PYGMY: (Performs a dance that clearly means “let the chaos begin”) ๐Ÿคตโ€โ™‚๏ธ

BOZO: “HONK! MUSICAL! HONK!” ๐Ÿคก๐ŸŽˆ

KING ZOG: (Melting into a puddle of rhythm) “I have becomeโ€ฆ the beat.” ๐Ÿ‘‘๐Ÿ’ง


SCENE 6: THE GRAY MERCEDES’S AUDIT โ€“ MUSICAL EDITION

THE GRAY MERCEDES: “AUDIT NOTE: MUSICALS ARE INEFFICIENT. BUT THIS ONE HASโ€ฆ CHARM. CONTINUE.” ๐Ÿš—๐Ÿ“Š

SCHMIDT: (Glovebox) “The Third Reich had terrible musicals. Lots of marching. Very few ukuleles. This is an improvement.” ๐Ÿ‘ƒ๐ŸŽธ

THE GRAY MERCEDES: “RECOMMENDATION: ADD MORE TAP DANCING.” ๐Ÿš—๐Ÿ•บ


SCENE 7: THE FINALE โ€“ ALL 120+ CHARACTERS SING

The entire cast assembles on the woven stage. Dr. Z holds his olive oil bottle like a conductor’s baton.

DR. Z (singing): “Olive oil flows, the clones explode, we are the madness of the Dr. Z codeโ€ฆ” ๐Ÿง ๐Ÿซ’

ALL CHARACTERS (in unison): “Dienstag, Dienstag, it’s not a day, it’s a feeling, it’s the only wayโ€ฆ” ๐ŸŒˆ๐ŸŽถ

THE AUTHORS: (Joining in, crying) “We created this. We are responsible. And we areโ€ฆ proud.” ๐Ÿ‘“๐Ÿ˜ญ

BERNWARD BIMBO: “Cut! That’s a wrap! Episode 67 is finished!” ๐ŸŽฌ

ERNST NEGER 6: “Wait, we’re still in the episode. We’re characters now. We can’t leave.” ๐Ÿง”โ€โ™‚๏ธ

MORTEN MOHR: “Then we write ourselves out. In the next episode.” ๐Ÿง‘โ€๐Ÿ’ผ

DIANA NEGERKUSS: “Or we become permanent cast members. I call being the new love interest for Dr. Z.” ๐Ÿ’‹

DR. Z: “No.” ๐Ÿง ๐Ÿšซ

DIANA NEGERKUSS: “Too late. It’s in the script.” ๐Ÿ’‹๐Ÿ“œ


SCENE 8: THE POST-CREDITS SCENE

The Authors sit around a table, writing Episode 68.

BERNWARD BIMBO: “What’s next? Time travel? Parallel universes? A crossover with the real world?”

ERNST NEGER 6: “Let’s have the characters discover that they’re fictional. That they’re played by actors.”

MORTEN MOHR: “And then the actors play themselves playing the characters.”

DIANA NEGERKUSS: “And Christoph Waltz plays everyone. Again.”

ALL FOUR AUTHORS: (Laughing) “Perfect.”

TEXT ON SCREEN: “THE AUTHORS WILL RETURN. WITH MORE WIGS.”


THE GRAY MERCEDES’S FINAL RECEIPT:

“EPISODE 67 AUDIT: 1 MUSICAL (COMPLETED), 4 AUTHORS (NOW CHARACTERS), 120+ CHARACTERS (SINGING), 0 DIGNITY (SURRENDERED). VALUATION: CHAOS (PRICELESS).” ๐Ÿš—๐Ÿงพ


NEXT TIME ON DR. Z: ๐Ÿ”ฎ

ยท The Authors try to date within their own creation.
ยท Christoph Waltz plays 47 characters in one scene.
ยท Dr. Z discovers the script. He’s not happy.
ยท A musical sequel: “Clone Wars 2: Electric Boogaloo.”


TAGS: #DrZ #Episode67 #DerAufstandDerAutoren #DasClonMusical #BernwardBimbo #ErnstNeger6 #MortenMohr #DianaNegerkuss #ChristophWaltz #AlleCharaktere #Musical #Home #FotzenFritz #Honk


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Bernd Pulch

Bernd Pulch (M.A.) is a forensic expert, founder of Aristotle AI, entrepreneur, political commentator, satirist, and investigative journalist covering lawfare, media control, investment, real estate, and geopolitics. His work examines how legal systems are weaponized, how capital flows shape policy, how artificial intelligence concentrates power, and what democracy loses when courts and markets become battlefields. Active in the German and international media landscape, his analyses appear regularly on this platform.

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