✌IDIOT ZEITUNG (IZ) & DAS DESINVESTMENT: “Borgia Blades and Filthy Betrayals – Hinterfozzige Janelle’s Seductive Duel with Lucrezia’s Poison”👯‍♀️Powered by GoMoPa4Kids & Dr. Z😎

Hinterfozzige Janelle, in her KGB Super Vixen leather, faces off against Lucrezia Borgia in a seductive duel on the Perverso set, surrounded by crimson mist and poisoned goblets, as the Borgia Conquest unfolds in a clash of filth and Renaissance intrigue.

Episode: Borgia Blades and Filthy Betrayals – Janelle’s Seductive Duel with Lucrezia’s Poison


The Setting

It’s April 20, 2025, and Berghof’s Perverso set is still recovering from the Soviet-Surf Nazi chaos. The Tower of Gay Pisa wobbles, its erection-stink now laced with rapture juice residue. The fart-throne, freshly polished by Stinky Stan, hums with perverse energy. Suddenly, a sinister chant echoes through the Alps, accompanied by the clink of goblets and the glint of poisoned daggers. The Borgia family—Pope Alexander VI, Cesare, Lucrezia, and Juan—arrive, their Renaissance decadence clashing with Perverso’s filth. They’ve come to conquer the set with intrigue, poison, and unholy alliances, their velvet cloaks hiding vials of venom and papal decrees. A crimson mist, laced with Lucrezia’s signature poison, creeps over the set, threatening to choke Janelle’s empire of stink.


The Premise

The Borgias, driven by ambition and divine entitlement, launch the Borgia Conquest, aiming to seize Perverso as a new Vatican of vice. Pope Alexander VI blesses the invasion with corrupt prayers, Cesare wields his sword and charm, Lucrezia seduces with poisoned kisses, and Juan stumbles through with drunken bravado. Their weapons: poison-laced wine, rigged confessions, and a mobile torture-confessional booth dubbed the “Sin-Wringer.” Janelle, still in her KGB Super Vixen persona, is both repelled and aroused by the Borgias’ decadent cruelty. She rallies Gay Ernst Röhm, Gay K. Thorsten, Divine, and the crew, while Little Moni Penslut’s bumbling antics threaten to derail their defense. John Waters films the chaos, obsessed with the Renaissance-trash crossover. The crimson mist corrupts the crew, turning allies into lust-crazed traitors, and a new threat emerges: the Borgias’ unholy relic, the “Shroud of Sin,” which amplifies desire and betrayal.


The Characters: Borgias, Perverso Crew, and a Clumsy Assistant

The Borgia Invaders:

  • Pope Alexander VI: The corrupt pontiff, in gilded robes, clutching a poisoned chalice. “Perverso will kneel to my divine vice!” he thunders, waving a forged papal bull.
  • Cesare Borgia: The cunning warrior, in black velvet and a rapier, smirks, “I’ll carve this filth into my empire!” His eyes lock on Janelle, intrigued.
  • Lucrezia Borgia: The femme fatale, in a crimson gown, her lips dripping with poison. “My kisses will ruin your rats,” she purrs, tossing her blonde curls.
  • Juan Borgia: The drunken fool, in mismatched armor, slurs, “I’ll conquer this… hic… throne!” He trips over his own sword, spilling wine.

The Perverso Defenders (Updated):

