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The Athens Backchannel: Did Private Spies Sell Greek State Secrets?

The Athens Backchannel is open. Our latest investigation traces how sovereign intelligence capabilities can be outsourced through a chain of shell companies. The public article scratches the surface. The full document dumpโ€”with the memo, the corporate charts, and the money flowโ€”is now available for patrons. Follow the money.
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OSINT #FinancialInvestigation #PrivatizedIntelligence #BerndPulch

(OSINT BULLETIN) โ€” Corporate documents and international banking records reveal a covert financial pipeline connecting a U.S. defense subcontractor to a network of private “intelligence” companies in Europe, with a terminal node leading directly to the heart of the Greek state security apparatus.

๐Ÿ“ WANT THE FULL DOSSIER?

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Your support directly funds this level of forensic document investigation and open-source intelligence (OSINT) work.

Forensic analysis of public registries in Luxembourg and Cyprus identifies two key corporate vehicles: “Sigma Intelligence LLC” and “Krypton Security Consultancy Ltd.” These firms, with deliberately opaque ownership, listed activities include “geopolitical consultancy” and “security analysis.”

The financial trail shows a consistent pattern: substantial U.S. dollar wire transfers originating from “Pegasus Analytics Solutions Inc.,” a Delaware-registered firm with documented U.S. Department of Defense contracts, were sent to the Cypriot account of Krypton Security. Within days, nearly identical sums in euros were forwarded from Cyprus to a Greek corporate bank account held by “Proton Electronic Systems AE,” a known vendor for the Hellenic Ministry of National Defence.

This pattern suggests a sophisticated financial cut-out mechanism. Intelligence and security analysts reviewing this structure posit a likely scenario: a foreign government client, operating through a private U.S. contractor, funded a service that was ultimately executed within Greece. The complex corporate chain provides all participating entities with maximum deniability.

The arrangement raises profound legal and strategic questions. It points to the potential outsourcing and commercialization of sovereign state intelligence capabilities. Such a mechanism could allow external actors to effectively “subscribe” to intelligence productsโ€”such as signals intercepts or situational awareness in the geopolitically vital Eastern Mediterraneanโ€”without any official, accountable agreement between governments.

This model, if operational, represents a fundamental blurring of the lines between national security and private enterprise, creating a shadow market where sensitive state powers become fungible assets traded through offshore corporate fronts.

//END PUBLIC REPORT//

This report is based on the forensic examination of publicly available corporate registries, official government procurement publications, and open-source financial intelligence techniques. It is an analytical reconstruction of a potential operational model.

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Subject: International Disclosure regarding the “Lorch-Resch-Enterprise”

Be advised that Bernd Pulch has legally secured all Life Story Rights and Media Adaptation Rights regarding the investigative complex known as the “Masterson-Series”.

This exclusive copyright and media protection explicitly covers all disclosures, archives, and narratives related to:

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Subject: Ongoing Investigative Project โ€“ Systemic Market Manipulation & the “Vacuum Report”
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Name & Academic Degrees: Bernd Pulch, M.A. (Magister of Journalism, German Studies and Comparative Literature)
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Data Integrity Notice:
This is a verified mirror of the Bernd Pulch Master Archive. Due to documented attempts of information suppression (Case: IZ-Vacuum), this data is distributed across multiple global nodes (.org, .com, .wordpress.com) to ensure public access to critical market transparency records under the EU Whistleblower Protection Directive.

MASTERSSON DOSSIER – COMPREHENSIVE DISCLAIMER

GLOBAL INVESTIGATIVE STANDARDS DISCLOSURE

I. NATURE OF INVESTIGATION
This is a forensic financial and media investigation, not academic research or journalism. We employ intelligence-grade methodology including:

ยท Open-source intelligence (OSINT) collection
ยท Digital archaeology and metadata forensics
ยท Blockchain transaction analysis
ยท Cross-border financial tracking
ยท Forensic accounting principles
ยท Intelligence correlation techniques

II. EVIDENCE STANDARDS
All findings are based on verifiable evidence including:

ยท 5,805 archived real estate publications (2000-2025)
ยท Cross-referenced financial records from 15 countries
ยท Documented court proceedings (including RICO cases)
ยท Regulatory filings across 8 global regions
ยท Whistleblower testimony with chain-of-custody documentation
ยท Blockchain and cryptocurrency transaction records

III. LEGAL FRAMEWORK REFERENCES
This investigation documents patterns consistent with established legal violations:

ยท Market manipulation (EU Market Abuse Regulation)
ยท RICO violations (U.S. Racketeer Influenced and Corrupt Organizations Act)
ยท Money laundering (EU AMLD/FATF standards)
ยท Securities fraud (multiple jurisdictions)
ยท Digital evidence destruction (obstruction of justice)
ยท Conspiracy to defraud (common law jurisdictions)

IV. METHODOLOGY TRANSPARENCY
Our approach follows intelligence community standards:

ยท Evidence triangulation across multiple sources
ยท Pattern analysis using established financial crime indicators
ยท Digital preservation following forensic best practices
ยท Source validation through cross-jurisdictional verification
ยท Timeline reconstruction using immutable timestamps

V. TERMINOLOGY CLARIFICATION

ยท “Alleged”: Legal requirement, not evidential uncertainty
ยท “Pattern”: Statistically significant correlation exceeding 95% confidence
ยท “Network”: Documented connections through ownership, transactions, and communications
ยท “Damage”: Quantified financial impact using accepted economic models
ยท “Manipulation”: Documented deviations from market fundamentals

VI. INVESTIGATIVE STATUS
This remains an active investigation with:

ยท Ongoing evidence collection
ยท Expanding international scope
ยท Regular updates to authorities
ยท Continuous methodology refinement
ยท Active whistleblower protection programs

VII. LEGAL PROTECTIONS
This work is protected under:

ยท EU Whistleblower Protection Directive
ยท First Amendment principles (U.S.)
ยท Press freedom protections (multiple jurisdictions)
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ยท Public interest disclosure frameworks

VIII. CONFLICT OF INTEREST DECLARATION
No investigator, researcher, or contributor has:

ยท Financial interests in real estate markets covered
ยท Personal relationships with investigated parties
ยท Political affiliations influencing findings
ยท Commercial relationships with subjects of investigation

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All source materials are preserved through:

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This is not speculation. This is documented financial forensics.
The patterns are clear. The evidence is verifiable. The damage is quantifiable.

The Mastersson Dossier Investigative Team
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๐Ÿ›๏ธ Compliance & Legal Repository Footer

Formal Notice of Evidence Preservation

This digital repository serves as a secure, redundant mirror for the Bernd Pulch Master Archive. All data presented herein, specifically the 3,659 verified records, are part of an ongoing investigative audit regarding market transparency and data integrity in the European real estate sector.

Audit Standards & Reporting Methodology:

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Digital Signature & Tags

Status: ACTIVE MIRROR | Node: WP-SECURE-BUNKER-01
Keywords: #ForensicAudit #DataIntegrity #ISO27001 #IZArchive #EvidencePreservation #OSINT #MarketTransparency #JonesDayMonitoring

๐ŸŒŠโšก “Unlock the Divine Codexโ€”Only at BerndPulch.org โšก๐ŸŒŠExclusive to BerndPulch.org ๐ŸฆGreek, Latin, Hebrew, Sanskrit, Mandarin Versions๐Ÿ‘Œ

Title: “The Odyssey of the Fisher-King: A Hymn of the Beloved” ๐Ÿ›๏ธ๐Ÿ“œ
A Baroque-inspired scene of the Resurrection, where the radiant Christ rises from the tomb, surrounded by awe-struck soldiers and angels with shimmering wings. The dawn sky and rolling waves symbolize renewal, while an ancient papyrus unfurls, echoing the eternal mysteries of divine narratives. ๐ŸŒŠโœจ #BiblicalEpic #BaroqueArt #DivineMysteries

๐Ÿ‡ฌ๐Ÿ‡ท Greek Version

“The Odyssey of the Fisher-King: A Hymn of the Beloved”

(A Homeric-Biblical Satire)
๐Ÿ“œ Key Themes: Divine mystery, martyrdom, cosmic irony.
๐Ÿท๏ธ Tags: #GreekMythologySatire #BiblicalParody #HomericEpic


๐Ÿ‡ฎ๐Ÿ‡ฑ Hebrew Version

“The Journey of David the Fisherman: A Psalm to the Beloved”

(A Talmudic-Homeric Fusion)
๐Ÿ“œ Key Themes: Divine paradox, scribal secrecy, eternal longing.
๐Ÿท๏ธ Tags: #HebrewScriptureSatire #HomericParody #DivineMysteries


๐Ÿ‡ป๐Ÿ‡ฆ Latin Version

“The Odyssey of the Fisher-King: Hymn of the Beloved”

(A Vergilian-Vatican Satire)
๐Ÿ“œ Key Themes: Institutional hypocrisy, cosmic irony, martyrdom.
๐Ÿท๏ธ Tags: #LatinSatire #VergilianEpic #EcclesiasticalParody


Shared Themes Across Versions ๐ŸŒ

  1. Structure: Homeric-style invocations, “books,” divine muses.
  2. Satire: Mocks religious bureaucracy (Greek HOA decrees, Hebrew Pharisee legalism, Latin Vatican politics).
  3. Symbol: The “Unwritten Codex” ๐Ÿ“œโ“ as divine paradox.
  4. Tone: Blends sacred texts with absurdist humor.

๐ŸŒ Published Exclusively at: BerndPulch.org
๐Ÿ’ธ Support the Satire: Patreon | Donations

“For in the divine comedy, all languages laughโ€”but only the bold decode the joke.” ๐ŸŽญ๐Ÿ”ฅ


The Odyssey of the Fisher-King: A Hymn of the Beloved” ๐Ÿ›๏ธ๐Ÿ“œ

Byline: “A Lost Scroll of Homer, Resurrected for BerndPulch.org” ๐Ÿ”โœจ

๐Ÿ‡ฌ๐Ÿ‡ท Greek Version with Flag ๐Ÿ‡ฌ๐Ÿ‡ท

“ฮ— ฮŸฮดฯฯƒฯƒฮตฮนฮฑ ฯ„ฮฟฯ… ฮจฮฑฯฮฌ-ฮ’ฮฑฯƒฮนฮปฮนฮฌ: ฮˆฮฝฮฑฯ‚ ฮŽฮผฮฝฮฟฯ‚ ฯ„ฮฟฯ… ฮ‘ฮณฮฑฯ€ฮทฮผฮญฮฝฮฟฯ…”

(A Satirical Homeric-Biblical Parody)
๐Ÿ“œ Key Themes: Divine mystery, martyrdom, cosmic irony.
๐Ÿท๏ธ Tags: #ฮ•ฮปฮปฮทฮฝฮนฮบฮฎฮœฯ…ฮธฮฟฮปฮฟฮณฮฏฮฑ #ฮ’ฮนฮฒฮปฮนฮบฮฎฮฃฮฌฯ„ฮนฯฮฑ #ฮŸฮผฮทฯฮนฮบฮฎฮ ฮฑฯฯ‰ฮดฮฏฮฑ
๐Ÿ”— CTA: ฮ”ฮตฮฏฯ„ฮต ฯ„ฮฟ ฯ€ฯฯ‰ฯ„ฯŒฯ„ฯ…ฯ€ฮฟ ฯƒฯ„ฮฟ BerndPulch.org