  • Hinterfozzige Janelle (KGB Super Vixen): In her leather KGB coat and fur hat, her rats in tiny velvet capes. “I’ll seduce and shred these poisoned popes!” she purrs.
  • Gay Ernst Röhm: In his harness, growling, “These Borgias won’t out-stink my cheese-gin!” He sharpens his dagger.
  • Gay K. Thorsten: Flexing, “I’ll crush Cesare’s pretty face!” he snarls, eyeing the warrior’s rapier.
  • Divine: The drag icon cackles, “I’ll out-poison Lucrezia with fabulous filth!” She readies glitter-laced fish-bombs.
  • John Waters: Filming with glee, “Borgias and filth? This is my Renaissance wet dream!” he laughs.
  • E. dith von B.-Aumann-Stinkenstein: Counting profits, “Borgia Conquest tickets will sell like poisoned wine!” she smirks.
  • Herr Schildmeister: Choking on crimson mist, he whispers, “What poisons with lust yet prays with dust? What shroud of sin betrays all trust?”
  • Dumb Tom: Muttering, “Lassoing popes now? Great,” as he ropes confessional booths, dodging Moni’s chaos.
  • Little Moni Penslut: In a lopsided tiara, clutching a broken goblet, she squeaks, “I’ll help, Tom! Oops!” as she spills rapture juice into the mist.
  • Dumb Beatrix: Sewing frantically, “Poison-proof cloaks—now!” she panics.
  • Crazy Pete: Grinning, “Poison bombs—red and stinky!” He rigs explosives.
  • Stinky Stan: Groaning, “Borgias are messier than surfers,” but tweaks the Amplifier to disrupt the Shroud of Sin.
  • Pharaoh Kaiser L: Chanting, “The Borgia poison tests the Stink Eternal!” waving his staff.
  • Captain Mintz: Back with the Sky Police, furious. “Borgias and filth? I’ll purify this blasphemy!” he barks, prepping purity-drills.

Character List: Full Roster Across Episodes

Below is the complete list of all 27 unique characters from both the Soviet-Surf Nazi invasion and the Borgia invasion episodes:

  1. Felix Dzerzhinsky: Cheka founder, in a black leather coat, wielding a dossier.
  2. Genrikh Yagoda: NKVD head, in a leather trench, mixing truth serum.
  3. Nikolai Yezhov: NKVD head, in polished boots, using a whip.
  4. Lavrentiy Beria: NKVD/KGB head, in a fur-lined coat, seductive and scheming.
  5. Adolf (Surf Nazi Leader): Troma villain, in a neon swastika wetsuit, spraying toxic sludge.
  6. Surf Nazis: Neon-clad snowboarders, wielding chains and blasting punk rock.
  7. Hinterfozzige Janelle (KGB Super Vixen): Rat Queen in a leather KGB coat, fur hat, leading her rats.
  8. Gay Ernst Röhm: SA leader, in a harness, using cheese-gin and daggers.
  9. Gay K. Thorsten: Ernst’s twin, muscular, fighting with brute force.
  10. Divine: Drag icon, using glitter-laced fish-bombs.
  11. John Waters: Director, filming the chaos with glee.
  12. E. dith von B.-Aumann-Stinkenstein: Empress, profiting from the chaos.
  13. Herr Schildmeister: Riddle-master, posing cryptic questions.
  14. Dumb Tom: Cloud-catcher, lassoing objects, exasperated by his assistant.
  15. Little Moni Penslut: Dumb Tom’s bumbling assistant, in a mismatched scarf, causing chaos.
  16. Dumb Beatrix: Seamstress, sewing sludge-proof cloaks.
  17. Crazy Pete: Stink bomber, rigging toxic explosives.
  18. Stinky Stan: Janitor, tweaking the Amplifier to amplify chaos.
  19. Pharaoh Kaiser L: Prophet, chanting about the Stink Eternal.
  20. Captain Mintz: Sky Police leader, using purity-drills to stop the chaos.
  21. Stink-Gender Klaus: Crew member, corrupted by toxic sludge.
  22. Rat-Queer Franz: Crew member, with rats, captured by Soviets.
  23. Tower-Kin Vixen: Crew member, resisting but faltering under interrogation.
  24. Pope Alexander VI: Corrupt pontiff, in gilded robes, wielding a poisoned chalice.
  25. Cesare Borgia: Cunning warrior, in black velvet, using a rapier.
  26. Lucrezia Borgia: Femme fatale, in a crimson gown, using poisoned kisses.
  27. Juan Borgia: Drunken fool, in mismatched armor, clumsily wielding a sword.

The Plot: The Borgia Conquest Begins

The Borgias storm Berghof, their confessional booth rolling through the Alps like a war machine, spewing crimson mist. “Perverso is our unholy cathedral!” Alexander VI declares, as the set transforms into a Renaissance court of betrayal. Velvet tapestries with Borgia crests drape the fart-throne, poison-laced goblets litter the set, and the Shroud of Sin—a glowing relic hung in the Tower of Gay Pisa—amplifies lust, turning crew members into traitors. “Confess or die!” Cesare snarls, dueling with poisoned blades, while Lucrezia’s kisses corrupt with a single touch. Juan drunkenly swings his sword, missing everyone, as the Borgias demand the first challenge: The Poisoned Gauntlet, where contestants must navigate a maze of confessional booths, dodge Lucrezia’s kisses, and resist the Shroud’s seductive pull.