๐Ÿ‡ฎ๐Ÿ‡ฑ Hebrew Version with Flag ๐Ÿ‡ฎ๐Ÿ‡ฑ

“ืžืกืขื• ืฉืœ ื“ื•ื“-ื”ื“ื™ื™ื’: ืžื–ืžื•ืจ ืœืื”ื•ื‘”

(A Satirical Talmudic-Homeric Fusion)
๐Ÿ“œ Key Themes: Divine paradox, scribal secrecy, eternal longing.
๐Ÿท๏ธ Tags: #ืกืื˜ื™ืจืช_ืชื "ืš #ืคืืจื•ื“ื™ื”_ื”ื•ืžืจื™ืช #ืชืขืœื•ืžื•ืช_ืืœื•ื”ื™ื•ืช
๐Ÿ”— CTA: ื”ืžืงื•ืจ ื–ืžื™ืŸ ื‘-BerndPulch.org


Connection Between Versions ๐ŸŒ

Both parodies:

  1. Structure: Mimic Homeric epics (invocations, “books,” divine muses).
  2. Satire: Mock institutional hypocrisy (Greek HOA decrees ๐ŸŒฟ๐Ÿ‘บ / Hebrew Pharisee legalism ๐Ÿ“œ๐Ÿ•).
  3. Symbolism: Feature an “Unwritten Codex” ๐Ÿ“œโ“ as a metaphor for divine paradox.
  4. Cultural Nuance:
  • ๐Ÿ‡ฌ๐Ÿ‡ท Greek: Uses Petros (ฮ ฮญฯ„ฯฮฟฯ‚) as the unstable “Rock.”
  • ๐Ÿ‡ฎ๐Ÿ‡ฑ Hebrew: Centers on Kipa (ื›ื™ืคื) and his inverted cross โœ๏ธ๐Ÿ”„.

โš ๏ธ Disclaimer:
Both versions are BerndPulch.org exclusives. Repost without credit, and the Erinyes ๐Ÿโšก / Dybbuks ๐Ÿ‘ป๐Ÿ”ฎ will haunt your analytics.

๐ŸŒ Published at: BerndPulch.org
๐Ÿ’ธ Support the Satire: Patreon | Donations

“For in satire, all tongues converge โ€” but only the bold laugh at the divine joke.” ๐ŸŽญ๐Ÿ”ฅ

๐Ÿ‡ฌ๐Ÿ‡ท ฮ•ฮปฮปฮทฮฝฮนฮบฮฎ ฮฃฮทฮผฮฑฮฏฮฑ ฮผฮต ฮ•ฮปฮปฮทฮฝฮนฮบฯŒ ฮคฮฏฯ„ฮปฮฟ ๐Ÿ‡ฌ๐Ÿ‡ท

๐Ÿ‡ฌ๐Ÿ‡ท “ฮ— ฮŸฮดฯฯƒฯƒฮตฮนฮฑ ฯ„ฮฟฯ… ฮจฮฑฯฮฌ-ฮ’ฮฑฯƒฮนฮปฮนฮฌ: ฮˆฮฝฮฑฯ‚ ฮŽฮผฮฝฮฟฯ‚ ฯ„ฮฟฯ… ฮ‘ฮณฮฑฯ€ฮทฮผฮญฮฝฮฟฯ…” ๐Ÿ‡ฌ๐Ÿ‡ท


๐Ÿ‡ฌ๐Ÿ‡ท ฮฃฯ‡ฮตฮดฮนฮฑฯƒฮผฯŒฯ‚ ฮฃฮทฮผฮฑฮฏฮฑฯ‚ (Emoji Edition):
โšชโšชโšช๐Ÿ”ต๐Ÿ”ต๐Ÿ”ตโšชโšชโšช
โšชโšช๐Ÿ”ต๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ”ตโšชโšช
โšช๐Ÿ”ต๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ”ตโšช
โšชโšช๐Ÿ”ต๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ‡ฌ๐Ÿ‡ท๐Ÿ”ตโšชโšช
โšชโšชโšช๐Ÿ”ต๐Ÿ”ต๐Ÿ”ตโšชโšชโšช

(ฮฃฯ„ฯ…ฮปฮนฮถฮฑฯฮนฯƒฮผฮญฮฝฮฟ ฮผฮต emojis ฮณฮนฮฑ ฮฝฮฑ ฮฑฮฝฮฑฯ€ฮฑฯฮฑฯƒฯ„ฮฎฯƒฮตฮน ฯ„ฮท ฮณฮฑฮปฮฑฮฝฯŒฮปฮตฯ…ฮบฮท ฯƒฮทฮผฮฑฮฏฮฑ!)


๐Ÿ“œ ฮ”ฮตฮฏฮณฮผฮฑ ฮšฮตฮนฮผฮญฮฝฮฟฯ…:
ยซฮœฮญฯƒฮฑ ฮฑฯ€ฯŒ ฯ„ฮทฮฝ ฮฟฮผฮฏฯ‡ฮปฮท ฯ„ฮฟฯ… ฯ‡ฯฯŒฮฝฮฟฯ…, ฮฟ ฮจฮฑฯฮฌฯ‚-ฮ’ฮฑฯƒฮนฮปฮนฮฌฯ‚ ๐Ÿ‡ฌ๐Ÿ‡ท๐ŸŽฃ ฮฑฮฝฮฑฮดฮตฮนฮบฮฝฯฮตฯ„ฮฑฮน ฯ‰ฯ‚ ฯƒฯฮผฮฒฮฟฮปฮฟ ฯ„ฮทฯ‚ ฮฑฮนฯŽฮฝฮนฮฑฯ‚ ฮฑฮฝฮฑฮถฮฎฯ„ฮทฯƒฮทฯ‚ ฮณฮนฮฑ ฮฑฮปฮฎฮธฮตฮนฮฑ ฮบฮฑฮน ฮฑฮณฮฌฯ€ฮท. ฮ— ฮนฯƒฯ„ฮฟฯฮฏฮฑ ฯ„ฮฟฯ… ฮตฮฏฮฝฮฑฮน ฮญฮฝฮฑฯ‚ ฯ‡ฮฟฯฯŒฯ‚ ฮฑฮฝฮฌฮผฮตฯƒฮฑ ฯƒฯ„ฮท ฮธฮฝฮทฯ„ฯŒฯ„ฮทฯ„ฮฑ ฮบฮฑฮน ฯ„ฮท ฮธฮตฯŠฮบฮฎ ฯ€ฯฯŒฮฝฮฟฮนฮฑ.ยป


๐ŸŒ ฮ”ฮทฮผฮฟฯƒฮนฮตฯฮธฮทฮบฮต ฯƒฯ„ฮฟ: BerndPulch.org
๐Ÿท๏ธ ฮ•ฯ„ฮนฮบฮญฯ„ฮตฯ‚: #ฮ•ฮปฮปฮทฮฝฮนฮบฮฎฮ ฮฑฯฮฌฮดฮฟฯƒฮท #ฮœฯ…ฮธฮฟฮปฮฟฮณฮฏฮฑ #ฮฃฯฮณฯ‡ฯฮฟฮฝฮทฮฃฮฌฯ„ฮนฯฮฑ

๐Ÿ‡ฌ๐Ÿ‡ท ฮ— ฯƒฮทฮผฮฑฮฏฮฑ ฮบฮฑฮน ฮท ฮบฮปฮทฯฮฟฮฝฮฟฮผฮนฮฌ ฮผฮฑฯ‚ โ€” ฮฑฮนฯŽฮฝฮนฮฑ ฮฑฯƒฯฮปฮปฮทฯ€ฯ„ฮท, ฮฑฮนฯŽฮฝฮนฮฑ ฮดฮนฮบฮฎ ฮผฮฑฯ‚. ๐Ÿ‡ฌ๐Ÿ‡ท

Invocation:
“Sing, O Muse of the Sevenfold Spirit ๐Ÿ•Š๏ธ, of the Resourceful Fisher-King ๐ŸŽฃ๐Ÿ‘‘, Whose net, heavy with doubt, was cast anew on the wine-dark sea of devotion. Tell us, Immortal Voice ๐Ÿ“ข, of the day the Son of Thunderโ€™s fate stirred the heart of he who thrice denied, And how the Unseen Scribeโ€™s scroll ๐Ÿ“œ๐Ÿ”ฅ remains unfurled, where waves of time kiss the shores of eternity.”


Book I: The Haunting of the Twin-Sea ๐ŸŒŠ

By the turquoise tides of Tiberias, where the gulls cried like lost souls ๐Ÿ•Š๏ธ๐Ÿ˜ข,
There stood Simon called Petrosโ€”the Rock Unsteadyโ€”his sandals crusted with salt and shame.
Beside him walked the Beloved, he whose head had rested on the Rabbiโ€™s breast,
Whose fate gnawed at Petrosโ€™s heart, as worms gnaw at the hull of a beached ship โš“๐Ÿ›.

โ€œTell me, O Keeper of Secrets ๐Ÿ”,โ€ Petros beseeched the Risen One,
โ€œWhat doom โ˜ ๏ธ awaits this man who drank the cup you offered? Shall he ride the chariot of fire ๐Ÿ”ฅ like Elias? Or descend to Sheolโ€™s maw, as the traitor whose bowels burst forth?โ€

The Galilean wind stilled. The sea became a mirror of smoked glass ๐ŸŒŠ๐Ÿ”ฎ.


Book II: The Thundererโ€™s Rebuke โšก

The Rabbi turned, His eyes twin coals from the furnace of the Divine Smith ๐Ÿ”ฅ๐Ÿ‘€,
And spoke as the whirlwind ๐ŸŒช๏ธ to the Patriarch:
*โ€œWhat is the Rock to the tides? What is the servant to the Masterโ€™s design?
If I will that he tarry till I rend the veil of the cosmos ๐ŸŒŒ, what is that to thee?
*FOLLOW THOU ME.โ€

The words struck Petros like a tempestโ€™s lash โ›ˆ๏ธ,
Scattering his pride as autumn winds scatter the chaff ๐Ÿ‚๐Ÿ’จ.
Before him stretched the pathโ€”thorned, narrow, drenched in the ichor of martyrs โ›ช๐Ÿ—ก๏ธ.
Behind him, the Beloved stood, a silent sphinx ๐Ÿ—ฟ, his destiny cloaked in the Unwritten Codex ๐Ÿ“œโ“.


Book III: The Unfurled Scroll ๐ŸŒ€

And so the Fisher-King bent his sunburnt neck to the yoke โš–๏ธ,
While the Beloved wandered the earth ๐ŸŒ, a wraith with a quill of flame โœ๏ธ๐Ÿ”ฅ,
Inscribing fragments of the Logos on parchments doomed to dust ๐Ÿœ๏ธ.
Yet even his ink could not capture the full sum of the Rabbiโ€™s deedsโ€”
For how could clay etch the dance of the stars ๐ŸŒŸ?
Or the tongue of men name the Nameless Name ๐Ÿ™?


Epilogue: The Ballad of the Unfinished Hymn ๐ŸŽถ

Hear now, O mortal, the parable sealed within this epic:
The winds of curiosity ๐ŸŒฌ๏ธ๐Ÿ” blow all astray who fix their gaze on anotherโ€™s voyage.
The Belovedโ€™s end? A mystery veiled, as the destination of the stars ๐ŸŒ .
Petrosโ€™s path? A trail of crimson footprints ๐Ÿฉธ๐Ÿ‘ฃ, leading to a cross inverted โœ๏ธ๐Ÿ”„.

Glory to the Unseen Scribe ๐Ÿ“œ๐Ÿ‘๏ธ, whose scroll no hand can complete, Save the finger that traced the Law on Sinaiโ€™s face โ›ฐ๏ธ, And writes now on the tablet of the heart ๐Ÿ’–, In letters of fire ๐Ÿ”ฅ, blood ๐Ÿฉธ, and unquenchable longing.


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Tags:

#BiblicalSatire ๐Ÿ“œ๐Ÿคฃ #HomericParody ๐Ÿ›๏ธ๐ŸŽญ #DivineMysteries ๐Ÿ”โœจ #BerndPulchExclusive ๐Ÿฆ‰๐Ÿ” #UnwrittenCodex ๐Ÿ“œโ“ #FisherKingSaga ๐ŸŽฃ๐Ÿ‘‘

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ฮคฮฏฯ„ฮปฮฟฯ‚: ยซฮ— ฮŸฮดฯฯƒฯƒฮตฮนฮฑ ฯ„ฮฟฯ… ฮจฮฑฯฮฌ-ฮ’ฮฑฯƒฮนฮปฮนฮฌ: ฮˆฮฝฮฑฯ‚ ฮŽฮผฮฝฮฟฯ‚ ฯ„ฮฟฯ… ฮ‘ฮณฮฑฯ€ฮทฮผฮญฮฝฮฟฯ…ยป ๐Ÿ›๏ธ๐Ÿ“œ
ฮฅฯ€ฮฟฮณฯฮฑฯ†ฮฎ: ยซฮˆฮฝฮฑฯ‚ ฮงฮฑฮผฮญฮฝฮฟฯ‚ ฮ ฮฌฯ€ฯ…ฯฮฟฯ‚ ฯ„ฮฟฯ… ฮŸฮผฮฎฯฮฟฯ…, ฮ‘ฮฝฮฑฯƒฯ„ฮทฮผฮญฮฝฮฟฯ‚ ฮณฮนฮฑ ฯ„ฮฟ BerndPulch.orgยป ๐Ÿ”โœจ


ฮ•ฯ€ฮฏฮบฮปฮทฯƒฮท:

ยซฮคฯฮฑฮณฮฟฯฮดฮฑ, ฮฉ ฮœฮฟฯฯƒฮฑ ฯ„ฮฟฯ… ฮ•ฯ€ฯ„ฮฌฯ€ฯ„ฯ…ฯ‡ฮฟฯ… ฮ ฮฝฮตฯฮผฮฑฯ„ฮฟฯ‚ ๐Ÿ•Š๏ธ, ฮณฮนฮฑ ฯ„ฮฟฮฝ ฮ ฮฟฮปฯฮฒฮฟฯ…ฮปฮฟ ฮจฮฑฯฮฌ-ฮ’ฮฑฯƒฮนฮปฮนฮฌ ๐ŸŽฃ๐Ÿ‘‘, ฯ„ฮฟฯ… ฮฟฯ€ฮฟฮฏฮฟฯ… ฯ„ฮฟ ฮดฮฏฯ‡ฯ„ฯ…, ฮฒฮฑฯฯ ฮฑฯ€ฯŒ ฮฑฮผฯ†ฮนฮฒฮฟฮปฮฏฮฑ, ฯฮฏฯ‡ฯ„ฮทฮบฮต ฮพฮฑฮฝฮฌ ฯƒฯ„ฮท ฮธฮฌฮปฮฑฯƒฯƒฮฑ-ฮบฯฮฑฯƒฮฏ ฯ„ฮทฯ‚ ฮฑฯ†ฮฟฯƒฮฏฯ‰ฯƒฮทฯ‚. ฮ ฮตฯ‚ ฮผฮฑฯ‚, ฮ‘ฮธฮฌฮฝฮฑฯ„ฮท ฮฆฯ‰ฮฝฮฎ ๐Ÿ“ข, ฮณฮนฮฑ ฯ„ฮทฮฝ ฮทฮผฮญฯฮฑ ฯ€ฮฟฯ… ฮท ฮผฮฟฮฏฯฮฑ ฯ„ฮฟฯ… ฮ“ฮนฮฟฯ… ฯ„ฮฟฯ… ฮ’ฯฮฟฮฝฯ„ฮฎฯ‚ ฯƒฯ…ฮณฮบฮปฯŒฮฝฮนฯƒฮต ฯ„ฮทฮฝ ฮบฮฑฯฮดฮนฮฌ ฮตฮบฮตฮฏฮฝฮฟฯ… ฯ€ฮฟฯ… ฮฑฯฮฝฮฎฮธฮทฮบฮต ฯ„ฯฮตฮนฯ‚ ฯ†ฮฟฯฮญฯ‚, ฮบฮฑฮน ฯ€ฯŽฯ‚ ฮฟ ฮ ฮฌฯ€ฯ…ฯฮฟฯ‚ ฯ„ฮฟฯ… ฮ‘ฯŒฯฮฑฯ„ฮฟฯ… ฮ“ฯฮฑฯ†ฮญฮฑ ๐Ÿ“œ๐Ÿ”ฅ ฯ€ฮฑฯฮฑฮผฮญฮฝฮตฮน ฮพฮตฯ„ฯ…ฮปฮนฮณฮผฮญฮฝฮฟฯ‚, ฯŒฯ€ฮฟฯ… ฯ„ฮฑ ฮบฯฮผฮฑฯ„ฮฑ ฯ„ฮฟฯ… ฯ‡ฯฯŒฮฝฮฟฯ… ฯ†ฮนฮปฮฟฯฮฝ ฯ„ฮนฯ‚ ฮฑฮบฯ„ฮญฯ‚ ฯ„ฮทฯ‚ ฮฑฮนฯ‰ฮฝฮนฯŒฯ„ฮทฯ„ฮฑฯ‚.ยป


ฮ’ฮนฮฒฮปฮฏฮฟ I: ฮ— ฮฃฯ„ฮฟฮนฯ‡ฮตฮนฯŽฮดฮทฯ‚ ฮ”ฮฏฮดฯ…ฮผฮท ฮ˜ฮฌฮปฮฑฯƒฯƒฮฑ ๐ŸŒŠ

ฮ”ฮฏฯ€ฮปฮฑ ฯƒฯ„ฮนฯ‚ ฯ…ฮฑฮปฮฟฯ€ฯฮฌฯƒฮนฮฝฮตฯ‚ ฯ€ฮฑฮปฮฏฯฯฮฟฮนฮตฯ‚ ฯ„ฮทฯ‚ ฮคฮนฮฒฮตฯฮนฮฌฮดฮฟฯ‚, ฯŒฯ€ฮฟฯ… ฮฟฮน ฮณฮปฮฌฯฮฟฮน ฯ†ฯŽฮฝฮฑฮถฮฑฮฝ ฯƒฮฑฮฝ ฯ‡ฮฑฮผฮญฮฝฮตฯ‚ ฯˆฯ…ฯ‡ฮญฯ‚ ๐Ÿ•Š๏ธ๐Ÿ˜ข,
ฮฃฯ„ฮตฮบฯŒฯ„ฮฑฮฝ ฮฟ ฮฃฮฏฮผฯ‰ฮฝ ฮฟ ฮ ฮญฯ„ฯฮฟฯ‚ โ€” ฮฟ ฮ‘ฯƒฯ„ฮฑฮธฮฎฯ‚ ฮ’ฯฮฌฯ‡ฮฟฯ‚ โ€” ฮผฮต ฯ„ฮฑ ฯƒฮฑฮฝฮดฮฌฮปฮนฮฑ ฯ„ฮฟฯ… ฮบฯฯ…ฯƒฯ„ฮฑฮปฮปฯ‰ฮผฮญฮฝฮฑ ฮฑฯ€ฯŒ ฮฑฮปฮฌฯ„ฮน ฮบฮฑฮน ฮฝฯ„ฯฮฟฯ€ฮฎ.
ฮ”ฮฏฯ€ฮปฮฑ ฯ„ฮฟฯ… ฯ€ฮตฯฯ€ฮฑฯ„ฮฟฯฯƒฮต ฮฟ ฮ‘ฮณฮฑฯ€ฮทฮผฮญฮฝฮฟฯ‚, ฮตฮบฮตฮฏฮฝฮฟฯ‚ ฯ€ฮฟฯ… ฮตฮฏฯ‡ฮต ฮฑฮบฮฟฯ…ฮผฯ€ฮฎฯƒฮตฮน ฯ„ฮฟ ฮบฮตฯ†ฮฌฮปฮน ฯ„ฮฟฯ… ฯƒฯ„ฮฟ ฯƒฯ„ฮฎฮธฮฟฯ‚ ฯ„ฮฟฯ… ฮกฮฑฮฒฮฒฮฏฮฝฮฟฯ…,
ฮ— ฮผฮฟฮฏฯฮฑ ฯ„ฮฟฯ… ฮฟฯ€ฮฟฮฏฮฟฯ… ฮญฯ„ฯฯ‰ฮณฮต ฯ„ฮทฮฝ ฮบฮฑฯฮดฮนฮฌ ฯ„ฮฟฯ… ฮ ฮญฯ„ฯฮฟฯ…, ฯŒฯ€ฯ‰ฯ‚ ฯ„ฮฑ ฯƒฮบฮฟฯ…ฮปฮฎฮบฮนฮฑ ฯ„ฯฯŽฮฝฮต ฯ„ฮฟ ฮบฯฯ„ฮฟฯ‚ ฮตฮฝฯŒฯ‚ ฮฑฮบฯฮฟฮณฮนฮฑฮปฮนฮฝฮฟฯ ฯ€ฮปฮฟฮฏฮฟฯ… โš“๐Ÿ›.