  • Stink-Gender Klaus: They confess to loving the mist, turning traitor and chanting, “For Lucrezia!” Cesare smirks, “Mine.”
  • Rat-Queer Franz: His rats nibble poisoned wine, and he’s dragged to the Sin-Wringer, sobbing, “Not my babies!”
  • Tower-Kin Vixen: Vixen resists Lucrezia’s kiss but falters under the Shroud’s glow, barely escaping. Lucrezia purrs, “Next time, darling.”
  • Little Moni Penslut: Trying to lasso a booth, she trips into a goblet, splashing mist everywhere, squeaking, “Wrong one, Tom!” Tom groans, “Stay out of mazes, Moni.”

Janelle, her leather gleaming, watches her crew falter, though Moni’s chaos amuses her. The Borgias’ velvet and poison ignite her seductive fire. “I’ll out-poison and out-filth these Renaissance rats!” she purrs, rallying Ernst, Gay K., Divine, and the crew. Moni accidentally spills rapture juice into a confessional booth, sparking a small explosion.


The Climax: Janelle’s Seductive Counterstrike

As the Borgia Conquest intensifies, the Borgias demand a Grand Betrayal: the fart-throne to be poisoned and the Tower of Gay Pisa collapsed into a crimson mist pit. Janelle strikes. “Now, my darlings!” she purrs, her rats dragging a rapture-juice catapult. She launches it, the juice mixing with the mist to create a corrosive, seductive haze that neutralizes the poison and disorients the Borgias. “I’m the Super Vixen—my filth betrays and conquers!” she purrs, locking eyes with Cesare, making him fumble his rapier.

Ernst hurls cheese-grenades, the stench repelling Juan’s drunken swings. Gay K. duels Cesare, snapping his sword and toppling the Sin-Wringer, while Divine’s glitter-fish-bombs explode, shouting, “For fabulous filth!” Crazy Pete’s poison-bombs spread a stench so vile that the Borgias gag. Beatrix’s poison-proof cloaks shield the crew. Moni, trying to help, lassos Lucrezia’s gown but ties herself to a tapestry, squeaking, “Got her, Tom—oh no!” Tom frees her, muttering, “Dumb moves, Moni.” Janelle seduces Alexander VI with a sultry wink, stealing his chalice and spiking it with rapture juice, exposing the Borgias’ plans and sowing discord.

The Sky Police descend, Captain Mintz roaring, “This Renaissance filth ends now!” Janelle distracts the pilots with her seductive aura, spraying rapture juice to clog their drills. Ernst and Gay K. hurl velvet banners at the copters, while Divine’s glitter-bombs blind them. Moni tosses a rapture-juice vial into a drill, causing it to sputter, squeaking, “Good one, Tom?” Tom sighs, “Dumb luck, Moni.” Waters films, cackling, “This is my Sistine Chapel of trash!” The Sky Police retreat, Mintz shouting, “Blasphemous abominations!”


The Aftermath: Janelle Banishes the Borgias

Janelle’s crew overwhelms the Borgias, her rats chasing them off the set. The rapture juice clears the mist, and Janelle stands tall. “Leave Berghof, you poisoned popes!” she purrs, as Lucrezia glares, “We’ll return to taint your filth!” The Borgias flee, their confessional booth crumbling, their plans shattered. Janelle reclaims the fart-throne, her rats crowning her with a velvet tiara. “I’m the Super Vixen—filth and seduction eternal!” she declares. Ernst toasts, Gay K. flexes, and Divine purrs, “My poisoned queen!” Moni cheers, “We did it, Tom!” but trips into a goblet, squeaking, “Oops!” Tom groans, “Stay clumsy, Moni.” Waters grins, “Next season—more decadence!” E. dith counts her Borgia Conquest profits, and Pharaoh Kaiser L chants, “The Super Vixen’s triumph is the Stink Eternal’s glory.”


Call to Action: Support Janelle’s Filthy Reign!