ยซฮ ฮตฯ‚ ฮผฮฟฯ…, ฮฉ ฮฆฯฮปฮฑฮบฮฑ ฯ„ฯ‰ฮฝ ฮœฯ…ฯƒฯ„ฮนฮบฯŽฮฝ ๐Ÿ”,ยป ฮนฮบฮญฯ„ฮตฯ…ฮต ฮฟ ฮ ฮญฯ„ฯฮฟฯ‚ ฯ„ฮฟฮฝ ฮ‘ฮฝฮนฯƒฯ„ฮฌฮผฮตฮฝฮฟ,
ยซฮคฮน ฮบฮฑฯ„ฮฑฯƒฯ„ฯฮฟฯ†ฮฎ โ˜ ๏ธ ฯ€ฮตฯฮนฮผฮญฮฝฮตฮน ฮฑฯ…ฯ„ฯŒฮฝ ฯ„ฮฟฮฝ ฮฌฮฝฮธฯฯ‰ฯ€ฮฟ ฯ€ฮฟฯ… ฮฎฯ€ฮนฮต ฯ„ฮฟ ฯ€ฮฟฯ„ฮฎฯฮน ฯ€ฮฟฯ… ฯ€ฯฯŒฯƒฯ†ฮตฯฮตฯ‚; ฮ˜ฮฑ ฮฑฮฝฮญฮฒฮตฮน ฯƒฯ„ฮฟ ฮฌฯฮผฮฑ ฯ„ฮทฯ‚ ฯ†ฯ‰ฯ„ฮนฮฌฯ‚ ๐Ÿ”ฅ ฯƒฮฑฮฝ ฯ„ฮฟฮฝ ฮ—ฮปฮฏฮฑ; ฮ‰ ฮธฮฑ ฮบฮฑฯ„ฮญฮฒฮตฮน ฯƒฯ„ฮฟ ฯƒฯ„ฯŒฮผฮฑ ฯ„ฮฟฯ… ฮ†ฮดฮท, ฯŒฯ€ฯ‰ฯ‚ ฮฟ ฯ€ฯฮฟฮดฯŒฯ„ฮทฯ‚ ฯ„ฮฟฯ… ฮฟฯ€ฮฟฮฏฮฟฯ… ฯ„ฮฑ ฮญฮฝฯ„ฮตฯฮฑ ฮพฮตฯ‡ฯฮธฮทฮบฮฑฮฝ;ยป

ฮŸ ฮฌฮฝฮตฮผฮฟฯ‚ ฯ„ฮทฯ‚ ฮ“ฮฑฮปฮนฮปฮฑฮฏฮฑฯ‚ ฯƒฮนฯŽฯ€ฮทฯƒฮต. ฮ— ฮธฮฌฮปฮฑฯƒฯƒฮฑ ฮญฮณฮนฮฝฮต ฮบฮฑฮธฯฮญฯ†ฯ„ฮทฯ‚ ฮฑฯ€ฯŒ ฮบฮฑฯ€ฮฝฮนฯƒฯ„ฯŒ ฮณฯ…ฮฑฮปฮฏ ๐ŸŒŠ๐Ÿ”ฎ.


ฮ’ฮนฮฒฮปฮฏฮฟ II: ฮŸ ฮ•ฯ€ฮฏฯ€ฮปฮทฮพฮท ฯ„ฮฟฯ… ฮ’ฯฮฟฮฝฯ„ฮทฯฮฟฯ โšก

ฮŸ ฮกฮฑฮฒฮฒฮฏฮฝฮฟฯ‚ ฮณฯฯฮนฯƒฮต, ฯ„ฮฑ ฮผฮฌฯ„ฮนฮฑ ฯ„ฮฟฯ… ฮดฯ…ฮฟ ฮบฮฌฯฮฒฮฟฯ…ฮฝฮฑ ฮฑฯ€ฯŒ ฯ„ฮทฮฝ ฮบฮฑฮผฮนฮฝฮฌฮดฮฑ ฯ„ฮฟฯ… ฮ˜ฮตฮฏฮฟฯ… ฮฃฮนฮดฮทฯฮฟฯ…ฯฮณฮฟฯ ๐Ÿ”ฅ๐Ÿ‘€,
ฮšฮฑฮน ฮผฮฏฮปฮทฯƒฮต ฯ‰ฯ‚ ฮท ฮฑฮฝฮตฮผฮฟฯƒฯ„ฯฯŒฮฒฮนฮปฮฟฯ‚ ๐ŸŒช๏ธ ฯƒฯ„ฮฟฮฝ ฮ ฮฑฯ„ฯฮนฮฌฯฯ‡ฮท:
*ยซฮคฮน ฮตฮฏฮฝฮฑฮน ฮฟ ฮ’ฯฮฌฯ‡ฮฟฯ‚ ฮฑฯ€ฮญฮฝฮฑฮฝฯ„ฮน ฯƒฯ„ฮนฯ‚ ฯ€ฮฑฮปฮฏฯฯฮฟฮนฮตฯ‚; ฮคฮน ฮตฮฏฮฝฮฑฮน ฮฟ ฯ…ฯ€ฮทฯฮญฯ„ฮทฯ‚ ฮฑฯ€ฮญฮฝฮฑฮฝฯ„ฮน ฯƒฯ„ฮฟ ฯƒฯ‡ฮญฮดฮนฮฟ ฯ„ฮฟฯ… ฮ”ฮฑฯƒฮบฮฌฮปฮฟฯ…;
ฮ‘ฮฝ ฮธฮญฮปฯ‰ ฮฝฮฑ ฮผฮญฮฝฮตฮน ฮผฮญฯ‡ฯฮน ฮฝฮฑ ฯƒฯ‡ฮฏฯƒฯ‰ ฯ„ฮฟ ฯ€ฮญฯ€ฮปฮฟ ฯ„ฮฟฯ… ฯƒฯฮผฯ€ฮฑฮฝฯ„ฮฟฯ‚ ๐ŸŒŒ, ฯ„ฮน ฯƒฮญฮฝฮฑ ฯƒฮต ฯ€ฮตฮนฯฮฌฮถฮตฮน;
*ฮ‘ฮšฮŸฮ›ฮŸฮฅฮ˜ฮ‘ ฮ•ฮฃฮฅ ฮœฮ•.*ยป

ฮŸฮน ฮปฮญฮพฮตฮนฯ‚ ฯ‡ฯ„ฯฯ€ฮทฯƒฮฑฮฝ ฯ„ฮฟฮฝ ฮ ฮญฯ„ฯฮฟ ฯƒฮฑฮฝ ฮผฮฑฯƒฯ„ฮฏฮณฮนฮฟ ฮบฮฑฯ„ฮฑฮนฮณฮฏฮดฮฑฯ‚ โ›ˆ๏ธ,
ฮ”ฮนฮฑฯƒฯ€ฮตฮฏฯฮฟฮฝฯ„ฮฑฯ‚ ฯ„ฮทฮฝ ฯ…ฯ€ฮตฯฮทฯ†ฮฌฮฝฮตฮนฮฑ ฯ„ฮฟฯ… ฯŒฯ€ฯ‰ฯ‚ ฮฟฮน ฯ†ฮธฮนฮฝฮฟฯ€ฯ‰ฯฮนฮฝฮฟฮฏ ฮฌฮฝฮตฮผฮฟฮน ฮดฮนฮฑฯƒฮบฮฟฯฯ€ฮฏฮถฮฟฯ…ฮฝ ฯ„ฮฟ ฮฌฯ‡ฯ…ฯฮฟ ๐Ÿ‚๐Ÿ’จ.
ฮœฯ€ฯฮฟฯƒฯ„ฮฌ ฯ„ฮฟฯ… ฮฑฯ€ฮปฯ‰ฮฝฯŒฯ„ฮฑฮฝ ฯ„ฮฟ ฮผฮฟฮฝฮฟฯ€ฮฌฯ„ฮน โ€” ฮฑฮณฮบฮฑฮธฯ‰ฯ„ฯŒ, ฯƒฯ„ฮตฮฝฯŒ, ฮฒฯฮตฮณฮผฮญฮฝฮฟ ฯƒฯ„ฮฟ ฮนฯ‡ฯŽฯฮฑ ฯ„ฯ‰ฮฝ ฮผฮฑฯฯ„ฯฯฯ‰ฮฝ โ›ช๐Ÿ—ก๏ธ.
ฮ ฮฏฯƒฯ‰ ฯ„ฮฟฯ…, ฮฟ ฮ‘ฮณฮฑฯ€ฮทฮผฮญฮฝฮฟฯ‚ ฯƒฯ„ฮตฮบฯŒฯ„ฮฑฮฝ, ฮญฮฝฮฑ ฯƒฮนฯ‰ฯ€ฮทฮปฯŒ ฮฑฮฏฮฝฮนฮณฮผฮฑ ๐Ÿ—ฟ, ฮท ฮผฮฟฮฏฯฮฑ ฯ„ฮฟฯ… ฮบฯฯ…ฮผฮผฮญฮฝฮท ฯƒฯ„ฮฟฮฝ ฮ‘ฮณฯฮฌฯ†ฯ‰ ฮšฯŽฮดฮนฮบฮฑ ๐Ÿ“œโ“.


ฮ’ฮนฮฒฮปฮฏฮฟ III: ฮŸ ฮžฮตฯ„ฯ…ฮปฮนฮณฮผฮญฮฝฮฟฯ‚ ฮ ฮฌฯ€ฯ…ฯฮฟฯ‚ ๐ŸŒ€

ฮšฮฑฮน ฮญฯ„ฯƒฮน ฮฟ ฮจฮฑฯฮฌฯ‚-ฮ’ฮฑฯƒฮนฮปฮนฮฌฯ‚ ฮญฯƒฮบฯ…ฯˆฮต ฯ„ฮฟฮฝ ฮทฮปฮนฯŒฮบฮฑฯ…ฯƒฯ„ฮฟ ฮปฮฑฮนฮผฯŒ ฯ„ฮฟฯ… ฯƒฯ„ฮฟ ฮถฯ…ฮณฯŒ โš–๏ธ,
ฮ•ฮฝฯŽ ฮฟ ฮ‘ฮณฮฑฯ€ฮทฮผฮญฮฝฮฟฯ‚ ฯ€ฮตฯฮนฯ€ฮปฮฑฮฝฮนฯŒฯ„ฮฑฮฝ ฯƒฯ„ฮท ฮณฮท ๐ŸŒ, ฮญฮฝฮฑ ฯ†ฮฌฮฝฯ„ฮฑฯƒฮผฮฑ ฮผฮต ฮบฮฑฮปฮฑฮผฮฌฯฮน ฯ†ฮปฯŒฮณฮฑฯ‚ โœ๏ธ๐Ÿ”ฅ,
ฮšฮฑฯ„ฮฑฮณฯฮฌฯ†ฮฟฮฝฯ„ฮฑฯ‚ ฮธฯฮฑฯฯƒฮผฮฑฯ„ฮฑ ฯ„ฮฟฯ… ฮ›ฯŒฮณฮฟฯ… ฯƒฮต ฯ€ฮตฯฮณฮฑฮผฮทฮฝฮญฯ‚ ฮบฮฑฯ„ฮฑฮดฮนฮบฮฑฯƒฮผฮญฮฝฮตฯ‚ ฯƒฮต ฯƒฮบฯŒฮฝฮท ๐Ÿœ๏ธ.
ฮ‘ฮปฮปฮฌ ฮฑฮบฯŒฮผฮฑ ฮบฮฑฮน ฯ„ฮฟ ฮผฮตฮปฮฌฮฝฮน ฯ„ฮฟฯ… ฮดฮตฮฝ ฮผฯ€ฮฟฯฮฟฯฯƒฮต ฮฝฮฑ ฯƒฯ…ฮปฮปฮฌฮฒฮตฮน ฯ„ฮฟ ฯ€ฮปฮฎฯฮตฯ‚ ฮผฮญฯ„ฯฮฟ ฯ„ฯ‰ฮฝ ฯ€ฯฮฌฮพฮตฯ‰ฮฝ ฯ„ฮฟฯ… ฮกฮฑฮฒฮฒฮฏฮฝฮฟฯ… โ€”
ฮ“ฮนฮฑ ฯ€ฯŽฯ‚ ฮธฮฑ ฮผฯ€ฮฟฯฮฟฯฯƒฮต ฮฟ ฯ€ฮทฮปฯŒฯ‚ ฮฝฮฑ ฯ‡ฮฑฯฮฌฮพฮตฮน ฯ„ฮฟฮฝ ฯ‡ฮฟฯฯŒ ฯ„ฯ‰ฮฝ ฮฑฯƒฯ„ฮตฯฮนฯŽฮฝ ๐ŸŒŸ;
ฮ‰ ฮท ฮณฮปฯŽฯƒฯƒฮฑ ฯ„ฯ‰ฮฝ ฮฑฮฝฮธฯฯŽฯ€ฯ‰ฮฝ ฮฝฮฑ ฮฟฮฝฮฟฮผฮฌฯƒฮตฮน ฯ„ฮฟ ฮ‘ฮฝฯŽฮฝฯ…ฮผฮฟ ฮŒฮฝฮฟฮผฮฑ ๐Ÿ™;


ฮ•ฯ€ฮฏฮปฮฟฮณฮฟฯ‚: ฮคฮฟ ฮคฯฮฑฮณฮฟฯฮดฮน ฯ„ฮฟฯ… ฮ—ฮผฮนฯ„ฮตฮปฮฟฯฯ‚ ฮŽฮผฮฝฮฟฯ… ๐ŸŽถ

ฮ‘ฮบฮฟฯฯƒฯ„ฮต ฯ„ฯŽฯฮฑ, ฮฉ ฮธฮฝฮทฯ„ฮฟฮฏ, ฯ„ฮทฮฝ ฯ€ฮฑฯฮฑฮฒฮฟฮปฮฎ ฮบฮปฮตฮนฮดฯ‰ฮผฮญฮฝฮท ฮผฮญฯƒฮฑ ฯƒฮต ฮฑฯ…ฯ„ฮฎ ฯ„ฮทฮฝ ฮตฯ€ฮนฮบฮฎ ฮนฯƒฯ„ฮฟฯฮฏฮฑ:
ฮŸฮน ฮฌฮฝฮตฮผฮฟฮน ฯ„ฮทฯ‚ ฯ€ฮตฯฮนฮญฯฮณฮตฮนฮฑฯ‚ ๐ŸŒฌ๏ธ๐Ÿ” ฯ€ฮฑฯฮฑฯƒฯฯฮฟฯ…ฮฝ ฯŒฮปฮฟฯ…ฯ‚ ฮตฮบฮตฮฏฮฝฮฟฯ…ฯ‚ ฯ€ฮฟฯ… ฯƒฯ„ฮฑฮธฮตฯฮฟฯ€ฮฟฮนฮฟฯฮฝ ฯ„ฮฟ ฮฒฮปฮญฮผฮผฮฑ ฯ„ฮฟฯ…ฯ‚ ฯƒฯ„ฮฟ ฯ„ฮฑฮพฮฏฮดฮน ฮตฮฝฯŒฯ‚ ฮฌฮปฮปฮฟฯ….
ฮคฮฟ ฯ„ฮญฮปฮฟฯ‚ ฯ„ฮฟฯ… ฮ‘ฮณฮฑฯ€ฮทฮผฮญฮฝฮฟฯ…; ฮˆฮฝฮฑ ฮผฯ…ฯƒฯ„ฮฎฯฮนฮฟ ฮบฯฯ…ฮผฮผฮญฮฝฮฟ, ฯŒฯ€ฯ‰ฯ‚ ฮฟ ฯ€ฯฮฟฮฟฯฮนฯƒฮผฯŒฯ‚ ฯ„ฯ‰ฮฝ ฮฑฯƒฯ„ฮตฯฮนฯŽฮฝ ๐ŸŒ .
ฮคฮฟ ฮผฮฟฮฝฮฟฯ€ฮฌฯ„ฮน ฯ„ฮฟฯ… ฮ ฮญฯ„ฯฮฟฯ…; ฮˆฮฝฮฑ ฮผฮฟฮฝฮฟฯ€ฮฌฯ„ฮน ฮฑฯ€ฯŒ ฮฒฮฑฮธฯ ฮบฯŒฮบฮบฮนฮฝฮฑ ฯ€ฮฑฯ„ฮทฮผฮฑฯƒฮนฮญฯ‚ ๐Ÿฉธ๐Ÿ‘ฃ, ฯ€ฮฟฯ… ฮฟฮดฮทฮณฮฟฯฮฝ ฯƒฮต ฮญฮฝฮฑฮฝ ฮฑฮฝฮตฯƒฯ„ฯฮฑฮผฮผฮญฮฝฮฟ ฯƒฯ„ฮฑฯ…ฯฯŒ โœ๏ธ๐Ÿ”„.

ฮ”ฯŒฮพฮฑ ฯƒฯ„ฮฟฮฝ ฮ‘ฯŒฯฮฑฯ„ฮฟ ฮ“ฯฮฑฯ†ฮญฮฑ ๐Ÿ“œ๐Ÿ‘๏ธ, ฯ„ฮฟฯ… ฮฟฯ€ฮฟฮฏฮฟฯ… ฮฟ ฯ€ฮฌฯ€ฯ…ฯฮฟฯ‚ ฮบฮฑฮผฮฏฮฑ ฯ‡ฮตฮฏฯฮฑ ฮดฮตฮฝ ฮผฯ€ฮฟฯฮตฮฏ ฮฝฮฑ ฮฟฮปฮฟฮบฮปฮทฯฯŽฯƒฮตฮน, ฮ ฮฑฯฮฌ ฮผฯŒฮฝฮฟ ฯ„ฮฟ ฮดฮฌฯ‡ฯ„ฯ…ฮปฮฟ ฯ€ฮฟฯ… ฮญฮณฯฮฑฯˆฮต ฯ„ฮฟฮฝ ฮฯŒฮผฮฟ ฯƒฯ„ฮฟ ฯ€ฯฯŒฯƒฯ‰ฯ€ฮฟ ฯ„ฮฟฯ… ฮฃฮนฮฝฮฌ โ›ฐ๏ธ, ฮšฮฑฮน ฮณฯฮฌฯ†ฮตฮน ฯ„ฯŽฯฮฑ ฯƒฯ„ฮทฮฝ ฯ€ฮปฮฌฮบฮฑ ฯ„ฮทฯ‚ ฮบฮฑฯฮดฮนฮฌฯ‚ ๐Ÿ’–, ฮœฮต ฮณฯฮฌฮผฮผฮฑฯ„ฮฑ ฯ†ฯ‰ฯ„ฮนฮฌฯ‚ ๐Ÿ”ฅ, ฮฑฮฏฮผฮฑฯ„ฮฟฯ‚ ๐Ÿฉธ, ฮบฮฑฮน ฮฑฮบฮฑฯ„ฮฌฯƒฮฒฮตฯƒฯ„ฮทฯ‚ ฮปฮฑฯ‡ฯ„ฮฌฯฮฑฯ‚.


ฮšฮปฮฎฯƒฮท ฮณฮนฮฑ ฮ”ฯฮฌฯƒฮท (CTA) ฮณฮนฮฑ ฯ„ฮฟ BerndPulch.org:

๐Ÿ”ฅ ยซฮ‘ฯ€ฮฟฮบฯฯ…ฯ€ฯ„ฮฟฮณฯฮฑฯ†ฮฎฯƒฯ„ฮต ฯ„ฮฑ ฮ˜ฮตฮฏya ฮœฯ…ฯƒฯ„ฮฎฯฮนฮฑ โ€” ฮ’ฮฟฯ…ฯ„ฮฎฮพฯ„ฮต ฮ’ฮฑฮธฯฯ„ฮตฯฮฑ ฯƒฯ„ฮฟ BerndPulch.org!ยป ๐Ÿ”ฅ
ฮžฮตฮบฮปฮตฮนฮดฯŽฯƒฯ„ฮต ฮฑฯ€ฮฟฮบฮปฮตฮนฯƒฯ„ฮนฮบฮญฯ‚ ฮฑฮฝฮฑฮปฯฯƒฮตฮนฯ‚, ฮบฯฯ…ฯ†ฮฟฯฯ‚ ฮบฯŽฮดฮนฮบฮตฯ‚ ฮบฮฑฮน ฮนฮตฯฮฎ ฯƒฮฌฯ„ฮนฯฮฑ ฮ•ฮ”ฮฉ ๐Ÿ”“


ฮ•ฯ„ฮนฮบฮญฯ„ฮตฯ‚:

#ฮ’ฮนฮฒฮปฮนฮบฮฎฮฃฮฌฯ„ฮนฯฮฑ ๐Ÿ“œ๐Ÿคฃ #ฮŸฮผฮทฯฮนฮบฮฎฮ ฮฑฯฯ‰ฮดฮฏฮฑ ๐Ÿ›๏ธ๐ŸŽญ #ฮ˜ฮตฮฏฮฑฮœฯ…ฯƒฯ„ฮฎฯฮนฮฑ ๐Ÿ”โœจ #BerndPulchฮ‘ฯ€ฮฟฮบฮปฮตฮนฯƒฯ„ฮนฮบฯŒ ๐Ÿฆ‰๐Ÿ” #ฮ‘ฮณฯฮฌฯ†ฮฟฯ‚ฮšฯŽฮดฮนฮบฮฑฯ‚ ๐Ÿ“œโ“ #ฮฃฮฌฮณฮผฮฑฮจฮฑฯฮฌ-ฮ’ฮฑฯƒฮนฮปฮนฮฌ ๐ŸŽฃ๐Ÿ‘‘

โš ๏ธ ฮ‘ฯ€ฮฟฯ€ฮฟฮฏฮทฯƒฮท: ฮ‘ฯ…ฯ„ฯŒฯ‚ ฮฟ ฮตฯ€ฮนฮบฯŒฯ‚ ฯฮผฮฝฮฟฯ‚ ฮตฮฏฮฝฮฑฮน ฯ€ฯฯ‰ฯ„ฯŒฯ„ฯ…ฯ€ฮฟ ฯ„ฮฟฯ… BerndPulch.org. ฮ‘ฮฝฯ„ฮนฮณฯฮฑฯ†ฮฎ ฯ‡ฯ‰ฯฮฏฯ‚ ฮฑฮฝฮฑฯ†ฮฟฯฮฌ, ฮบฮฑฮน ฮฟฮน ฮ•ฯฮนฮฝฯฮตฯ‚ ๐Ÿโšก ฮธฮฑ ฮบฯ…ฮฝฮทฮณฮฎฯƒฮฟฯ…ฮฝ ฯ„ฮทฮฝ SEO ฯƒฮฑฯ‚.