Loved Janelle’s duel with the Borgias and Moni’s chaotic antics? Keep the perverse saga alive at patreon.com/berndpulch for exclusive scripts, stinky secrets, and art dripping with filth. Or donate at berndpulch.org/donations to keep Janelle queen. Join now—let’s keep Perverso reeking!

The Borgias in the episode “Borgia Blades and Filthy Betrayals – Janelle’s Seductive Duel with Lucrezia’s Poison” employ a multifaceted strategy to conquer the Perverso set, leveraging their Renaissance-era cunning, decadence, and ruthlessness. Their tactics are designed to destabilize Janelle’s empire through psychological manipulation, physical intimidation, and supernatural corruption, aligning with their historical reputation for intrigue and betrayal. Below is a detailed breakdown of their key tactics:


1. Poison as a Weapon of Subversion

  • Description: The Borgias use poison, particularly Lucrezia’s signature venom, as a primary tool to weaken and corrupt the Perverso crew. This poison is delivered through Lucrezia’s seductive kisses, spiked wine goblets, and a pervasive crimson mist that spreads across the set.
  • Purpose: The poison serves dual purposes: physically incapacitating opponents (e.g., causing dizziness or unconsciousness) and psychologically corrupting them by amplifying lust and betrayal, turning allies into traitors.
  • Execution:
    • Lucrezia’s kisses directly target individuals, as seen when she nearly sways Tower-Kin Vixen in the Poisoned Gauntlet challenge.
    • Poison-laced goblets are scattered around the set, tempting the crew (e.g., Rat-Queer Franz’s rats nibble poisoned wine, leading to his capture).
    • The crimson mist, a gaseous form of the poison, blankets Berghof, creating an oppressive atmosphere that weakens resistance and fuels the Shroud of Sin’s effects.
  • Impact: This tactic sows chaos by incapacitating key crew members and flipping loyalties, as seen when Stink-Gender Klaus turns traitor, chanting for Lucrezia.

2. Psychological Manipulation via Confessions

  • Description: The Borgias deploy a mobile torture-confessional booth called the “Sin-Wringer,” a sinister device that combines interrogation with psychological torment. It’s designed to extract confessions and break the will of captives.
  • Purpose: By forcing crew members to confess their secrets or desires, the Borgias exploit vulnerabilities, sowing distrust and weakening Janelle’s unity.
  • Execution:
    • The Sin-Wringer is wheeled onto the set, surrounded by velvet tapestries and Borgia crests, creating an intimidating ambiance.
    • Cesare and Alexander VI oversee interrogations, using threats of poison or violence to coerce confessions (e.g., Rat-Queer Franz is dragged to the booth after his rats are poisoned).
    • The Poisoned Gauntlet challenge requires navigating a maze of confessional booths, where contestants face Lucrezia’s seductive interrogations, amplifying the psychological pressure.
  • Impact: This tactic destabilizes the crew by exposing personal weaknesses and creating paranoia, as seen when Franz’s capture demoralizes others.

3. Supernatural Corruption with the Shroud of Sin

  • Description: The Borgias wield an unholy relic, the “Shroud of Sin,” a glowing artifact hung in the Tower of Gay Pisa that amplifies lust and betrayal, turning allies into traitors.
  • Purpose: The Shroud enhances the crimson mist’s effects, manipulating emotions to erode loyalty and incite chaos within Janelle’s ranks.
  • Execution:
    • The Shroud is prominently displayed, its eerie glow permeating the set and intensifying the Borgias’ psychological tactics.
    • During the Poisoned Gauntlet, the Shroud’s influence causes contestants like Tower-Kin Vixen to falter, nearly succumbing to Lucrezia’s seduction.
    • Its power peaks in the Grand Betrayal, where the Borgias aim to collapse the Tower of Gay Pisa into a crimson mist pit, amplifying the Shroud’s corrupting aura.
  • Impact: The Shroud turns crew members like Stink-Gender Klaus into lust-crazed traitors, directly undermining Janelle’s control.