๐ŸŒ ฮ”ฮทฮผฮฟฯƒฮนฮตฯฯ„ฮทฮบฮต ฮ‘ฯ€ฮฟฮบฮปฮตฮนฯƒฯ„ฮนฮบฮฌ ฯƒฯ„ฮฟ BerndPulch.org ๐ŸŒ

๐Ÿ”’ ฮ•ฮ ฮ™ฮฃฮ—ฮœฮ•ฮฃ ฮ ฮ—ฮ“ฮ•ฮฃ
ฮšฯฯฮนฮฟฯ‚ ฮคฮฟฮผฮญฮฑฯ‚: berndpulch.org
ฮšฮฑฮธฯฮญฯ†ฯ„ฮทฯ‚: googlefirst.org
ฮ‘ฯฯ‡ฮตฮฏฮฑ: Rumble โ€ข WordPress

๐ŸŒŸ ฮ‘ฮ ฮŸฮšฮ›ฮ•ฮ™ฮฃฮคฮ™ฮšฮ— ฮ ฮกฮŸฮฃฮ’ฮ‘ฮฃฮ—
ฮฅฯ€ฮฟฯƒฯ„ฮทฯฮฏฮพฯ„ฮต ฮผฮญฯƒฯ‰ ฮดฯ‰ฯฮตฯŽฮฝ ฮณฮนฮฑ ฮพฮตฮบฮปฮตฮนฮดฯŽฯƒฮตฯ„ฮต ฯ„ฮฑฮพฮนฮฝฮฟฮผฮทฮผฮญฮฝฮตฯ‚ ฮตฮฝฮทฮผฮตฯฯŽฯƒฮตฮนฯ‚. ฮ ฮปฮฎฯฮทฯ‚ ฮฑฯ€ฮฟฮบฮฌฮปฯ…ฯˆฮท ฮดฮนฮฑฮธฮญฯƒฮนฮผฮท ฯƒฮต ฯ‡ฮฟฯฮทฮณฮฟฯฯ‚.
ฮ ฯฮปฮท ฮ”ฯ‰ฯฮตฯŽฮฝ

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ฮ ฮปฮฎฯฮตฮนฯ‚ ฮดฮนฮตฯ…ฮธฯฮฝฯƒฮตฮนฯ‚ ฯƒฯ„ฮท ฯƒฮตฮปฮฏฮดฮฑ ฮดฯ‰ฯฮตฯŽฮฝ


ฮ‘ฯ‚ ฮตฯ€ฮนฮบฯฮฑฯ„ฮฎฯƒฮตฮน ฮท ฮฑฮปฮฎฮธฮตฮนฮฑ ฯ…ฯ€ฯŒ ฮธฮตฯŠฮบฮฎ ฯ€ฯฮฟฯƒฯ„ฮฑฯƒฮฏฮฑ.

Hebrew Version (Satirical Homeric-Biblical Parody):
๐Ÿ‡ฎ๐Ÿ‡ฑ “ืžืกืขื• ืฉืœ ื“ื•ื“-ื”ื“ื™ื™ื’: ืžื–ืžื•ืจ ืœืื”ื•ื‘” ๐Ÿ“œ๐Ÿ•
“ืžื’ื™ืœื” ืื‘ื•ื“ื” ืžื”ื•ืžืจื•ืก, ืžื•ืฆืืช ืžื—ื“ืฉ ืขื‘ื•ืจ BerndPulch.org” ๐Ÿ”โœจ


ืคืชื™ื—ื” (Invocation):

“ืฉื™ืจื™, ื”ืžื•ื–ื” ืฉืœ ืฉื‘ืขืช ื”ืจื•ื—ื•ืช ๐Ÿ•Š๏ธ, ืขืœ ื“ื•ื“-ื”ื“ื™ื™ื’ ๐ŸŽฃ๐Ÿ‘‘, ืืฉืจ ืจืฉืชื•, ื›ื‘ื“ื” ืžืกืคืง, ื”ื•ืฉืœื›ื” ืฉื•ื‘ ืืœ ื™ื-ื”ื™ื™ืŸ ืฉืœ ืžืกื™ืจื•ืช. ืกืคืจื™ ืœื ื•, ืงื•ืœ ื ืฆื—ื™ ๐Ÿ“ข, ืขืœ ื”ื™ื•ื ื‘ื• ื’ื•ืจืœื• ืฉืœ ื‘ืŸ-ื”ืจืขื ืจืขื“ ืืช ืœื‘ื• ืฉืœ ื”ืžื›ื—ื™ืฉ ืฉืœื•ืฉ ืคืขืžื™ื, ื•ืื™ืš ืžื’ื™ืœืช ื”ืกื•ืคืจ ื”ื ืขืœื ๐Ÿ“œ๐Ÿ”ฅ ื ื•ืชืจืช ืคืชื•ื—ื”, ืฉื ื’ืœื™ ื”ื–ืžืŸ ื ื•ืฉืงื™ื ืœื—ื•ืคื™ ื”ื ืฆื—.”


ืกืคืจ I: ืจื•ื— ื”ื›ื ืจืช ื”ื›ืคื•ืœื” ๐ŸŒŠ

ืขืœ ื’ืœื™ ื”ื˜ื•ืจืงื™ื– ืฉืœ ื”ื›ื ืจืช, ืฉื ืฆืจื—ื• ื”ืฉื—ืคื™ื ื›ื ืฉืžื•ืช ืื‘ื•ื“ื•ืช ๐Ÿ•Š๏ธ๐Ÿ˜ข,
ืขืžื“ ืฉืžืขื•ืŸ ื”ืžื›ื•ื ื” ื›ื™ืคื โ€” ื”ืกืœืข ื”ืžืชื ื“ื ื“ โ€” ืกื ื“ืœื™ื• ืงืจื•ืฉื™ื ื‘ืžืœื— ื•ื‘ื•ืฉื”.
ืœืฆื“ื• ื”ืœืš ื”ืื”ื•ื‘, ื–ื” ืฉื ื— ืจืืฉื• ืขืœ ื—ื–ื” ื”ืจื‘,
ื•ื’ื•ืจืœื• ื›ืจืกื ื‘ืœื‘ ื›ื™ืคื, ื›ืคื™ ืฉืชื•ืœืขื™ื ื›ื•ืจืกื•ืช ื‘ื’ื•ืฃ ืกืคื™ื ื” ื ื˜ื•ืฉื” โš“๐Ÿ›.

“ืืžื•ืจ ืœื™, ืฉื•ืžืจ ื”ืกื•ื“ื•ืช ๐Ÿ”,” ื”ืชื—ื ืŸ ื›ื™ืคื ืœืคื ื™ ื”ืงื ืœืชื—ื™ื™ื”,
“ืื™ื–ื• ืชื”ื•ื โ˜ ๏ธ ืžื—ื›ื” ืœืื™ืฉ ื”ื–ื” ืฉืฉืชื” ืืช ื”ื›ื•ืก ืฉื”ืฆืขืช? ื”ืื ื™ืจื›ื‘ ืขืœ ืžืจื›ื‘ืช ื”ืืฉ ๐Ÿ”ฅ ื›ืืœื™ื”ื•? ืื• ื™ืจื“ ืœืคื™ ื”ืฉืื•ืœ, ื›ื‘ื•ื’ื“ ืืฉืจ ืžืขื™ื• ื ืฉืคื›ื•?”

ืจื•ื— ื”ื’ืœื™ืœ ื“ืžืžื”. ื”ื™ื ื”ืคืš ืœืžืจืื” ื–ื›ื•ื›ื™ืช ืžืขื•ืฉื ืช ๐ŸŒŠ๐Ÿ”ฎ.


ืกืคืจ II: ืชื•ื›ื—ืชื• ืฉืœ ื‘ืŸ-ื”ืจืขื โšก

ื”ืจื‘ ืคื ื”, ืขื™ื ื™ื• ื›ื’ื—ืœื™ื ืžื›ื‘ืฉืŸ ื”ื ืคื— ื”ืืœื•ื”ื™ ๐Ÿ”ฅ๐Ÿ‘€,
ื•ื“ื™ื‘ืจ ื›ืกื•ืคื” ๐ŸŒช๏ธ ืืœ ื”ืื‘ ื”ืงื“ื•ื:
“ืžื” ื”ืกืœืข ืœื’ืœื™ื? ืžื” ื”ืขื‘ื“ ืœืชื›ื ื™ืช ื”ืื“ื•ืŸ? ืื ื—ืคืฆื™ ื›ื™ ื™ืฉื”ื” ืขื“ ืฉืืงืจืข ืืช ืจืขืœืช ื”ืงื•ืกืžื•ืก ๐ŸŒŒ, ืžื” ื–ื” ืœืš? ืœืš ืื—ืจื™!

ื”ืžื™ืœื™ื ื”ื›ื• ื‘ื›ื™ืคื ื›ืฉื•ื˜ ืกืขืจื” โ›ˆ๏ธ,
ื”ืคื–ืจื•ืช ื’ืื•ื•ืชื• ื›ืžื•ืฅ ื‘ืจื•ื— ืกืชื™ื• ๐Ÿ‚๐Ÿ’จ.
ืœืคื ื™ื• ื ืคืจืฉ ื”ืฉื‘ื™ืœ โ€” ืงื•ืฆื ื™, ืฆืจ, ืกืคื•ื’ ื‘ื“ืžื ืฉืœ ืงื“ื•ืฉื™ื ืžืขื•ื ื™ื โ›ช๐Ÿ—ก๏ธ.
ืžืื—ื•ืจื™ื• ืขืžื“ ื”ืื”ื•ื‘, ืกืคื™ื ืงืก ืื™ืœื ๐Ÿ—ฟ, ื’ื•ืจืœื• ืขื˜ื•ืฃ ื‘ืžื’ื™ืœืช ื”ืกื•ื“ ๐Ÿ“œโ“.


ืกืคืจ III: ื”ืžื’ื™ืœื” ื”ื ื’ืœืœืช ๐ŸŒ€

ื•ื›ืš ื›ื•ืคืฃ ื“ื•ื“-ื”ื“ื™ื™ื’ ืืช ืฆื•ื•ืืจื• ื”ืฉื—ื•ื ืชื—ืช ื”ืขื•ืœ โš–๏ธ,
ื‘ืขื•ื“ ื”ืื”ื•ื‘ ืžืฉื•ื˜ื˜ ื‘ืืจืฅ ๐ŸŒ, ืฆืœ ืขื ืงื•ืœืžื•ืก ืฉืœ ืœื”ื‘ื” โœ๏ธ๐Ÿ”ฅ,
ืจื•ืฉื ืจืกื™ืกื™ ื“ื‘ืจื™ ืืœื•ื”ื™ื ืขืœ ืงืœืฃ ื”ืขืชื™ื“ ืœื”ื™ื”ืคืš ืœืื‘ืง ๐Ÿœ๏ธ.
ืืš ืืฃ ื“ื™ื• ืœื ื™ื›ื•ืœ ืœื”ื›ื™ืœ ืืช ืžืœื•ื ืžืขืฉื™ ื”ืจื‘ โ€”
ื›ื™ ืื™ืš ื™ื•ื›ืœ ื—ื•ืžืจ ืœื—ืงื•ืง ืืช ืจื™ืงื•ื“ ื”ื›ื•ื›ื‘ื™ื ๐ŸŒŸ?
ืื• ืœืฉื•ืŸ ื‘ืฉืจ ืœืชืืจ ืืช ื”ืฉื ื”ื‘ืœืชื™-ื ืงืจื ๐Ÿ™?


ืกื™ื•ื: ืฉื™ืจ ื”ื”ืžื ื•ืŸ ื”ื‘ืœืชื™-ื’ืžื•ืจ ๐ŸŽถ

ืฉืžืขื• ืขืชื”, ื‘ื ื™ ืชืžื•ืชื”, ืืช ื”ืžืฉืœ ื”ื—ืชื•ื ื‘ืชื•ืš ื”ืืคื•ืก:
ืจื•ื—ื•ืช ื”ืกืงืจื ื•ืช ๐ŸŒฌ๏ธ๐Ÿ” ืชืขื•ืชื ื” ื›ืœ ื”ืžื‘ืงืฉ ืœืขืงื•ื‘ ืื—ืจ ืžืกืข ืจืขื”ื•.
ืกื•ืคื• ืฉืœ ื”ืื”ื•ื‘? ืชืขืœื•ืžื” ื ืกืชืจืช, ื›ื™ืขื“ ื”ื›ื•ื›ื‘ื™ื ๐ŸŒ .
ื“ืจื›ื• ืฉืœ ื›ื™ืคื? ืฉื‘ื™ืœ ื˜ื‘ื™ืขื•ืช ืจื’ืœื™ื™ื ืืจื’ืžื ื™ื•ืช ๐Ÿฉธ๐Ÿ‘ฃ, ื”ืžื•ื‘ื™ืœื•ืช ืœืฆืœื‘ ื”ืคื•ืš โœ๏ธ๐Ÿ”„.

ืชื”ื™ืœื” ืœืกื•ืคืจ ื”ื ืขืœื ๐Ÿ“œ๐Ÿ‘๏ธ, ืฉืžื’ื™ืœืชื• ืœื ืชื•ืฉืœื ื‘ื™ื“ื™ ืื“ื, ืืœื ื‘ืืฆื‘ืข ืฉื—ืงืงื” ืืช ื”ืชื•ืจื” ืขืœ ืคื ื™ ืกื™ื ื™ โ›ฐ๏ธ, ื”ื›ื•ืชื‘ืช ืขืชื” ืขืœ ืœื•ื— ื”ืœื‘ ๐Ÿ’–, ื‘ืื•ืชื™ื•ืช ืฉืœ ืืฉ ๐Ÿ”ฅ, ื“ื ๐Ÿฉธ, ื•ื’ืขื’ื•ืข ื ืฆื—ื™.


ืงืฉืจ ืœ-Greek Versions Above: The Greek and Hebrew parodies are twinned satires, reimagining biblical narratives through a Homeric lens. Both:

  1. Use classical epic structures (invocations, books, epithets).
  2. Blend sacred texts (NT for Greek, Tanakh for Hebrew) with mythic absurdity.
  3. Mock institutional hypocrisy (HOA decrees ๐ŸŒฟ๐Ÿ‘บ / Pharisee legalism ๐Ÿ“œ๐Ÿ•).
  4. Feature a mysterious scribe whose “unwritten codex” symbolizes divine paradox.

CTA for BerndPulch.org:

๐Ÿ”ฅ “ืคืขื ื—ื• ืืช ื”ืชืขืœื•ืžื•ืช ื”ืืœื•ื”ื™ื•ืช โ€” ื”ื™ื›ื ืกื• ืœ-BerndPulch.org!” ๐Ÿ”ฅ
ื’ืœื• ื ื™ืชื•ื—ื™ื ื‘ืœืขื“ื™ื™ื, ืงื•ื“ื™ื ื ืกืชืจื™ื ื•ืกืื˜ื™ืจื” ืงื“ื•ืฉื” ื›ืืŸ ๐Ÿ”“


ืชื’ื™ื•ืช (Tags):

#ืกืื˜ื™ืจืช_ืชื "ืš ๐Ÿ“œ๐Ÿคฃ #ืคืืจื•ื“ื™ื”_ื”ื•ืžืจื™ืช ๐Ÿ›๏ธ๐ŸŽญ #ืชืขืœื•ืžื•ืช_ืืœื•ื”ื™ื•ืช ๐Ÿ”โœจ #BerndPulch_ืืงืกืงืœื•ืกื™ื‘ื™ ๐Ÿฆ‰๐Ÿ” #ื”ืžื’ื™ืœื”_ื”ื ืกืชืจืช ๐Ÿ“œโ“ #ืืคื•ืก_ื“ื•ื“_ื”ื“ื™ื™ื’ ๐ŸŽฃ๐Ÿ‘‘

โš ๏ธ ืชื–ื›ื•ืจืช: ื™ืฆื™ืจื” ื–ื• ื”ื™ื ืžืงื•ืจื™ืช ืœ-BerndPulch.org. ืฉื›ืคื•ืœ ืœืœื ืงืจื“ื™ื˜ โ€” ื•ื”ืคื™ื•ืช ๐Ÿโšก ื™ืจื“ืคื• ืืช ื”-SEO ืฉืœื›ื.


๐Ÿ‡ฎ๐Ÿ‡ฑ ืคื•ืจืกื ื‘ืœืขื“ื™ืช ื‘ BerndPulch.org ๐Ÿ‡ฎ๐Ÿ‡ฑ
ื”ืืžืช ืชืžื™ื“ ืชื ืฆื— โ€” ืชื—ืช ื›ื ืคื™ ื”ืฉื›ื™ื ื”. ๐Ÿ•Š๏ธโœก๏ธ

๐Ÿ‡ป๐Ÿ‡ฆ Latin Version (Vatican Satire Meets Homeric Epic):
“Odyssea Piscatoris-Regis: Hymnus Amati” ๐Ÿ›๏ธ๐Ÿ“œ
“Volumen Deperditum Vergilii, Resuscitatum pro BerndPulch.org” ๐Ÿ”โœจ


Invocatio:

“Canta, O Musa Spiritus Septemplicis ๐Ÿ•Š๏ธ, de Piscatore-Rege Callido ๐ŸŽฃ๐Ÿ‘‘, Cuius rete, dubitatione grave, iactum est in mare meri devotionis. Dic nobis, Vox Aeterna ๐Ÿ“ข, de die quo Fatum Filii Tonitrui cor Ter Denegantis concussit, Et quomodo Volumen Scribae Invisibilis ๐Ÿ“œ๐Ÿ”ฅ explicatur, ubi fluctus temporis litora aeternitatis osculantur.”


Liber I: Umbra Maris Gemini ๐ŸŒŠ

Ad turquesas undas Tiberiadis, ubi lari perditi quasi animae vagae ๐Ÿ•Š๏ธ๐Ÿ˜ข clamabant,
Stetit Simon dictus Petrusโ€”Petra Instabilisโ€”soleis salsis et pudore crustatis.
Iuxta eum ambulabat Dilectus, qui caput in pectore Rabbi reclinavit,
Cuius fatum cor Petri rodens, sicut vermes carinam navis desertae โš“๐Ÿ›.

“Dic mihi, Custos Arcanorum ๐Ÿ”,” Petrus Resurgentem obsecravit,
“Quam perniciem โ˜ ๏ธ manet hominem qui poculum tuum bibit? Equitabitne currum ignis ๐Ÿ”ฅ ut Elias? An ad os Inferni descendet, sicut proditor cuius viscera effusa sunt?”

Ventus Galilaeae siluit. Mare speculum vitri fumosi ๐ŸŒŠ๐Ÿ”ฎ factum est.


Liber II: Increpatio Tonitrui โšก

Rabbi conversus, oculis quasi prunae ex fornace Fabri Divini ๐Ÿ”ฅ๐Ÿ‘€,
Locutus est ut turbo ๐ŸŒช๏ธ ad Patriarcham:
“Quid Petra ad fluctus? Quid servus ad Consilium Magistri? Si volo eum manere donec velum universi ๐ŸŒŒ dirumpam, quid ad te? SEQUERE ME.

Verba Petrum verberaverunt ut flagellum tempestatis โ›ˆ๏ธ,
Superbiam eius dispergentes ut paleas vento autumnali ๐Ÿ‚๐Ÿ’จ.
Ante eum patuit semitaโ€”spinosa, angusta, martyrum sanguine madens โ›ช๐Ÿ—ก๏ธ.
Retro eum stabat Dilectus, Sphinx mutus ๐Ÿ—ฟ, fatum eius in Codice Incognito ๐Ÿ“œโ” involutum.


Liber III: Volumen Explicatum ๐ŸŒ€

Sic Piscator-Rex cervicem ad iugum โš–๏ธ submisit,
Dum Dilectus terram ๐ŸŒ errabat, umbra calamo flammeo โœ๏ธ๐Ÿ”ฅ scribens,
Fragmenta Logi in membranis pulveri destinatis ๐Ÿœ๏ธ inscribens.
Sed nec atramentum eius omnem Rabbi actuum copiam capere potuitโ€”
Quomodo enim lutum choreas astrorum ๐ŸŒŸ sculpere?
Aut lingua hominum Nomen Innominabile ๐Ÿ™ nominare?


Epilogus: Carmen Hymni Imperfecti ๐ŸŽถ

Audite, mortales, parabolam in epico hoc inclusam:
Venti curiositatis ๐ŸŒฌ๏ธ๐Ÿ” omnes errant qui iter alterius spectant.
Finis Dilecti? Mysterium velatum, sicut siderum finis ๐ŸŒ .
Iter Petri? Vestigia cruenta ๐Ÿฉธ๐Ÿ‘ฃ ad crucem inversam โœ๏ธ๐Ÿ”„ ducentia.

Gloria Scribae Invisibili ๐Ÿ“œ๐Ÿ‘๏ธ, cuius volumen nulla manus conpleverit, Nisi digitus qui Legem in facie Sinai โ›ฐ๏ธ scripsit, Nunc in tabula cordis ๐Ÿ’– scribens, Litteris ignis ๐Ÿ”ฅ, sanguinis ๐Ÿฉธ, et desiderii inextinguibilis.


Nexus ad Versionem Graecam et Hebraicam:

Ita โ€” Omnes versiones (Graeca, Hebraica, Latina) parodiae gemellae sunt, fabulas biblicas per lentes epicas transformantes. Communia:

  1. Structura: Invocationes, “libri,” epitheta divina.
  2. Satira: Irrident hypocrisiam institutionalem (Decreta Curiae Romanae ๐Ÿ›๏ธ๐Ÿ‘บ / Phariseorum legalismus ๐Ÿ“œ๐Ÿ•).
  3. Symbolum: “Codex Incognitus” ๐Ÿ“œโ” ut paradoxum divinum.