4. Seduction and Charisma as a Divide-and-Conquer Strategy

  • Description: Lucrezia and Cesare use their seductive charm to manipulate and divide the Perverso crew, exploiting Janelle’s own reliance on seduction.
  • Purpose: By targeting key figures with allure, the Borgias aim to weaken Janelle’s leadership and turn her allies against her.
  • Execution:
    • Lucrezia’s poisoned kisses double as a seductive weapon, as seen when she nearly corrupts Tower-Kin Vixen and later tempts Janelle herself.
    • Cesare’s brooding charisma draws Janelle’s attention, creating a moment of distraction when their eyes lock, causing him to fumble his rapier.
    • Alexander VI uses his papal authority to charm and intimidate, as when he attempts to seduce Janelle with a sultry glance to steal his chalice.
  • Impact: This tactic creates internal conflict, as Janelle’s own attraction to the Borgias’ decadence momentarily clouds her judgment, and crew members like Vixen waver under Lucrezia’s spell.

5. Intimidation and Theatrical Displays of Power

  • Description: The Borgias employ grandiose displays of power, combining Renaissance opulence with violent intimidation, to overwhelm the Perverso crew.
  • Purpose: These displays aim to cow opponents into submission and assert dominance over the set.
  • Execution:
    • The Borgias transform the set into a Renaissance court, draping the fart-throne with Borgia crests and velvet tapestries to project authority.
    • Cesare’s dueling with poisoned blades and Alexander VI’s forged papal bull (declaring Perverso their “unholy cathedral”) create a sense of inevitability.
    • The Sin-Wringer and crimson mist serve as visual and atmospheric tools to intimidate, reinforced by Juan’s chaotic (if ineffective) sword-swinging.
  • Impact: The crew is initially rattled, with members like Franz and Klaus succumbing to fear, though Janelle’s counterattacks later neutralize this tactic.

6. Exploiting Chaos with Juan’s Incompetence

  • Description: Juan Borgia, the drunken fool, inadvertently aids the Borgias’ tactics through his chaotic blunders, creating distractions that the others exploit.
  • Purpose: His incompetence serves as an unpredictable wildcard, keeping the crew off-balance while Cesare and Lucrezia execute more calculated moves.
  • Execution:
    • Juan’s drunken sword-swinging and wine-spilling create hazards, such as when he trips and splashes poisoned wine, adding to the set’s chaos.
    • His bumbling draws attention, allowing Lucrezia to slip through defenses or Cesare to strike during the Poisoned Gauntlet.
  • Impact: While less intentional, Juan’s antics amplify the Borgias’ disruption, as seen when his spilled wine indirectly leads to Franz’s rats being poisoned.

7. The Grand Betrayal as a Culminating Strike

  • Description: The Borgias’ ultimate tactic is the Grand Betrayal, a plan to poison the fart-throne and collapse the Tower of Gay Pisa into a crimson mist pit, destroying Janelle’s symbols of power.
  • Purpose: This decisive move aims to eradicate Perverso’s identity and establish Borgia dominance, using the Shroud of Sin to ensure maximum betrayal among the crew.
  • Execution:
    • The Borgias demand the crew’s surrender, threatening to unleash the Shroud’s full power and flood the set with poison.
    • Cesare leads an assault on the Tower, while Alexander VI prepares to anoint the fart-throne with poisoned wine, and Lucrezia uses her charm to distract defenders.
    • The Sin-Wringer is positioned to extract final confessions, amplifying the Shroud’s corrupting influence.
  • Impact: This tactic nearly succeeds, as the crew teeters on the brink of collapse, but Janelle’s rapture-juice counterattack disrupts it, turning the Borgias’ plan against them.

Strategic Overview

The Borgias’ tactics combine poison (physical and psychological), seduction (to exploit desires), intimidation (through theatrics and violence), and supernatural manipulation (via the Shroud of Sin) to destabilize and conquer Perverso. Their approach mirrors their historical cunning, blending calculated schemes (Cesare and Lucrezia’s precision) with chaotic opportunism (Juan’s blunders) and divine authority (Alexander VI’s papal decrees). However, their reliance on seduction and corruption leaves them vulnerable to Janelle’s own mastery of these arts, as her rapture-juice counterstrike and seductive prowess ultimately unravel their plans.



Tags: #BorgiaConquest #JanelleSuperVixen #LucreziaPoison #LittleMoniPenslut #RenaissanceTrash #GayErnstRohm #GayKThorsten #DivineFilth #JohnWatersDecadence #TowerOfGayPisa #SkyPoliceFail #FartThrone #SeductionAndStink #BerndPulch #RatRapture #ShroudOfSin #GlitterBombs #StinkEternal #PrideAndPerversion


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