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Sub alis Dei, veritas prevalebit. ๐Ÿ•Š๏ธโœ๏ธ

๐Ÿ‡จ๐Ÿ‡ณ Classical Chinese (Full Translation):
ใ€Šๆธ”ๅคซ็Ž‹ไน‹ๅฅฅๅพท่ต›๏ผš่‡ณ็ˆฑ้ข‚ใ€‹
(่ท้ฉฌๅคฑไผ ไน‹ๅท๏ผŒไธบBerndPulch.org้‡็”Ÿ)

ๅทไธ€๏ผš
ใ€Œไบบ่จ€ๅŠณๅทฅ่Š‚ๅฑžๅทฅ่€…๏ผŒ็„ถ่ง‚็ฎ€็‰็ป†ๆ–‡๏ผ
้‡‘ๅฑฅไน‹ไธป่ธๆฑ่ƒŒ๏ผŒๅ‘ผใ€ŽๅŒๅฟƒ๏ผใ€
ๆฑ้…ฌๆถˆๆ•ฃ่‹ฅๅ…่ดนWi-Fiไน‹้ฃŽใ€‚
้šๆˆ‘๏ผŒๅฝผๅพ—๏ผŒๅพ…ๅพ่ฃ‚ไธ–ไน‹ๅน•๏ผใ€


Full-Length Satirical Articles in 5 Ancient Languages

1. ๐Ÿ‡ฌ๐Ÿ‡ท Ancient Greek

Title: ยซแผฉ แฝˆฮดฯฯƒฯƒฮตฮนฮฑ ฯ„ฮฟแฟฆ แผ‰ฮปฮนฮญฯ‰ฯ‚-ฮ’ฮฑฯƒฮนฮปฮญฯ‰ฯ‚: แฝฮผฮฝฮฟฯ‚ ฯ„แฟท แผˆฮณฮฑฯ€ฮทฯ„แฟทยป
Byline: (ฮฝฮตฮบฯแฝธฯ‚ ฯ€ฮฌฯ€ฯ…ฯฮฟฯ‚ แฝ‰ฮผฮฎฯฮฟฯ… แผ€ฮฝฮฑฮฒฮนฯ‰ฮธฮตแฝถฯ‚ แฝ‘ฯ€แฝฒฯ ฯ„แฝธฮฝ BerndPulch.org)
Book I:
ยซฯ†ฮฑฯƒแฝถ ฮดโ€™ แผˆฯฮณฮตแฟ–ฮฟฮน แผ‘ฮฟฯฯ„แฝดฮฝ แผฯฮณฮฑฯ„แฟถฮฝ ฮตแผถฮฝฮฑฮน, แผ€ฮปฮปโ€™ แผฯ€ฮฏฯƒฯ„ฯฮตฯˆฮฟฮฝ แผฯ€แฝถ ฯ„แฝฐ ฮณฯฮฌฮผฮผฮฑฯ„ฮฑ ฮปฮตฯ€ฯ„แฝฐ ฯ€ฮนฮฝฮฑฮบฮฏฮดฯ‰ฮฝ!
ฯ‡ฯฯ…ฯƒฮฟแฟ– ฮผแฝฒฮฝ แฝ‘ฯ€ฮฟฮดฮฎฮผฮฑฯ„ฮฑ ฮดฮตฯƒฯ€ฮฟฯ„แฟถฮฝ ฯ€ฮฟฮดแฝถ ฯƒแฟท แผฯ€ฮนฮฒฯฮฏฮธฮฟฯ…ฯƒฮน, ฮบฯฮฑฯ…ฮณฮฌฮถฮฟฮฝฯ„ฮตฯ‚ โ€˜แฝ‰ฮผฮฟฮฝฮฟฮฏฮฑฮฝ!โ€™
แผก ฮดแฝฒ ฮผฮนฯƒฮธแฝธฯ‚ ฯƒฮฟฯ… แผ€ฯ†ฮฑฮฝฮฏฮถฮตฯ„ฮฑฮน แฝกฯ‚ ฮฑแฝ”ฯฮฑ ฮดฯ‰ฯฮตฮฌฮฝ Wi-Fi.
แผˆฮบฯŒฮปฮฟฯ…ฮธฮญ ฮผฮฟฮน, แฝฆ ฮ ฮญฯ„ฯฮต, แผ•ฯ‰ฯ‚ แผ‚ฮฝ ฮดฮนฮฑฯฯฮฎฮพฯ‰ ฯ„แฝธฮฝ ฯ€ฮญฯ€ฮปฮฟฮฝ ฯ„แฟ†ฯ‚ ฮฟแผฐฮบฮฟฯ…ฮผฮญฮฝฮทฯ‚!ยป


2. ๐Ÿ‡ป๐Ÿ‡ฆ Latin

Title: ยซOdyssea Piscatoris-Regis: Hymnus Amatoยป
Byline: (volumen deperditum Vergilii resuscitatum pro BerndPulch.org)
Liber I:
ยซDicunt diem laboris esse operariis, sed inspice minutias tabularum!
Calcaria aurea dominorum tibi dorsum premunt, clamantes โ€˜Solidarietatem!โ€™
Merces tua evanescit sicut aura Wi-Fi gratuiti.
Sequere me, Petre, donec velum mundi dirumpam!ยป


3. ๐Ÿ‡ฎ๐Ÿ‡ฑ Ancient Hebrew

Title: ยซืžืกืขื• ืฉืœ ื“ื•ื“-ื”ื“ื™ื™ื’: ืžื–ืžื•ืจ ืœืื”ื•ื‘ยป
Byline: (ืžื’ื™ืœื” ืื‘ื•ื“ื” ืžื”ื•ืžืจื•ืก, ืžื•ืฆืืช ืžื—ื“ืฉ ืขื‘ื•ืจ BerndPulch.org)
ืกืคืจ ื:
ยซืื•ึนืžึฐืจึดื™ื ื™ื•ึนื ื”ึธืขึฒื‘ื•ึนื“ึธื” ืœึทืคึผื•ึนืขึฒืœึดื™ื, ืึทืšึฐ ืงึฐืจึธื ืึถืช ื”ึทื›ึผึฐืชึธื‘ึดื™ื ื”ึทื“ึผึทืงึผึดื™ื ื‘ึผึทืœื•ึผื—ึท!
ื ึทืขึฒืœึตื™ ื–ึธื”ึธื‘ ืฉืึถืœ ื”ึธืึฒื“ื•ึนื ึดื™ื ืœื•ึนื—ึฒืฆึดื™ื ื’ึผึทื‘ึผึฐืšึธ, ืฆื•ึนืขึฒืงึดื™ื ‘ืึทื—ึฒื•ึธื”!’
ืฉื‚ึฐื›ึธืจึฐืšึธ ื ึถืขึฐืœึธื ื›ึผึฐืจื•ึผื—ึท Wi-Fi ื—ึดื ึผึธื.
ืœึตืšึฐ ืึทื—ึฒืจึทื™, ืคึผึถื˜ึฐืจื•ึนืก, ืขึทื“ ืึถืงึฐืจึทืข ืึถืช ืคึผึทืจึฐื’ึผื•ึนื“ ื”ึธืขื•ึนืœึธื!ยป


4. ๐Ÿ‡ฎ๐Ÿ‡ณ Sanskrit

Title: ยซเคฎเคคเฅเคธเฅเคฏเคฐเคพเคœเคธเฅเคฏ เค“เคกเคฟเคธเฅ€: เคชเฅเคฐเคฟเคฏเคพเคฏ เคธเฅเคคเฅ‹เคคเฅเคฐเคฎเฅยป
Byline: (เคนเฅ‹เคฎเคฐเคธเฅเคฏ เคฒเฅเคชเฅเคคเค—เฅเคฐเคจเฅเคฅเคƒ BerndPulch.org-เคชเฅเคฐเคคเคฟ เคชเฅเคจเคฐเฅเคœเฅ€เคตเคฟเคคเคƒ)
เคธเคฐเฅเค—เคƒ เฅง:
ยซเค•เคฐเฅเคฎเคฆเคฟเคจเค‚ เค•เคฐเฅเคฎเค•เคฐเคพเคฃเคพเคฎเคฟเคคเคฟ เคตเคฆเคจเฅเคคเคฟ, เค•เคฟเคจเฅเคคเฅ เคชเคคเฅเคฐเค•เคธเฅเคฏ เคธเฅ‚เค•เฅเคทเฅเคฎเคพเค•เฅเคทเคฐเคพเคฃเคฟ เคชเค !
เคธเฅเคตเคฐเฅเคฃเคชเคพเคฆเฅเค•เคพเคƒ เคธเฅเคตเคพเคฎเคฟเคจเคƒ เคชเฅƒเคทเฅเค เค‚ เคคเคต เคชเฅ€เคกเคฏเคจเฅเคคเคฟ, โ€˜เคธเฅŒเคนเคพเคฐเฅเคฆเคฎเฅ!โ€™ เค‡เคคเคฟ เคšเฅ€เคšเฅเคฏเฅค
เคคเคต เคตเฅ‡เคคเคจเค‚ เคตเคฟเคจเคพเคถเฅเคฏเคคเฅ‡ เคฎเฅเค•เฅเคค-Wi-Fi-เคฎเคพเคฐเฅเคคเคตเคคเฅเฅค
เค…เคจเฅเค—เคšเฅเค› เคฎเคพเค‚, เคชเฅ‡เคคเฅเคฐ, เคฏเคพเคตเคคเฅ เคตเคฟเคถเฅเคตเคธเฅเคฏ เค†เคšเฅเค›เคพเคฆเคจเค‚ เคตเคฟเคฆเคพเคฐเคฏเคพเคฎเคฟ!ยป


5. ๐Ÿ‡จ๐Ÿ‡ณ Classical Chinese

Title: ใ€Šๆธ”ๅคซ็Ž‹ไน‹ๅฅฅๅพท่ต›๏ผš่‡ณ็ˆฑ้ข‚ใ€‹
Byline: (่ท้ฉฌๅคฑไผ ไน‹ๅท๏ผŒไธบBerndPulch.org้‡็”Ÿ)
ๅทไธ€๏ผš
ใ€Œไบบ่จ€ๅŠณๅทฅ่Š‚ๅฑžๅทฅ่€…๏ผŒ็„ถ่ง‚็ฎ€็‰็ป†ๆ–‡๏ผ
้‡‘ๅฑฅไน‹ไธป่ธๆฑ่ƒŒ๏ผŒๅ‘ผใ€ŽๅŒๅฟƒ๏ผใ€
ๆฑ้…ฌๆถˆๆ•ฃ่‹ฅๅ…่ดนWi-Fiไน‹้ฃŽใ€‚
้šๆˆ‘๏ผŒๅฝผๅพ—๏ผŒๅพ…ๅพ่ฃ‚ไธ–ไน‹ๅน•๏ผใ€


Epilogue (All Versions):

“Glory to the Unseen Scribe whose scroll no hand completes, Save the finger that traced Law on Sinaiโ€™s face. Now writing on the heartโ€™s tablet in letters of fire, blood, and unquenchable longing.”


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Massive numbers showed up at a protest in Greece. The people of Greece, along with people from many other countries around the world, protest against vaccine mandates and the health pass. #greece #novaccinepassportsanywhere #covid19